Nominacje IFMCA

[Koper]

Nieciekawie bo są Srajfeld, Djawadi, Bates...
na szczęście są też Marianelli, Giacchino, Rombi, Desplat i inni, więc jakoś to będzie.

[Wawrzyniec]

Ale ja teraz akurat to na powaznie napisalem. Gdyz oczywiscie mozna zachwalac ich warsztat, ale jak sobie tak porownuje te osoby, ktore juz spisaliscie na straty i ich dokonania, z tymi "nadziejami", to troche tak niezbyt optymistycznie to wyglada.

[Koper]

Ale co jest nieoptymistycznego w dokonaniach takiego Marianellego? A jest jeszcze Powell, jest wielu młodych kompozytorów, z których coś może być. Wiadomo, że jeśli choć jeden z nich okaże się postacią na miarę Williamsa czy Goldsmitha to będzie wielki sukces, ale nie ma co przedwcześnie drzeć szat, albo się biczować jak masz to w zwyczaju.

[Mystery]

Powell odebrał swoje:
http://filmmusiccritics.org/2011/03/joh ... ur-dragon/

Chyba przy Happy Feet 2 właśnie pracuje

[Adam]

ano a Broxton to ma wtyki

[DanielosVK]

Zazdrościsz. :P

[Adam]

no a jak mam nie zazdrościć skoro koleś się fotografuje ze wszystkimi tam i to na prywatnych eventach przynajmniej jest przed kim się pokłonić i rękę podać

[Tomek]

A ja jakoś mam awersję jak widzę Broxtona...

Fajnie, że działa jako lider IFMCA, ale to chyba jego recenzji nie stawia obecnie w zbyt obiektywnym świetle + większość to mówienie jakie to nowe pozycje niektórych kompozytorów są super-świetne, cudne i w ogóle...

Powell fajny gość, widać że przy Happy Feet 2 ostro pracuje

[Mystery]

Broxton to już się ledwo w pokoju mieści
http://filmmusiccritics.org/wp/wp-conte ... onnuno.jpg

[Koper]

Równorzędny przeciwnik dla Predatora by był, a nawet chyba wyższa kategoria wagowa :D

[Tomek]

Ogoliłby się, bo przypomina tego policjanta z "Ojca Mateusza".

[Mystery]

Nominacje IFMCA za ubiegły rok:

FILM SCORE OF THE YEAR

• THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN, music by John Williams
• THE ARTIST, music by Ludovic Bource
• THE GREATEST MIRACLE, music by Mark McKenzie
• HUGO, music by Howard Shore
• WAR HORSE, music by John Williams

FILM COMPOSER OF THE YEAR

• LUDOVIC BOURCE
• ALEXANDRE DESPLAT
• MICHAEL GIACCHINO
• ALBERTO IGLESIAS
• JOHN WILLIAMS

BREAKOUT COMPOSER OF THE YEAR

• LUDOVIC BOURCE
• BRIAN BYRNE
• THE CHEMICAL BROTHERS
• MICHAEL RICHARD PLOWMAN
• LUCAS VIDAL

BEST ORIGINAL SCORE FOR A DRAMA FILM

• THE ARTIST, music by Ludovic Bource
• JANE EYRE, music by Dario Marianelli
• SOUL SURFER, music by Marco Beltrami
• W.E., music by Abel Korzeniowski
• WAR HORSE, music by John Williams

BEST ORIGINAL SCORE FOR A COMEDY FILM

• PAUL, music by David Arnold
• THE RUM DIARY, music by Christopher Young
• TORRENTE 4: LETHAL CRISIS, music by Roque Baños
• A VERY HAROLD AND KUMAR 3D CHRISTMAS, music by William Ross
• YOUR HIGHNESS, music by Steve Jablonsky

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM

• CAPTAIN AMERICA: THE FIRST AVENGER, music by Alan Silvestri
• DRIVE, music by Cliff Martinez
• MISSION IMPOSSIBLE – GHOST PROTOCOL, music by Michael Giacchino
• REAL STEEL, music by Danny Elfman
• RISE OF THE PLANET OF THE APES, music by Patrick Doyle

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM

• DON’T BE AFRAID OF THE DARK, music by Marco Beltrami and Buck Sanders
• HARRY POTTER AND THE DEATHLY HALLOWS PART 2, music by Alexandre Desplat
• HUGO, music by Howard Shore
• PRIEST, music by Christopher Young
• SUPER 8, music by Michael Giacchino

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

• THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN, music by John Williams
• THE GREATEST MIRACLE, music by Mark McKenzie
• KUNG FU PANDA 2, music by John Powell and Hans Zimmer
• PUSS IN BOOTS, music by Henry Jackman
• RANGO, music by Hans Zimmer

BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE

• FROZEN PLANET, music by George Fenton
• HOLD AT ALL COSTS: THE STORY OF THE BATTLE OF OUTPOST HARRY, music by Larry Groupé
• JIG, music by Patrick Doyle
• RUSSLAND – IM REICH DER TIGER, BÄREN UND VULKANE, music by Kolja Erdmann
• THE WIND GODS, music by Pinar Toprak

FILM MUSIC COMPOSITION OF THE YEAR

• “The Adventure Continues” from THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN, music by John Williams
• “George Valentin” from THE ARTIST, music by Ludovic Bource
• “Captain America March” from CAPTAIN AMERICA: THE FIRST AVENGER, music by Alan Silvestri
• “Final Round” from REAL STEEL, music by Danny Elfman
• “The Homecoming” from WAR HORSE, music by John Williams

Other 2011 Categories

BEST ORIGINAL SCORE FOR A TELEVISION SERIES

• DOCTOR WHO, music by Murray Gold
• DOWNTON ABBEY, music by John Lunn
• ERMESSENDA, music by Arnau Bataller
• GAME OF THRONES, music by Ramin Djawadi
• SHERLOCK, music by David Arnold and Michael Price

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

• CALL OF DUTY: MODERN WARFARE 3, music by Brian Tyler
• THE ELDER SCROLLS V: SKYRIM, music by Jeremy Soule
• L.A. NOIRE, music by Andrew Hale and Simon Hale
• NI NO KUNI: WRATH OF THE WHITE WITCH, music by Joe Hisaishi
• SOCOM 4: U.S. NAVY SEALS, music by Bear McCreary

BEST ARCHIVAL RELEASE OF AN EXISTING SCORE

• THE BLACK HOLE, music by John Barry; album produced by Randy Thornton and Douglass Fake, liner notes by Jeff Bond; album art direction by Steve Sterling (Disney / Intrada)
• THE DANNY ELFMAN & TIM BURTON 25TH ANNIVERSARY MUSIC BOX, music by Danny Elfman; album produced by Danny Elfman and Tim Burton; liner notes by Jeff Bond and Danny Elfman; album art direction by Matt Taylor (Warner Bros Records)
• DAYS OF HEAVEN, music by Ennio Morricone; album produced by Lukas Kendall and Craig Spaulding; liner notes by Lukas Kendall and Jeff Bond; album art direction by Joe Sikoryak (Film Score Monthly)
• GREMLINS, music by Jerry Goldsmith; album produced by Mike Matessino and Bruce Botnick; liner notes by Jeff Bond and Mike Matessino; album art direction by Joe Sikoryak (Film Score Monthly)
• MASADA, music by Jerry Goldsmith and Morton Stevens; album produced by Douglass Fake and Roger Feigelson; liner notes by Jon Burlingame; album art direction by Joe Sikoryak (Intrada)

BEST ARCHIVAL RE-RECORDING OF AN EXISTING SCORE

• THE BATTLE OF NERETVA/THE NAKED AND THE DEAD, music by Bernard Herrmann; conducted by William Stromberg; album produced by William Stromberg, John Morgan and Anna Bonn; liner notes by Jim Doherty and Kevin Scott; album art direction by Jim Titus (Tribute Film Classics)
• CONAN THE DESTROYER, music by Basil Poledouris; conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. DeWald; album art direction by GINKO DIGI (Prometheus)
• THE FALL OF THE ROMAN EMPIRE, music by Dimitri Tiomkin; conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. DeWald; album art direction by James Fitzpatrick, Damien Doherty and GINKO DIGI (Tadlow Music)
• THE LORD OF THE RINGS SYMPHONY, music by Howard Shore; conducted by Ludwig Wicki; album produced by Jonathan Schultz and Howard Shore; liner notes by Howard Shore and Ludwig Wicki; album art direction by Alan Frey (HOWE Records)
• TARAS BULBA, music by Franz Waxman; conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. DeWald; album art direction by Damien Doherty (Tadlow Music)

FILM MUSIC RECORD LABEL OF THE YEAR

• FILM SCORE MONTHLY
• INTRADA
• LA-LA LAND
• MOVIESCORE MEDIA
• VARÈSE SARABANDE

[Wawrzyniec]

Nominacje OK. Wiadomo trafiają się tam drobne kwiatki jak "Game of Thrones", ale ogólnie jestem zadowolony. W sumie szkoda, że sam nie jestem w IFMCA to mógłbym sobie głosować.

[kiedyśgrześ]

BEST ORIGINAL SCORE FOR A TELEVISION SERIES

• DOCTOR WHO, music by Murray Gold
• DOWNTON ABBEY, music by John Lunn
• ERMESSENDA, music by Arnau Bataller
• GAME OF THRONES, music by Ramin Djawadi
• SHERLOCK, music by David Arnold and Michael Price

To tak jakby nominować w tej samej kategorii Fiata 126p i Ferrari Testarossa

[Mystery]

BEST ORIGINAL SCORE FOR A TELEVISION SERIES

• DOCTOR WHO, music by Murray Gold
• DOWNTON ABBEY, music by John Lunn
• ERMESSENDA, music by Arnau Bataller
• GAME OF THRONES, music by Ramin Djawadi
• SHERLOCK, music by David Arnold and Michael Price

To tak jakby nominować w tej samej kategorii Fiata 126p i Ferrari Testarossa

To co dopiero powiedzieć o Grze o Tron Skoro zabrakło miejsca dla Fringe, w tej kategorii życzę wygranej Downton Abbey.