NAGRODY BRANŻOWE
Re: NAGRODY BRANŻOWE
Zwycięzcy IFMCA 2022.
SCORE OF THE YEAR
AVATAR: THE WAY OF WATER, music by Simon Franglen
THE BATMAN, music by Michael Giacchino
THE FABELMANS, music by John Williams
THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary, theme by Howard Shore
NOPE, music by Michael Abels
COMPOSER OF THE YEAR
ALEXANDRE DESPLAT
SIMON FRANGLEN
MICHAEL GIACCHINO
BEAR MCCREARY
DANIEL PEMBERTON
BREAKTHROUGH COMPOSER OF THE YEAR
MICHELINO BISCEGLIA
ROBIN CAROLAN AND SEBASTIAN GAINSBOROUGH
CHANDA DANCY
HESHAM NAZIH
BATU SENER
COMPOSITION OF THE YEAR
“Galadriel” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
“Leaving Home (Hometree)” from AVATAR: THE WAY OF WATER, music by Simon Franglen
“Mother and Son” from THE FABELMANS, music by John Williams
“Númenor” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
“Sailing Into the Dawn” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
“The Batman” from THE BATMAN, music by Michael Giacchino
BEST ORIGINAL SCORE FOR A DRAMA FILM
AMSTERDAM, music by Daniel Pemberton
BABYLON, music by Justin Hurwitz
EMILY, music by Abel Korzeniowski
THE FABELMANS, music by John Williams
LE TEMPS DES SECRETS, music by Philippe Rombi
BEST ORIGINAL SCORE FOR A COMEDY FILM
GLASS ONION: A KNIVES OUT MYSTERY, music by Nathan Johnson
THE LOST CITY, music by Pinar Toprak
THE LOST KING, music by Alexandre Desplat
A MAN CALLED OTTO, music by Thomas Newman
SEE HOW THEY RUN, music by Daniel Pemberton
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM
THE BATMAN, music by Michael Giacchino
ENOLA HOLMES 2, music by Daniel Pemberton
THE NORTHMAN, music by Robin Carolan and Sebastian Gainsborough
SUPERMARSU 2 [SUPER FURBALL SAVES THE FUTURE], music by Panu Aaltio
VIOLENT NIGHT, music by Dominic Lewis
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM
AVATAR: THE WAY OF WATER, music by Simon Franglen
CRIMES OF THE FUTURE, music by Howard Shore
DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS, music by Danny Elfman
FANTASTIC BEASTS: THE SECRETS OF DUMBLEDORE, music by James Newton Howard
JURASSIC WORLD: DOMINION, music by Michael Giacchino
BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM
LOS RENGLONES TORCIDOS DE DIOS, music by Fernando Velázquez
THE MENU, music by Colin Stetson
NOPE, music by Michael Abels
PEARL, music by Tyler Bates and Timothy Williams
WEREWOLF BY NIGHT, music by Michael Giacchino
BEST ORIGINAL SCORE FOR AN ANIMATED FILM
THE BAD GUYS, music by Daniel Pemberton
GUILLERMO DEL TORO’S PINOCCHIO, music by Alexandre Desplat
LIGHTYEAR, music by Michael Giacchino
PAWS OF FURY: THE LEGEND OF HANK, music by Bear McCreary
STRANGE WORLD, music by Henry Jackman
BEST ORIGINAL SCORE FOR A DOCUMENTARY
FROZEN PLANET II, music by Hans Zimmer, Adam Lukas, and James Everingham
ONZE NATUUR [OUR NATURE], music by Dirk Brossé
POLAR BEAR, music by Harry Gregson-Williams
SECRETS OF THE SEA, music by Alan Williams
WOLF, music by Matthijs Kieboom
BEST ORIGINAL SCORE FOR TELEVISION
THE ENGLISH, music by Federico Jusid
INTERVIEW WITH THE VAMPIRE, music by Daniel Hart
THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary, theme by Howard Shore
MOON KNIGHT, music by Hesham Nazih
THE ORVILLE, music by John Debney, Joel McNeely, Andrew Cottee, and Kevin Kaska, theme by Bruce Broughton
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
CAT BURGLAR, music by Christopher Willis
THE FAITH OF THE THREE KINGDOMS, music by Shigeru Umebayashi and Chad Cannon
GOD OF WAR: RAGNARÖK, music by Bear McCreary
MARIO + RABBIDS: SPARKS OF HOPE, music by Yōko Shimomura, Grant Kirkhope, and Gareth Coker
A PLAGUE TALE: REQUIEM, music by Olivier Derivière
BEST ARCHIVAL RELEASE
AMISTAD, music by John Williams; (La-La Land)
BLACK PATCH/THE MAN, music by Jerry Goldsmith; (Intrada)
FRENZY, music by Ron Goodwin and Henry Mancini; (Quartet)
THE GODFATHER, music by Nino Rota; (La-La Land)
GOLDSMITH AT 20TH, VOL 5: MUSIC FOR TELEVISION 1968-1975, music by Jerry Goldsmith; (La-La Land)
JOHN WILLIAMS: THE BERLIN CONCERT, music by John Williams; (Deutsche Grammophon)
L. A. CONFIDENTIAL, music by Jerry Goldsmith; (Varese Sarabande)
THE MAGNIFICENT SEVEN COLLECTION, music by Elmer Bernstein; (Quartet)
MARY, QUEEN OF SCOTS, music by John Barry; (Quartet)
WILLOW, music by James Horner; (Intrada)
FILM MUSIC RECORD LABEL OF THE YEAR
INTRADA RECORDS, Douglass Fake and Roger Feigelson
LA-LA LAND RECORDS, MV Gerhard and Matt Verboys
MOVIESCORE MEDIA, Mikael Carlsson
MUSIC BOX RECORDS, Cyril Durand-Roger and Laurent Lafarge
QUARTET RECORDS, Jose M. Benitez
SCORE OF THE YEAR
AVATAR: THE WAY OF WATER, music by Simon Franglen
THE BATMAN, music by Michael Giacchino
THE FABELMANS, music by John Williams
THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary, theme by Howard Shore
NOPE, music by Michael Abels
COMPOSER OF THE YEAR
ALEXANDRE DESPLAT
SIMON FRANGLEN
MICHAEL GIACCHINO
BEAR MCCREARY
DANIEL PEMBERTON
BREAKTHROUGH COMPOSER OF THE YEAR
MICHELINO BISCEGLIA
ROBIN CAROLAN AND SEBASTIAN GAINSBOROUGH
CHANDA DANCY
HESHAM NAZIH
BATU SENER
COMPOSITION OF THE YEAR
“Galadriel” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
“Leaving Home (Hometree)” from AVATAR: THE WAY OF WATER, music by Simon Franglen
“Mother and Son” from THE FABELMANS, music by John Williams
“Númenor” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
“Sailing Into the Dawn” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
“The Batman” from THE BATMAN, music by Michael Giacchino
BEST ORIGINAL SCORE FOR A DRAMA FILM
AMSTERDAM, music by Daniel Pemberton
BABYLON, music by Justin Hurwitz
EMILY, music by Abel Korzeniowski
THE FABELMANS, music by John Williams
LE TEMPS DES SECRETS, music by Philippe Rombi
BEST ORIGINAL SCORE FOR A COMEDY FILM
GLASS ONION: A KNIVES OUT MYSTERY, music by Nathan Johnson
THE LOST CITY, music by Pinar Toprak
THE LOST KING, music by Alexandre Desplat
A MAN CALLED OTTO, music by Thomas Newman
SEE HOW THEY RUN, music by Daniel Pemberton
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM
THE BATMAN, music by Michael Giacchino
ENOLA HOLMES 2, music by Daniel Pemberton
THE NORTHMAN, music by Robin Carolan and Sebastian Gainsborough
SUPERMARSU 2 [SUPER FURBALL SAVES THE FUTURE], music by Panu Aaltio
VIOLENT NIGHT, music by Dominic Lewis
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM
AVATAR: THE WAY OF WATER, music by Simon Franglen
CRIMES OF THE FUTURE, music by Howard Shore
DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS, music by Danny Elfman
FANTASTIC BEASTS: THE SECRETS OF DUMBLEDORE, music by James Newton Howard
JURASSIC WORLD: DOMINION, music by Michael Giacchino
BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM
LOS RENGLONES TORCIDOS DE DIOS, music by Fernando Velázquez
THE MENU, music by Colin Stetson
NOPE, music by Michael Abels
PEARL, music by Tyler Bates and Timothy Williams
WEREWOLF BY NIGHT, music by Michael Giacchino
BEST ORIGINAL SCORE FOR AN ANIMATED FILM
THE BAD GUYS, music by Daniel Pemberton
GUILLERMO DEL TORO’S PINOCCHIO, music by Alexandre Desplat
LIGHTYEAR, music by Michael Giacchino
PAWS OF FURY: THE LEGEND OF HANK, music by Bear McCreary
STRANGE WORLD, music by Henry Jackman
BEST ORIGINAL SCORE FOR A DOCUMENTARY
FROZEN PLANET II, music by Hans Zimmer, Adam Lukas, and James Everingham
ONZE NATUUR [OUR NATURE], music by Dirk Brossé
POLAR BEAR, music by Harry Gregson-Williams
SECRETS OF THE SEA, music by Alan Williams
WOLF, music by Matthijs Kieboom
BEST ORIGINAL SCORE FOR TELEVISION
THE ENGLISH, music by Federico Jusid
INTERVIEW WITH THE VAMPIRE, music by Daniel Hart
THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary, theme by Howard Shore
MOON KNIGHT, music by Hesham Nazih
THE ORVILLE, music by John Debney, Joel McNeely, Andrew Cottee, and Kevin Kaska, theme by Bruce Broughton
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
CAT BURGLAR, music by Christopher Willis
THE FAITH OF THE THREE KINGDOMS, music by Shigeru Umebayashi and Chad Cannon
GOD OF WAR: RAGNARÖK, music by Bear McCreary
MARIO + RABBIDS: SPARKS OF HOPE, music by Yōko Shimomura, Grant Kirkhope, and Gareth Coker
A PLAGUE TALE: REQUIEM, music by Olivier Derivière
BEST ARCHIVAL RELEASE
AMISTAD, music by John Williams; (La-La Land)
BLACK PATCH/THE MAN, music by Jerry Goldsmith; (Intrada)
FRENZY, music by Ron Goodwin and Henry Mancini; (Quartet)
THE GODFATHER, music by Nino Rota; (La-La Land)
GOLDSMITH AT 20TH, VOL 5: MUSIC FOR TELEVISION 1968-1975, music by Jerry Goldsmith; (La-La Land)
JOHN WILLIAMS: THE BERLIN CONCERT, music by John Williams; (Deutsche Grammophon)
L. A. CONFIDENTIAL, music by Jerry Goldsmith; (Varese Sarabande)
THE MAGNIFICENT SEVEN COLLECTION, music by Elmer Bernstein; (Quartet)
MARY, QUEEN OF SCOTS, music by John Barry; (Quartet)
WILLOW, music by James Horner; (Intrada)
FILM MUSIC RECORD LABEL OF THE YEAR
INTRADA RECORDS, Douglass Fake and Roger Feigelson
LA-LA LAND RECORDS, MV Gerhard and Matt Verboys
MOVIESCORE MEDIA, Mikael Carlsson
MUSIC BOX RECORDS, Cyril Durand-Roger and Laurent Lafarge
QUARTET RECORDS, Jose M. Benitez
Re: NAGRODY BRANŻOWE
Ogólnie dobre win-y, ale to Frenzy to jakiś żart w porównaniu do innych tytułów w tej kategorii. No chyba że tylko Turek głosował jako jedyny, to wtedy rozumiem
#FUCKVINYL
Re: NAGRODY BRANŻOWE
Mi też zwycięzcy pasują, choć w dramacie czy animacji widziałbym inne tytuły, ale wiochy nie ma
Re: NAGRODY BRANŻOWE
Desplat do spółki z Roeban Katz, Guillermo del Toro & Patrick McHale wygrał swoją pierwszą "Annie Awards" za muzykę do Pinokia.
- Koper
- Ennio Morricone
- Posty: 26176
- Rejestracja: pn mar 06, 2006 22:16 pm
- Lokalizacja: Zielona Góra
- Kontakt:
Re: NAGRODY BRANŻOWE
takie pytanko... jest w tym nowym wydaniu Willowa cokolwiek takiego naprawdę godnego uwagi, czego wcześniej brakowało ?Mystery pisze: ↑czw lut 23, 2023 18:12 pmBEST ARCHIVAL RELEASE
AMISTAD, music by John Williams; (La-La Land)
BLACK PATCH/THE MAN, music by Jerry Goldsmith; (Intrada)
FRENZY, music by Ron Goodwin and Henry Mancini; (Quartet)
THE GODFATHER, music by Nino Rota; (La-La Land)
GOLDSMITH AT 20TH, VOL 5: MUSIC FOR TELEVISION 1968-1975, music by Jerry Goldsmith; (La-La Land)
JOHN WILLIAMS: THE BERLIN CONCERT, music by John Williams; (Deutsche Grammophon)
L. A. CONFIDENTIAL, music by Jerry Goldsmith; (Varese Sarabande)
THE MAGNIFICENT SEVEN COLLECTION, music by Elmer Bernstein; (Quartet)
MARY, QUEEN OF SCOTS, music by John Barry; (Quartet)
WILLOW, music by James Horner; (Intrada)
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"Hans Zimmer w tej chwili nic nie potrzebuje. (...) Ciebie też nie potrzebuje." - Paweł Stroiński
Re: NAGRODY BRANŻOWE
Polską Nagrodę Filmową Orzeł za Osiągnięcie Życia otrzyma Jan A.P. Kaczmarek
Re: NAGRODY BRANŻOWE
Nominacje ASCAP (The American Society of Composers, Authors and Publishers).
Film Score of the Year
All Quiet on the Western Front – Volker Bertelmann
Avatar: The Way of Water – Simon Franglen
The Banshees of Inisherin – Carter Burwell
Glass Onion: A Knives Out Mystery – Nathan Johnson
The Menu – Colin Stetson
Nope – Michael Abels
Documentary Score of the Year
Brainwashed: Sex-Camera-Power – Sharon Farber
Conversion – Paul Leonard-Morgan
Prehistoric Planet – Hans Zimmer & Anže Rozman
Super/Natural – Amanda Jones
Tony Hawk: Until the Wheels Fall Off – Jeff Cardoni
Television Score of the Year
Cobra Kai season 5 - Leo Birenberg & Zach Robinson
The Lord of the Rings: The Rings of Power season 1 – Bear McCreary
Only Murders in the Building season 2 – Siddhartha Khosla
Slow Horses seasons 1 & 2 – Daniel Pemberton & Toydrum (Pablo Clements & James Griffith)
Station Eleven – Dan Romer
The White Lotus season 2 - Cristobal Tapia de Veer & Kim Neundorf
Television Theme of the Year
Guillermo del Toro's Cabinet of Curiosities – Holly Amber Church
Only Murders in the Building season 2 - Siddhartha Khosla
Somebody Somewhere season 1 – Amanda Jones
Station Eleven – Dan Romer
The White Lotus season 2 - Cristobal Tapia de Veer
Video Game Score of the Year
Destiny 2: The Witch Queen – Skye Lewin, Michael Salvatori & Michael Sechrist
God of War Ragnarök – Bear McCreary
Immortality – Nainita Desai
Minecraft: The Wild Update – Lena Raine
MultiVersus – Gordy Haab
Film Score of the Year
All Quiet on the Western Front – Volker Bertelmann
Avatar: The Way of Water – Simon Franglen
The Banshees of Inisherin – Carter Burwell
Glass Onion: A Knives Out Mystery – Nathan Johnson
The Menu – Colin Stetson
Nope – Michael Abels
Documentary Score of the Year
Brainwashed: Sex-Camera-Power – Sharon Farber
Conversion – Paul Leonard-Morgan
Prehistoric Planet – Hans Zimmer & Anže Rozman
Super/Natural – Amanda Jones
Tony Hawk: Until the Wheels Fall Off – Jeff Cardoni
Television Score of the Year
Cobra Kai season 5 - Leo Birenberg & Zach Robinson
The Lord of the Rings: The Rings of Power season 1 – Bear McCreary
Only Murders in the Building season 2 – Siddhartha Khosla
Slow Horses seasons 1 & 2 – Daniel Pemberton & Toydrum (Pablo Clements & James Griffith)
Station Eleven – Dan Romer
The White Lotus season 2 - Cristobal Tapia de Veer & Kim Neundorf
Television Theme of the Year
Guillermo del Toro's Cabinet of Curiosities – Holly Amber Church
Only Murders in the Building season 2 - Siddhartha Khosla
Somebody Somewhere season 1 – Amanda Jones
Station Eleven – Dan Romer
The White Lotus season 2 - Cristobal Tapia de Veer
Video Game Score of the Year
Destiny 2: The Witch Queen – Skye Lewin, Michael Salvatori & Michael Sechrist
God of War Ragnarök – Bear McCreary
Immortality – Nainita Desai
Minecraft: The Wild Update – Lena Raine
MultiVersus – Gordy Haab
Re: NAGRODY BRANŻOWE
Polskie Orły 2023 poleciały do:
Najlepsza muzyka:
E.O. - Paweł Mykietyn
Film europejski:
Ennio
Nagroda za osiągnięcia życia:
Jan A.P. Kaczmarek
Najlepsza muzyka:
E.O. - Paweł Mykietyn
Film europejski:
Ennio
Nagroda za osiągnięcia życia:
Jan A.P. Kaczmarek
Re: NAGRODY BRANŻOWE
W nocy Oscary. Jak będzie ktoś oglądał z neta, może podzielić się linkiem W naszej kategorii będę kibicować dla Babylon, ale wydaję mi się, że politycznie w ramach nagrody pocieszenia wygra Williams i będzie to jedyna statuetka dla Fabelmanów, chyba, że nic nie zatrzyma pochodu Wszystko Wszędzie Naraz
- lis23
- + Ludvig van Beethoven +
- Posty: 13259
- Rejestracja: czw lis 12, 2009 03:50 am
- Lokalizacja: Sosnowiec
Re: NAGRODY BRANŻOWE
Ja trzymam kciuki za Williamsa a jak nie On to Hurwitz
Obstawiam, że wszystko zgarnąć może też "Na Zachodzie bez Zmian", patrząc na BAFTA i że "Io" nie ma z nim, niestety szans.
Obstawiam, że wszystko zgarnąć może też "Na Zachodzie bez Zmian", patrząc na BAFTA i że "Io" nie ma z nim, niestety szans.
Tylko On, Williams John
Tylko on, Elton John
Tylko on, Elton John
Re: NAGRODY BRANŻOWE
W tym roku udało mi się zobaczyć wszystkie nominowane filmy nieanglojęzyczne i Io podobał mi się najmniej ze stawki, ale Niemiecki film raczej pewny zwycięstwa, jest wręcz niepisana zasada, że film nominowany w kategorii Najlepszy film i Najlepszy film zagraniczny, zawsze dostaje tą drugą nagrodę.
Re: NAGRODY BRANŻOWE
A w piosenkach? Rihanna czy "Naatu Naatu"?
Lisu, a co w animacjach? Wszyscy są zgodni, że "Pinokio Del Toro" i "Chłopiec, kret, lis i koń". Ten krótki metraż z AppleTV+ jest cudowny, dawno nie widziałem tak pięknej i stonowanej opowieści. "My year of dicks" jest nieporozumieniem, zrealizowany dla beki przez feminazistki.
Lisu, a co w animacjach? Wszyscy są zgodni, że "Pinokio Del Toro" i "Chłopiec, kret, lis i koń". Ten krótki metraż z AppleTV+ jest cudowny, dawno nie widziałem tak pięknej i stonowanej opowieści. "My year of dicks" jest nieporozumieniem, zrealizowany dla beki przez feminazistki.