NAGRODY BRANŻOWE

[Adam]

Te nagrody są już tak skompromitowane, że nikt ich poważnie nie bierze.

[Adam]

Nomki do naszych Orłów za score:

Biała Odwaga
Diabeł
Dziewczyna z Igłą
Idź pod prąd
Koński Ogon
Kulej. Dwie Strony Medalu
Simona Kossak
To Nie Mój Film
Wróbel

[swordfish]

Na bogato! 9 tytułów.

Jacek Grudzień – „Biała odwaga”
Łukasz Targosz – „Diabeł”
Frederikke Hoffmeier – „Dziewczyna z igłą”
Zespół KSU, Eugeniusz „Siczka” Olejarczyk – „Idź pod prąd”
Mikołaj Trzaska – „Koński ogon”
Jan Komar, Mikołaj Majkusiak, Bartłomiej Tyciński – „Kulej. Dwie strony medalu”
Bartosz Chajdecki – „Simona Kossak”
Anja Garbarek – „To nie mój film”
Tomasz Gąssowski – „Wróbel”

Wszyscy żyją (chyba, że ktoś z KSU odszedł do Pana). Honoru kobiet bronią dwie kompozytorki zagraniczne.

[Mystery]

IFMCA Award Nominations 2024

SCORE OF THE YEAR

AVATAR: THE LAST AIRBENDER, music by Takeshi Furukawa
HERE, music by Alan Silvestri
KENSUKE’S KINGDOM, music by Stuart Hancock
THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
THE WILD ROBOT, music by Kris Bowers

COMPOSER OF THE YEAR

VOLKER BERTELMANN
KRIS BOWERS
ALEXANDRE DESPLAT
BEAR MCCREARY
JOHN POWELL

BREAKTHROUGH COMPOSER OF THE YEAR

DANIEL BLUMBERG
STEPHEN GALLAGHER
MICK GIACCHINO
LAURI PORRA
WILBERT ROGET II

COMPOSITION OF THE YEAR

“Battle for Eregion” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
“End Credits” from HERE, music by Alan Silvestri
“Horizon Montage Begins/Closing Survey” from HORIZON: AN AMERICAN SAGA – CHAPTER 1, music by John Debney
“I Could Use A Boost” from THE WILD ROBOT, music by Kris Bowers
“The Sun Yet Shines” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary

BEST ORIGINAL SCORE FOR A DRAMA FILM

THE BRUTALIST, music by Daniel Blumberg
CONCLAVE, music by Volker Bertelmann
HERE, music by Alan Silvestri
HORIZON: AN AMERICAN SAGA – CHAPTER 1, music by John Debney
YOUNG WOMAN AND THE SEA, music by Amelia Warner

BEST ORIGINAL SCORE FOR A COMEDY FILM

THE 4:30 MOVIE, music by Bear McCreary
BEETLEJUICE BEETLEJUICE, music by Danny Elfman
FLY ME TO THE MOON, music by Daniel Pemberton
IF, music by Michael Giacchino
PADDINGTON IN PERU, music by Dario Marianelli

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM

ARGYLLE, music by Lorne Balfe
GLADIATOR II, music by Harry Gregson-Williams
THE KILLER, music by Marco Beltrami
THE MINISTRY OF UNGENTLEMANLY WARFARE, music by Chris Benstead
TWISTERS, music by Benjamin Wallfisch

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM

DUNE: PART TWO, music by Hans Zimmer
GHOSTBUSTERS: FROZEN EMPIRE, music by Dario Marianelli
KINGDOM OF THE PLANET OF THE APES, music by John Paesano
MEGALOPOLIS, music by Osvaldo Golijov
WICKED, music by John Powell and Stephen Schwartz

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM

ABIGAIL, music by Brian Tyler
ALIEN: ROMULUS, music by Benjamin Wallfisch
THE FIRST OMEN, music by Mark Korven
NOSFERATU, music by Robin Carolan
THE WATCHERS, music by Abel Korzeniowski

BEST ORIGINAL SCORE FOR AN ANIMATED FILM

DRAGONKEEPER, music by Arturo Cardelús
KENSUKE’S KINGDOM, music by Stuart Hancock
THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM, music by Stephen Gallagher
THAT CHRISTMAS, music by John Powell
THE WILD ROBOT, music by Kris Bowers

BEST ORIGINAL SCORE FOR A DOCUMENTARY

CHURCHILL AT WAR, music by Jeff Danna
ENDURANCE, music by Daniel Pemberton
OUR LIVING WORLD, music by Pinar Toprak
SUPER/MAN: THE CHRISTOPHER REEVE STORY, music by Ilan Eshkeri
WHY DINOSAURS?, music by Raphaël Dargent

BEST ORIGINAL SCORE FOR TELEVISION

AVATAR: THE LAST AIRBENDER, music by Takeshi Furukawa
COBRA KAI, music by Leo Birenberg and Zach Robinson
THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
THE PENGUIN, music by Mick Giacchino
WE WERE THE LUCKY ONES, music by Rachel Portman and Jon Ehrlich

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

FINAL FANTASY VII REBIRTH, music by Masashi Hamauzu and Mitsuto Suzuki
INDIANA JONES AND THE GREAT CIRCLE, music by Gordy Haab
NORDIC ASHES: SURVIVORS OF RAGNAROK, music by Rubén Melià
QUIDDITCH CHAMPIONS, music by Cris Velasco
STAR WARS: OUTLAWS, music by Wilbert Roget II, Jon Everist, and Kazuma Jinnouchi

BEST ORIGINAL SCORE FOR A SHORT FILM

AN ALMOST CHRISTMAS STORY, music by Daniel Hart
CARMEN Y LA CUCHARA DE PALO [CARMEN AND THE WOODEN SPOON], music by Iván Palomares
GO FOR GRANDMA, music by Fabrizio Mancinelli
THE ICE CREAM MAN, music by Nami Melumad
THE ONLY GIRL IN THE ORCHESTRA, music by Laura Karpman

BEST ARCHIVAL RELEASE

BACKDRAFT, music by Hans Zimmer; album produced by Stéphane Humez; liner notes by Kaya Savas; album art direction by Kay Marshall (Intrada)
DINOSAUR, music by James Newton Howard; album produced by Douglass Fake, James Newton Howard, and Jim Weidman; liner notes by Tim Grieving; album art direction by Kay Marshall, John Blas, and Karen De Jong (Intrada)
ELLIOT GOLDENTHAL: MUSIC FOR FILM, music by Elliot Goldenthal; the Brussels Philharmonic Orchestra cond. Dirk Brossé; album produced by Thomas Van Parys for Film Fest Gent; liner notes by Elliot Goldenthal and Thomas Van Parys; album art direction by Stuart Ford (WSA/Silva)
JERRY GOLDSMITH AT THE GENERAL ELECTRIC THEATER, music by Jerry Goldsmith; the City of Prague Philharmonic Orchestra cond. Leigh Phillips; album produced by Leigh Phillips; liner notes by Yavar Moradi; album art direction by Kay Marshall, Stéphane Coëdel, and Joe Sikoryak (Intrada)
MOONRAKER, music by John Barry; album produced by Neil S. Bulk; liner notes by Jon Burlingame; album art direction by Dan Goldwasser (La-La Land)
THE OLD MAN AND THE SEA, music by Dimitri Tiomkin; the Royal Scottish National Orchestra cond. Richard Kaufman; album produced by Patrick Russ; liner notes by Frank K. DeWald, Warren M. Sherk, and Patrick Russ; album art direction by Kay Marshall and Stéphane Coëdel (Intrada)
OUT OF AFRICA, music by John Barry; album produced by Douglass Fake; liner notes by Jon Burlingame; album art direction by Kay Marshall (Intrada)
THE PINK PANTHER, music by Henry Mancini; album produced by Chris Malone; liner notes by Jeff Bond and Chris Malone; album art direction by Nacho B. Govantes (Quartet)
THE SOUND OF LALO SCHIFRIN, music by Lalo Schifrin; album produced by Stéphane Lerouge; liner notes by Stéphane Lerouge; album art direction by Gilles Guerlet and Jérôme Witz (Universal Music France-Écoutez Le Cinéma!)
THE SUGARLAND EXPRESS, music by John Williams; album produced by Mike Matessino; liner notes by Mike Matessino; album art direction by Jim Titus (La-La Land)

FILM MUSIC RECORD LABEL OF THE YEAR

INTRADA REDORDS, Douglass Fake, Roger Feigelson
LA-LA LAND RECORDS, MV Gerhard, Matt Verboys
MOVIESCORE MEDIA, Mikael Carlsson
MUSIC BOX RECORDS, Cyril Durand-Roger, Laurent Lafarge
QUARTET RECORDS, Jose M. Benitez

[Adam]

Anora bierze kolejne nagrody, tym razem za scenariusz na Writers Guild Awards.

[Mystery]

Bafta dla najlepszego scoru dla Brutalisty. Czyli statystycznie będzie też i Oscar

[Just.Dan]

Bafta dla najlepszego scoru dla Brutalisty. Czyli statystycznie będzie też i Oscar

Szansa na tryumf Wybitności, a nie przeciętności (score do "Emilii..." - sam film zły nie jest, lecz muzyka z piosenek lepsza od głównej scoru).

[Adam]

Anora wygrywa Independent Spirit Awards za najlepszy film, reżysera i rolę kobiecą. Aktualnie to najczęśniej nagradzany film w tym sezonie.

Będą Oscary

[swordfish]

Św. Emilian ma szansę na dwie statuetki na otarcie łez. Zaldana za drugoplanową rolę kobiecą oraz piosenka. Karla nie pojawi się na rozdaniu. Netflix nie opłaci jej/jemu zaproszenia na galę. Przypadek, gdy osoba aktorska z nominacją oscarowa grająca główną rolę w filmie z wysokimi notami od prestiżowych recenzentów, dostaje bana na dalszą karierę w Hollywood. Pozostanie granie na domowym podwórku w Hiszpanii za kawałek tapas.

[Mystery]

Św. Emilian ma szansę na dwie statuetki na otarcie łez. Zaldana za drugoplanową rolę kobiecą oraz piosenka. Karla nie pojawi się na rozdaniu. Netflix nie opłaci jej/jemu zaproszenia na galę. Przypadek, gdy osoba aktorska z nominacją oscarowa grająca główną rolę w filmie z wysokimi notami od prestiżowych recenzentów, dostaje bana na dalszą karierę w Hollywood. Pozostanie granie na domowym podwórku w Hiszpanii za kawałek tapas.

A jednak ma pojawić się na gali i Netflix wszystko opłaci.
https://variety.com/2025/awards/news/ka ... 236319047/

[Adam]

Netflix się miota jak wesz na kożuchu Wszystko film przegrywa zasłużenie (niestety poza Saldaną), więc się próbują ratować.

Swoją drogą w tym roku bardzo, bardzo różnie rozkładają się wygrane - jedyne dwie osoby, które wygrywają na każdej gali, to Saldana i Culkin.
Najwięcej wygranych jak dotąd ma Anora.

[swordfish]

Oglądając rozdanie SAG Award słychać było tą niezręczną ciszę przy wymienianiu Karli wśród nominowanych. Pozostałe nominowane miały oklaski lub okrzyki radości z sali. Przy prezentacji "Emili Perez" była Saldana i Gomezowa. Mix z filmu tak skonstruowany, aby jak najmniej pojawiała się Karla.

[Adam]

trzymam kciuki żeby to była piękna oscarowa katastrofa

[Mystery]

Zwycięzcy na czerwono:

IFMCA Award Nominations 2024

SCORE OF THE YEAR

AVATAR: THE LAST AIRBENDER, music by Takeshi Furukawa
HERE, music by Alan Silvestri
KENSUKE’S KINGDOM, music by Stuart Hancock
THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
THE WILD ROBOT, music by Kris Bowers

COMPOSER OF THE YEAR

VOLKER BERTELMANN
KRIS BOWERS
ALEXANDRE DESPLAT
BEAR MCCREARY
JOHN POWELL

BREAKTHROUGH COMPOSER OF THE YEAR

DANIEL BLUMBERG
STEPHEN GALLAGHER
MICK GIACCHINO
LAURI PORRA
WILBERT ROGET II

COMPOSITION OF THE YEAR

“Battle for Eregion” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
“End Credits” from HERE, music by Alan Silvestri
“Horizon Montage Begins/Closing Survey” from HORIZON: AN AMERICAN SAGA – CHAPTER 1, music by John Debney
“I Could Use A Boost” from THE WILD ROBOT, music by Kris Bowers
“The Sun Yet Shines” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary

BEST ORIGINAL SCORE FOR A DRAMA FILM

THE BRUTALIST, music by Daniel Blumberg
CONCLAVE, music by Volker Bertelmann
HERE, music by Alan Silvestri
HORIZON: AN AMERICAN SAGA – CHAPTER 1, music by John Debney
YOUNG WOMAN AND THE SEA, music by Amelia Warner

BEST ORIGINAL SCORE FOR A COMEDY FILM

THE 4:30 MOVIE, music by Bear McCreary
BEETLEJUICE BEETLEJUICE, music by Danny Elfman
FLY ME TO THE MOON, music by Daniel Pemberton
IF, music by Michael Giacchino
PADDINGTON IN PERU, music by Dario Marianelli

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM

ARGYLLE, music by Lorne Balfe
GLADIATOR II, music by Harry Gregson-Williams
THE KILLER, music by Marco Beltrami
THE MINISTRY OF UNGENTLEMANLY WARFARE, music by Chris Benstead
TWISTERS, music by Benjamin Wallfisch

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM

DUNE: PART TWO, music by Hans Zimmer
GHOSTBUSTERS: FROZEN EMPIRE, music by Dario Marianelli
KINGDOM OF THE PLANET OF THE APES, music by John Paesano
MEGALOPOLIS, music by Osvaldo Golijov
WICKED, music by John Powell and Stephen Schwartz

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM

ABIGAIL, music by Brian Tyler
ALIEN: ROMULUS, music by Benjamin Wallfisch
THE FIRST OMEN, music by Mark Korven
NOSFERATU, music by Robin Carolan
THE WATCHERS, music by Abel Korzeniowski

BEST ORIGINAL SCORE FOR AN ANIMATED FILM

DRAGONKEEPER, music by Arturo Cardelús
KENSUKE’S KINGDOM, music by Stuart Hancock
THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM, music by Stephen Gallagher
THAT CHRISTMAS, music by John Powell
THE WILD ROBOT, music by Kris Bowers

BEST ORIGINAL SCORE FOR A DOCUMENTARY

CHURCHILL AT WAR, music by Jeff Danna
ENDURANCE, music by Daniel Pemberton
OUR LIVING WORLD, music by Pinar Toprak
SUPER/MAN: THE CHRISTOPHER REEVE STORY, music by Ilan Eshkeri
WHY DINOSAURS?, music by Raphaël Dargent

BEST ORIGINAL SCORE FOR TELEVISION

AVATAR: THE LAST AIRBENDER, music by Takeshi Furukawa
COBRA KAI, music by Leo Birenberg and Zach Robinson
THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
THE PENGUIN, music by Mick Giacchino
WE WERE THE LUCKY ONES, music by Rachel Portman and Jon Ehrlich

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

FINAL FANTASY VII REBIRTH, music by Masashi Hamauzu and Mitsuto Suzuki
INDIANA JONES AND THE GREAT CIRCLE, music by Gordy Haab
NORDIC ASHES: SURVIVORS OF RAGNAROK, music by Rubén Melià
QUIDDITCH CHAMPIONS, music by Cris Velasco
STAR WARS: OUTLAWS, music by Wilbert Roget II, Jon Everist, and Kazuma Jinnouchi

BEST ORIGINAL SCORE FOR A SHORT FILM

AN ALMOST CHRISTMAS STORY, music by Daniel Hart
CARMEN Y LA CUCHARA DE PALO [CARMEN AND THE WOODEN SPOON], music by Iván Palomares
GO FOR GRANDMA, music by Fabrizio Mancinelli
THE ICE CREAM MAN, music by Nami Melumad
THE ONLY GIRL IN THE ORCHESTRA, music by Laura Karpman

BEST ARCHIVAL RELEASE

BACKDRAFT, music by Hans Zimmer; album produced by Stéphane Humez; liner notes by Kaya Savas; album art direction by Kay Marshall (Intrada)
DINOSAUR, music by James Newton Howard; album produced by Douglass Fake, James Newton Howard, and Jim Weidman; liner notes by Tim Grieving; album art direction by Kay Marshall, John Blas, and Karen De Jong (Intrada)
ELLIOT GOLDENTHAL: MUSIC FOR FILM, music by Elliot Goldenthal; the Brussels Philharmonic Orchestra cond. Dirk Brossé; album produced by Thomas Van Parys for Film Fest Gent; liner notes by Elliot Goldenthal and Thomas Van Parys; album art direction by Stuart Ford (WSA/Silva)
JERRY GOLDSMITH AT THE GENERAL ELECTRIC THEATER, music by Jerry Goldsmith; the City of Prague Philharmonic Orchestra cond. Leigh Phillips; album produced by Leigh Phillips; liner notes by Yavar Moradi; album art direction by Kay Marshall, Stéphane Coëdel, and Joe Sikoryak (Intrada)
MOONRAKER, music by John Barry; album produced by Neil S. Bulk; liner notes by Jon Burlingame; album art direction by Dan Goldwasser (La-La Land)
THE OLD MAN AND THE SEA, music by Dimitri Tiomkin; the Royal Scottish National Orchestra cond. Richard Kaufman; album produced by Patrick Russ; liner notes by Frank K. DeWald, Warren M. Sherk, and Patrick Russ; album art direction by Kay Marshall and Stéphane Coëdel (Intrada)
OUT OF AFRICA, music by John Barry; album produced by Douglass Fake; liner notes by Jon Burlingame; album art direction by Kay Marshall (Intrada)
THE PINK PANTHER, music by Henry Mancini; album produced by Chris Malone; liner notes by Jeff Bond and Chris Malone; album art direction by Nacho B. Govantes (Quartet)
THE SOUND OF LALO SCHIFRIN, music by Lalo Schifrin; album produced by Stéphane Lerouge; liner notes by Stéphane Lerouge; album art direction by Gilles Guerlet and Jérôme Witz (Universal Music France-Écoutez Le Cinéma!)
THE SUGARLAND EXPRESS, music by John Williams; album produced by Mike Matessino; liner notes by Mike Matessino; album art direction by Jim Titus (La-La Land)

FILM MUSIC RECORD LABEL OF THE YEAR

INTRADA REDORDS, Douglass Fake, Roger Feigelson
LA-LA LAND RECORDS, MV Gerhard, Matt Verboys
MOVIESCORE MEDIA, Mikael Carlsson
MUSIC BOX RECORDS, Cyril Durand-Roger, Laurent Lafarge
QUARTET RECORDS, Jose M. Benitez

[Adam]

Czy ktoś ogarnia o co kaman z Oscarami, że równy miesiąc temu informowali że z powodu pożarów dla powagi sytuacji nie będzie nominowanych piosenek na gali, co potwierdził też tydzień temu Elton u Grahama Nortona, a teraz podają newsa o tribucie z piosenkami z Bondów (Bezos musi się przecież promować od razu bez związku z żadną bondowską rocznicą!), plus że ponoć jakaś Doja Cat ma wystąpić ?