20 lutego IFMCA poda swoich zwycięzców, ale już chyba wiadomo kto będzie królowałKolejny sukces Abla! Lubią go na portalach branżowych.
NAGRODY BRANŻOWE
Re: NAGRODY BRANŻOWE
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Templar
Re: NAGRODY BRANŻOWE
To są nagrody dla polskich filmów, w tym też polskich koprodukcji. 5 lepszych, jakich? Ja to bym tylko ten Mój biegun wywalił, bo to jest prawdziwe WTF i nie wiem co to tam robi i dał Dębskiego albo Chce się żyć Chajdeckiego.Adam pisze:super, tylko że jest z 5 polskich scorów ważniejszych i lepszych, do tego to polskie nagrody.
- Wawrzyniec
- Hans Zimmer
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Re: NAGRODY BRANŻOWE
Portale coś go lubią, ale producenci i wytwórnie patrząc po angażach już jakoś nie tak bardzo.Marek Łach pisze:Kolejny sukces Abla! Lubią go na portalach branżowych.
#WinaHansa #IStandByDaenerys
Re: NAGRODY BRANŻOWE
Bo taka muza jaką pisze Abel nie jest zbyt modna obecnie w filmówce. Może 20 albo 30 lat temu Abel odniósłby większy sukces, ale ja tylko głośno myślę.
Gdyby nie piraci, byłbym jak Zbigniew Hołdys - Eric Clapton.
- Wawrzyniec
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Re: NAGRODY BRANŻOWE
Wiedziałem to wina społeczeństwa i wszystko przez tą dziurę ozonową. 
#WinaHansa #IStandByDaenerys
Re: NAGRODY BRANŻOWE
Ja nikogo nie oceniam, po prostu mówię jak jest 
Gdyby nie piraci, byłbym jak Zbigniew Hołdys - Eric Clapton.
- Marek Łach
- + Jerry Goldsmith +
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Re: NAGRODY BRANŻOWE
W poszczególnych kategoriach może tak, ale w głównej chyba ma poważnego konkurenta w postaci Stalingradu, który parę osób z IFMCA mocno promuje.Mystery pisze:20 lutego IFMCA poda swoich zwycięzców, ale już chyba wiadomo kto będzie królował
Re: NAGRODY BRANŻOWE
Jakby się dało, dobrze by było jakby ktoś zaktualizował ankietę, pytanie może zostać to samo.bartex9 pisze:Nie będzie w tym roku forumowej ankiety Oscarowej?
Kolejne podsumowanie roku i kolejny wyróżnienia dla naszych:
http://reelmusic.wordpress.com/2014/02/ ... e-winners/
Re: NAGRODY BRANŻOWE
Nominacje IFMCA 2013, Abel z 6 nominacjami:
FILM SCORE OF THE YEAR
• Evil Dead, music by Roque Baños
• Grand Piano, music by Víctor Reyes
• Gravity, music by Steven Price
• The Hobbit: The Desolation of Smaug, music by Howard Shore
• Romeo and Juliet, music by Abel Korzeniowski
FILM COMPOSER OF THE YEAR
• Roque Baños
• Laurent Eyquem
• Abel Korzeniowski
• Steven Price
• Brian Tyler
BREAKTHROUGH FILM COMPOSER OF THE YEAR
• César Benito
• Sarah Class
• Alexander Ebert
• Laurent Eyquem
• Steven Price
BEST ORIGINAL SCORE FOR A DRAMA FILM
• The Best Offer [La Migliore Offerta], music by Ennio Morricone
• The Book Thief, music by John Williams
• Copperhead, music by Laurent Eyquem
• Romeo and Juliet, music by Abel Korzeniowski
• Summer in February, music by Benjamin Wallfisch
BEST ORIGINAL SCORE FOR A COMEDY FILM
• Instructions Not Included [No Se Aceptan Devoluciones], music by Carlo Siliotto
• Quai d'Orsay, music by Philippe Sarde
• The Secret Life of Walter Mitty, music by Theodore Shapiro
• This is the End, music by Henry Jackman
• Venus in Fur [La Vénus à la Fourrure], music by Alexandre Desplat
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
• Grand Piano, music by Víctor Reyes
• Iron Man 3, music by Brian Tyler
• Passion, music by Pino Donaggio
• Rubinrot, music by Philipp F. Kölmel
• Stalingrad, music by Angelo Badalamenti
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
• Escape From Tomorrow, music by Abel Korzeniowski
• Evil Dead, music by Roque Baños
• Gravity, music by Steven Price
• The Hobbit: The Desolation of Smaug, music by Howard Shore
• Star Trek Into Darkness, music by Michael Giacchino
BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
• The Croods, music by Alan Silvestri
• Epic, music by Danny Elfman
• Frozen, music by Christophe Beck
• Planes, music by Mark Mancina
• The Wind Rises [Kaze Tachinu], music by Joe Hisaishi
BEST ORIGINAL SCORE FOR A DOCUMENTARY
• Africa, music by Sarah Class
• Anne & Alet, music by Mark Rayen Candasamy
• Die Nordsee: Unser Meer, music by Oliver Heuss
• Space Shuttle Columbia: Mission of Hope, music by Blake Neely
• Tim's Vermeer, music by Conrad Pope
BEST ORIGINAL SCORE FOR A TELEVISION SERIES
• Czas Honoru, music by Bartosz Chajdecki
• Da Vinci's Demons, music by Bear McCreary
• El Tiempo Entre Costuras, music by César Benito
• Game of Thrones, music by Ramin Djawadi
• Isabel, music by Federico Jusid
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
• Assassin’s Creed IV: Black Flag, music by Brian Tyler
• Beyond: Two Souls, music by Lorne Balfe
• Company of Heroes 2, music by Cris Velasco
• Puppeteer, music by Patrick Doyle
• Remember Me, music by Olivier Deriviére
BEST ARCHIVAL RELEASE OF AN EXISTING SCORE - RE-RELEASE OR RE-RECORDING
• Breakfast at Tiffany's, music by Henry Mancini; album produced by Douglass Fake and Roger Feigelson; liner notes by Jeff Bond; album art direction by Joe Sikoryak (Intrada)
• QB VII, music by Jerry Goldsmith; re-recording conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Damien Doherty, James Fitzpatrick and GINKO DIGI (Prometheus/Tadlow)
• The Salamander, music by Jerry Goldsmith; re-recording conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Paul de Blieck, Johan van den Broeck and GINKO DIGI (Prometheus/Tadlow)
• The Wild Bunch, music by Jerry Fielding; album produced by Lukas Kendall; liner notes by Lukas Kendall and John Takis; album art direction by Joe Sikoryak (Film Score Monthly)
• Wyatt Earp, music by James Newton Howard; album produced by Dan Goldwasser; liner notes by Tim Grieving; album art direction by Dan Goldwasser (La-La Land)
BEST ARCHIVAL RELEASE OF AN EXISTING SCORE - COMPILATION
• Doctor Who: The 50th Anniversary Collection, music by Various Composers; album produced by Mark Ayres, Reynold DaSilva and David Stoner; liner notes by Mark Ayres; album art direction by Stuart Ford (Silva Screen)
• Lethal Weapon Soundtrack Collection, music by Michael Kamen, Eric Clapton and David Sanborn; album produced by Neil S. Bulk and MV Gerhard; liner notes by Jeff Bond; album art direction by Jim Titus (La-La Land)
• Michel Legrand Anthology, music by Michel Legrand; album produced by Stéphane Lerouge; liner notes by Stéphane Lerouge; album art direction by Jerome Witz-Gilles Guerlet (Universal/Écoutez le Cinéma!)
• Varèse Sarabande: A 35th Anniversary Celebration, music by Various Composers; album produced by Robert Townson; liner notes by Robert Townson; album art direction by Robert Townson and Bill Pitzonka (Varèse Sarabande)
• The X-Files: Volume Two, music by Mark Snow; album produced by Mark Snow, Mike Joffe and Nick Redman; liner notes by Randall D. Larson; album art direction by Mark Banning (La-La Land)
FILM MUSIC RECORD LABEL OF THE YEAR
• Intrada Records, Douglass Fake and Roger Feigelson
• La-La Land Records, MV Gerhard and Matt Verboys
• Moviescore Media, Mikael Carlsson
• Quartet Records, Jose M. Benitez
• Tadlow Music, James Fitzpatrick
FILM MUSIC COMPOSITION OF THE YEAR
• “The Book Thief” from The Book Thief, music by John Williams
• “The Grand Finale” from Escape From Tomorrow, music by Abel Korzeniowski
• “Abominations Rising” from Evil Dead, music by Roque Baños
• “Beyond the Forest” from The Hobbit: The Desolation of Smaug, music by Howard Shore
• “A Thousand Times Goodnight” from Romeo and Juliet, music by Abel Korzeniowski
FILM SCORE OF THE YEAR
• Evil Dead, music by Roque Baños
• Grand Piano, music by Víctor Reyes
• Gravity, music by Steven Price
• The Hobbit: The Desolation of Smaug, music by Howard Shore
• Romeo and Juliet, music by Abel Korzeniowski
FILM COMPOSER OF THE YEAR
• Roque Baños
• Laurent Eyquem
• Abel Korzeniowski
• Steven Price
• Brian Tyler
BREAKTHROUGH FILM COMPOSER OF THE YEAR
• César Benito
• Sarah Class
• Alexander Ebert
• Laurent Eyquem
• Steven Price
BEST ORIGINAL SCORE FOR A DRAMA FILM
• The Best Offer [La Migliore Offerta], music by Ennio Morricone
• The Book Thief, music by John Williams
• Copperhead, music by Laurent Eyquem
• Romeo and Juliet, music by Abel Korzeniowski
• Summer in February, music by Benjamin Wallfisch
BEST ORIGINAL SCORE FOR A COMEDY FILM
• Instructions Not Included [No Se Aceptan Devoluciones], music by Carlo Siliotto
• Quai d'Orsay, music by Philippe Sarde
• The Secret Life of Walter Mitty, music by Theodore Shapiro
• This is the End, music by Henry Jackman
• Venus in Fur [La Vénus à la Fourrure], music by Alexandre Desplat
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
• Grand Piano, music by Víctor Reyes
• Iron Man 3, music by Brian Tyler
• Passion, music by Pino Donaggio
• Rubinrot, music by Philipp F. Kölmel
• Stalingrad, music by Angelo Badalamenti
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
• Escape From Tomorrow, music by Abel Korzeniowski
• Evil Dead, music by Roque Baños
• Gravity, music by Steven Price
• The Hobbit: The Desolation of Smaug, music by Howard Shore
• Star Trek Into Darkness, music by Michael Giacchino
BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
• The Croods, music by Alan Silvestri
• Epic, music by Danny Elfman
• Frozen, music by Christophe Beck
• Planes, music by Mark Mancina
• The Wind Rises [Kaze Tachinu], music by Joe Hisaishi
BEST ORIGINAL SCORE FOR A DOCUMENTARY
• Africa, music by Sarah Class
• Anne & Alet, music by Mark Rayen Candasamy
• Die Nordsee: Unser Meer, music by Oliver Heuss
• Space Shuttle Columbia: Mission of Hope, music by Blake Neely
• Tim's Vermeer, music by Conrad Pope
BEST ORIGINAL SCORE FOR A TELEVISION SERIES
• Czas Honoru, music by Bartosz Chajdecki
• Da Vinci's Demons, music by Bear McCreary
• El Tiempo Entre Costuras, music by César Benito
• Game of Thrones, music by Ramin Djawadi
• Isabel, music by Federico Jusid
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
• Assassin’s Creed IV: Black Flag, music by Brian Tyler
• Beyond: Two Souls, music by Lorne Balfe
• Company of Heroes 2, music by Cris Velasco
• Puppeteer, music by Patrick Doyle
• Remember Me, music by Olivier Deriviére
BEST ARCHIVAL RELEASE OF AN EXISTING SCORE - RE-RELEASE OR RE-RECORDING
• Breakfast at Tiffany's, music by Henry Mancini; album produced by Douglass Fake and Roger Feigelson; liner notes by Jeff Bond; album art direction by Joe Sikoryak (Intrada)
• QB VII, music by Jerry Goldsmith; re-recording conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Damien Doherty, James Fitzpatrick and GINKO DIGI (Prometheus/Tadlow)
• The Salamander, music by Jerry Goldsmith; re-recording conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Paul de Blieck, Johan van den Broeck and GINKO DIGI (Prometheus/Tadlow)
• The Wild Bunch, music by Jerry Fielding; album produced by Lukas Kendall; liner notes by Lukas Kendall and John Takis; album art direction by Joe Sikoryak (Film Score Monthly)
• Wyatt Earp, music by James Newton Howard; album produced by Dan Goldwasser; liner notes by Tim Grieving; album art direction by Dan Goldwasser (La-La Land)
BEST ARCHIVAL RELEASE OF AN EXISTING SCORE - COMPILATION
• Doctor Who: The 50th Anniversary Collection, music by Various Composers; album produced by Mark Ayres, Reynold DaSilva and David Stoner; liner notes by Mark Ayres; album art direction by Stuart Ford (Silva Screen)
• Lethal Weapon Soundtrack Collection, music by Michael Kamen, Eric Clapton and David Sanborn; album produced by Neil S. Bulk and MV Gerhard; liner notes by Jeff Bond; album art direction by Jim Titus (La-La Land)
• Michel Legrand Anthology, music by Michel Legrand; album produced by Stéphane Lerouge; liner notes by Stéphane Lerouge; album art direction by Jerome Witz-Gilles Guerlet (Universal/Écoutez le Cinéma!)
• Varèse Sarabande: A 35th Anniversary Celebration, music by Various Composers; album produced by Robert Townson; liner notes by Robert Townson; album art direction by Robert Townson and Bill Pitzonka (Varèse Sarabande)
• The X-Files: Volume Two, music by Mark Snow; album produced by Mark Snow, Mike Joffe and Nick Redman; liner notes by Randall D. Larson; album art direction by Mark Banning (La-La Land)
FILM MUSIC RECORD LABEL OF THE YEAR
• Intrada Records, Douglass Fake and Roger Feigelson
• La-La Land Records, MV Gerhard and Matt Verboys
• Moviescore Media, Mikael Carlsson
• Quartet Records, Jose M. Benitez
• Tadlow Music, James Fitzpatrick
FILM MUSIC COMPOSITION OF THE YEAR
• “The Book Thief” from The Book Thief, music by John Williams
• “The Grand Finale” from Escape From Tomorrow, music by Abel Korzeniowski
• “Abominations Rising” from Evil Dead, music by Roque Baños
• “Beyond the Forest” from The Hobbit: The Desolation of Smaug, music by Howard Shore
• “A Thousand Times Goodnight” from Romeo and Juliet, music by Abel Korzeniowski
Re: NAGRODY BRANŻOWE
ja cie sune, Brajan z 3 nomami w tym w najważniejszej kategorii
everything he touches, turns to excitement!
do tego Bartkowskiego też wyróznili
fuck yeah 
NO CD = NO SALE
- Paweł Stroiński
- Ridley Scott
- Posty: 9414
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Re: NAGRODY BRANŻOWE
For Adam everything Brian touches turns to sexual excitement. Even a basketball...
Re: NAGRODY BRANŻOWE
nie rozumiem co to ma wspólngo z seksualnością, no ale ok, ja tam Ci do łózka nie zaglądam i jestem tolerancyjny 
NO CD = NO SALE
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hp_gof
Re: NAGRODY BRANŻOWE
Adam, nie wiem czym się podniecasz. Toż to Abel bezapelacyjnie rządzi 
Re: NAGRODY BRANŻOWE
A tuż za nim Roque 
- Paweł Stroiński
- Ridley Scott
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Re: NAGRODY BRANŻOWE
Bo wszystkie twoje wypowiedzi na temat Brajana wyglądają, jakbyś akurat dostał orgazmu.Adam pisze:nie rozumiem co to ma wspólngo z seksualnością, no ale ok, ja tam Ci do łózka nie zaglądam i jestem tolerancyjny