NAGRODY BRANŻOWE

[Tomek]

Dobrze, że nie w Je Suis Charlie

[Wawrzyniec]

Widać Filmmuzy w tym roku były super trafione i wyważone, gdyż na razie prawie żadnych zastrzeżeń. Ja sam jestem bardzo zadowolony, gdyż uważam, że wszyscy mogą być z takich wyników zadowoleni i wykazaliśmy się wielką tolerancją dla różnego podejścia do muzyki filmowej.

[hp_gof]

Wawrzek, Ty byś się nadawał na Ministra Propagandy

[Koper]

III Rzeszy?

[ravaell]

http://www.filmweb.pl/news/OR%C5%81Y+20 ... cji-109617

Może i Chajdecki się nie załapał, ale mamy za to... Lutosławskiego i Niemena

[Mystery]

Ogólnie z 4 nominowanych kompozytorów tylko jeden żyje

[Koper]

Te Orły to dawno powinni przemianować na Głuptaki.
Tylko brakuje nominacji za muzykę dla Idy i za scenariusz dla Miasta 44.

[Mystery]

Nominacje IFMCA 2014

FILM SCORE OF THE YEAR

The Grand Budapest Hotel, music by Alexandre Desplat
How to Train Your Dragon 2, music by John Powell
Interstellar, music by Hans Zimmer
Maleficent, music by James Newton Howard
The Monkey King [Xi You Ji: Da Nao Tian Gong], music by Christopher Young

COMPOSER OF THE YEAR

Marco Beltrami
Alexandre Desplat
James Newton Howard
John Powell
Hans Zimmer

BREAKTHROUGH COMPOSER OF THE YEAR

Alexander Cimini
Gustavo Dudamel
Mica Levi
Matthew Llewellyn
John Paesano

BEST ORIGINAL SCORE FOR A DRAMA FILM

The Homesman, music by Marco Beltrami
The Imitation Game, music by Alexandre Desplat
The Liberator [Libertador], music by Gustavo Dudamel
The Monuments Men, music by Alexandre Desplat
The Theory of Everything, music by Jóhann Jóhannsson

BEST ORIGINAL SCORE FOR A COMEDY FILM

Cantinflas, music by Roque Baños
The Grand Budapest Hotel, music by Alexandre Desplat
A Million Ways to Die in the West, music by Joel McNeely
Night at the Museum: Secret of the Tomb, music by Alan Silvestri
Wishin’ and Hopin’, music by Matthew Llewellyn

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM

The Hunger Games: Mockingjay, Part I, music by James Newton Howard
Inherent Vice, music by Jonny Greenwood
The Maze Runner, music by John Paesano
The Monkey King [Xi You Ji: Da Nao Tian Gong], music by Christopher Young
No God No Master, music by Nuno Malo

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM

Autómata, music by Zacarías M. de la Riva
Godzilla, music by Alexandre Desplat
The Hobbit: The Battle of the Five Armies, music by Howard Shore
Interstellar, music by Hans Zimmer
Maleficent, music by James Newton Howard

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

Asterix: The Land of the Gods [Astérix: Le Domaine des Dieux], music by Philippe Rombi
The Boxtrolls, music by Dario Marianelli
How to Train Your Dragon 2, music by John Powell
Son of Batman, music by Frederik Wiedmann
Tarzan, music by David Newman

BEST ORIGINAL SCORE FOR A DOCUMENTARY

Ballet Boys, music by Henrik Skram
Bears, music by George Fenton
Cosmos: A Spacetime Odyssey, music by Alan Silvestri
Hidden Kingdoms, music by Ben Foster
The Unknown Known, music by Danny Elfman

BEST ORIGINAL SCORE FOR A TELEVISION SERIES

Fargo, music by Jeff Russo
Gunshi Kanbei, music by Yūgo Kanno
Isabel, music by Federico Jusid
The Leftovers, music by Max Richter
Penny Dreadful, music by Abel Korzeniowski

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

Assassin’s Creed: Unity, music by Chris Tilton and Sarah Schachner
The Banner Saga, music by Austin Wintory
Castlevania: Lords of Shadow 2, music by Óscar Araujo
Sid Meier’s Civilization: Beyond Earth, music by Geoff Knorr, Griffin Cohen, Michael Curran and Grant Kirkhope
World of Warcraft: Warlords of Draenor, music by Russell Brower, Neal Acree, Clint Bajakian, Sam Cardon, Craig Stuart Garfinkle, Edo Guidotti and Eímear Noone

BEST ARCHIVAL RELEASE OF AN EXISTING SCORE – RE-RELEASE OR RE-RECORDING

The Abyss; music by Alan Silvestri, album produced by Nick Redman and Robert Townson, liner notes by Julie Kirgo, album art direction by Robert Townson and Bill Pitzonka (Varèse Sarabande)
Empire of the Sun; music by John Williams, album produced by Mike Matessino, liner notes by Mike Matessino, album art direction by Jim Titus (La-La Land)
Lair; music by John Debney, additional music by Kevin Kaska, album produced by Dan Goldwasser and John Debney, liner notes by Jeff Bond, album art direction by Dan Goldwasser (La-La Land)
The Lion King; score by Hans Zimmer, songs by Elton John and Tim Rice, album produced by Randy Thornton, liner notes by Hans Zimmer and Don Hahn, album art direction by Lorelay Bové (Disney)
On the Waterfront; music by Leonard Bernstein, album produced by Douglass Fake, liner notes by Frank K. DeWald, album art direction by Joe Sikoryak (Intrada)

BEST ARCHIVAL RELEASE OF AN EXISTING SCORE – COMPILATION

The Ava Collection; music by Elmer Bernstein, album produced by Douglass Fake, liner notes by Douglass Fake, album art direction by Joe Sikoryak (Intrada)
Batman: The Animated Series Volume 3; music by Shirley Walker, Carlos Rodriguez, Peter Tomashek, Todd Hayen, Harvey R. Cohen, Michael McCuistion, Lars Clutterham, Stuart Balcomb, Mark Koval, Lolita Ritmanis, Richard Bronskill, Tamara Kline, Carl Johnson, Steve Chesne and James Stemple, album produced by John Takis and Neil S. Bulk, liner notes by John Takis, album art direction by Dan Goldwasser (La-La Land)
Elmer Bernstein: The Wild Side; music by Elmer Bernstein, performed by Big Band de Canarias feat. Esther Ovejero, Kike Perdomo and Sara Andon, album produced by Robert Townson and Kike Perdomo, liner notes by Robert Townson, album art direction by Robert Townson and Bill Pitzonka (Varèse Sarabande)
Henry Mancini: The Classic Soundtrack Collection; music by Henry Mancini, album produced by Didier C. Deutsch and Mark G. Wilder, liner notes by Didier C. Deutsch, album art direction by Chris Mancini and Edward O’Dowd (Legacy/Sony)
The Naked Gun Trilogy; music by Ira Newborn, album produced by Dan Goldwasser and Neil S. Bulk, liner notes by Daniel Schweiger, album art direction by Dan Goldwasser (La-La Land)

FILM MUSIC RECORD LABEL OF THE YEAR

Intrada Records, Douglass Fake and Roger Feigelson
La-La Land Records, MV Gerhard and Matt Verboys
Moviescore Media, Mikael Carlsson
Quartet Records, Jose M. Benitez
Varèse Sarabande, Robert Townson

FILM MUSIC COMPOSITION OF THE YEAR

“Flying With Mother” from How to Train Your Dragon 2, music by John Powell
“The Hanging Tree” from The Hunger Games: Mockingjay, Part I, music by Jeremiah Fraites, Wesley Schultz and James Newton Howard, lyrics by Suzanne Collins
“Maleficent Flies” from Maleficent, music by James Newton Howard
“Maleficent Suite” from Maleficent, music by James Newton Howard
“Tsunami” from Exodus: Gods and Kings, music by Harry Gregson-Williams - LOL

i

RESUME muzykafilmowa.pl
http://muzykafilmowa.pl/news,293,resume ... niki!.html

[Templar]

FILM MUSIC COMPOSITION OF THE YEAR

“Tsunami” from Exodus: Gods and Kings, music by Harry Gregson-Williams - LOL

Eeeeee... to jakiś żart?

[Koper]

Chciałem tę ostatnią kategorię skomentować, ale... nie, chyba to nie ma sensu

[Kaonashi]

http://www.filmweb.pl/news/OR%C5%81Y+20 ... cji-109617

Może i Chajdecki się nie załapał, ale mamy za to... Lutosławskiego i Niemena

Z roku na rok coraz bardziej się kompromitują.

[Michał Turkowski]

Nominacje IFMCA 2014

BEST ARCHIVAL RELEASE OF AN EXISTING SCORE – RE-RELEASE OR RE-RECORDING

The Abyss; music by Alan Silvestri, album produced by Nick Redman and Robert Townson, liner notes by Julie Kirgo, album art direction by Robert Townson and Bill Pitzonka (Varèse Sarabande)

Empire of the Sun; music by John Williams, album produced by Mike Matessino, liner notes by Mike Matessino, album art direction by Jim Titus (La-La Land)

Lair; music by John Debney, additional music by Kevin Kaska, album produced by Dan Goldwasser and John Debney, liner notes by Jeff Bond, album art direction by Dan Goldwasser (La-La Land)

The Lion King; score by Hans Zimmer, songs by Elton John and Tim Rice, album produced by Randy Thornton, liner notes by Hans Zimmer and Don Hahn, album art direction by Lorelay Bové (Disney)

On the Waterfront; music by Leonard Bernstein, album produced by Douglass Fake, liner notes by Frank K. DeWald, album art direction by Joe Sikoryak (Intrada)

WOW, jest "Lair" I prawidłowo, jak najbardziej powinno to wydanie wygrać Pierwszy raz na CD, z bardzo eleganckim graficznie i merytorycznie bookletem i ciekawym tekstem - z wypowiedzi Debney'a aż tryska entuzjazm z jakim podszedł do tego scoru. Do tego świetny montaż całości muzyki i fenomenalna jakość dźwięku

W sumie ma to wydanie największe szanse "The Abbys" ma wiele przestojów i zbędnego underscore w kompletnej wersji, "Empire of the Sun" też miało wcześniej pięknie zmontowany album a nowe wydanie z kolei nie jest jakimś wielkim przeskokiem w stosunku do poprzednika. "Lion King" to co najlepsze już miał dawno wydane, a "On the Waterfront" to znakomita muzyka, ale sadzę że docenią ją tylko najwięksi fanatycy Golden Age.

Z kolei "Lair" w tej stawce wydaje się być największym hitem (i pomijam tu moje uwielbienie do tego tytułu ).

Liczę na wygraną

[Mystery]

Dziś rozdanie nagród Bafta, na BBC One polskiego czasu to chyba będzie 22, jak ktoś będzie miał dobrego streama niech podrzuci, bo jak na razie nic konkretnego nie mogę znaleźć.

[Adam]

dziś grammy, pysie. kto wygra?

[hp_gof]

Przecież wiemy, że obstawiasz Price'a I wiemy, komu ja kibicuję I będziemy wiedzieć, kto wygra jak ogłoszą wyniki
PS. Kto konkretnie przyznaje Grammy i ilu (nie: ile!) ma członków?
Odpowiedź: The National Academy of Recording Arts & Sciences (NARAS); > 23 000 członków Pytanie, kto głosuje?