

No tak, bo jak dzisiaj zobaczysz wiewiórkę na drzewie to z tego wynika wniosek, że jutro też tam będziekiedyśgrześ pisze:to ja mam lepszy, pierwsza ścieżka była do bani, to i druga będzie, dobry?
No ja nawet pierszej części nie widziałem więc amen brotherkiedyśgrześ pisze:a w ogóle to F**** The Hunger Games
Score is another story all together. Its a real clunker. JNH seems to be totally stuck in droning synth territory for a good chunk of the movie's run time. The score as a whole sounded (badly) synthesized, even the action tracks. The action music seems to stick to string ostinatos that would bore even Zimmer and were backed by 90's Goldsmith-style chattering synths. The feel for the score to me is, in fact, not unlike 90's Goldsmith if Jerry pushed a button on a sequencer and fell asleep on top of a few keys of the keyboard. Heck, even the performances of the Tribute's Fanfare sounded uninspiringly keyboarded in when in the first movie they were bold (even if it is a totally generic fanfare). There's also a little fanfare in the movie that bugged me because it sounded like it was taken from the pages of Star Trek Nemesis and the track "Remus"...the little diddy that plays right before the Courage theme (totally unintentional I'm sure).
I was actually quite horrified to see the London Voices credited in the end credits because I heard nothing that resembled a real choir or human voice besides some soprano solos at the beginning. Everything had a Horner-esque synth choir sound to it. I have no idea how JNH could make the London Voices sound so bad but he did. If someone came along and told me some of the synth mockups got left in the movie, I'd simply respond "that explains it!"
The score comes in fits and starts and I expect it to be an unsatisfying album. I thought the first score really amplified the movie. This one stalled or flat out killed it in so many places that needed some raw emotional power or energy.
Althazan pisze:Pierwsze opinie po seansach kinowych nie są niestety zachęcające:![]()
Its a real clunker. JNH seems to be totally stuck in droning synth territory for a good chunk of the movie's run time.
The score comes in fits and starts and I expect it to be an unsatisfying album. I thought the first score really amplified the movie. This one stalled or flat out killed it in so many places that needed some raw emotional power or energy.