https://twitter.com/ZDFberlin/status/964207629839953920
Muzyka i bębny w tle:
https://twitter.com/BelchoinBG/status/9 ... 8397308929
Hmmmm, czy ja 3 lata temu nie hejtowałem jakiegoś drum score'u?
Olek jednak jest na czerwonym dywanie (za Wesem, w szaliczku):
https://twitter.com/MayaErgas/status/964199462838120449
No i wypuścili recki
Będzie tylko jedna piosenka plus aranż Prokofiewa, reszta to score - mieszanka bębnów z jazzem i gwizdaniem 
Hell yeah! 
https://www.screendaily.com/reviews/isl ... 36.articleIsle Of Dogs is also filled with music throughout (regular collaborator Alexandre Desplat is not easily identifiable in a robustly Japanese score), even if it’s only whistling.
http://www.telegraph.co.uk/films/0/isle ... ing-wrong/But listen! Alexandre Desplat’s score, which might be peak Desplat for overall invention, is busy at work being a brilliant synergy of Western and Eastern musical forms. With its battery of taiko drums rattling away ominously, but also a fluty, buoyant finale, it suggests a missing link between Toru Takemitsu (Dodes’ka-den’s legendary composer) and the entirely non-Japanese Henry Mancini. Plus the score adapts – sorry, culturally appropriates – Prokofiev’s Troika from Lieutenant Kije and makes this fit just as well.
http://lwlies.com/festivals/isle-of-dog ... ok-review/It’s a quiet Anderson film, perhaps his most restrained since Rushmore, notable even in the film’s music, which only makes scant use of Anderson’s plentiful 60s pop music archive, only notably making use of West Coast Pop Art Experimental Band’s apt “I Won’t Hurt You”, previously heard in the film’s trailer. Instead, Alexander Desplat provides a beautiful score in keeping with the film’s setting, undoubtedly some of his best work to date.
https://www.theguardian.com/film/2018/f ... _b-gdnfilmAlexandre Desplat’s minimalist score is also a pleasure, mixing taiko drumming, laconic jazz bass and the occasional dash of Prokofiev.
https://www.filminquiry.com/isle-of-dogs-2018-review/Its orientalism is treated with a sensitivity that, while expected from Anderson, is refreshing considering the whitewashed climate of Hollywood. Alexandre Desplat plays a huge part in this, his experimental score a clashing of Japanese-inspired drums, cymbals and bells that’s thrillingly infused into the narrative.
https://cine-vue.com/2018/02/berlin-201 ... um=twitterThe lively imagery is brilliantly accompanied by Alexandre Desplat’s Kodō drums-heavy score, which provides a thriller-like tension to the film’s quest narrative.
Są też pokazane sesje nagraniowe z francuskich filmów, np. Audiarda i uderza ich kameralność 
Przede mną jeszcze bonusowe wywiady i masterclass. W każdym razie już polecam!!!
