OKŁADKI Z AUTOGRAFAMI - PORÓWNAJ PRAWDZIWY AUTOGRAF

[Adam]

Kolekcja oczywiście świetna i robiąca wrażenie. Trzeba zaznaczyć, że Peter ma (praktycznie) nieograniczone fundusze... Wydać na płytę z autografem $300-$500 to dla niego drobiazg...

niby tak tylko weźmy pod uwagę że płaca minimalna w usa to 4,300 zł (rok temu) a w takich rejonach jak LA które jest jednym z najbogatszych jest jeszcze większa. także Peter pracując nawet w Maku za tą minimalną (a nie pracuje w nim) zarabia tyle że ich stać na takie przyjemności. no i większośc tych płyt nie kupował bo są z dedykacją dla niego, choć oczywiście wyjątki były o czym nieraz wspominał.

[Adam]

Peter był na sesji Małp Doyla megarecenzja, opis i nowe nabytki:

Posted: Jul 18, 2011 - 8:28 AM
By: drivingmissdaisy (Member)

Well since my good friend Superman1701 aka Marcus made a boo boo about giving the movie that I attended for my first session. I guess I will let you all know. I can use my best judgment. They just don't want plot points given out or any details as to what I saw, which is fine.

I went and saw Rise of the Planet of the Apes with Patrick Doyle. Poor Patrick was a tad under the weather, the poor guy, but man he had SO much energy and was just on top of everything. I think the poor guy had a chest cold or what not. It didn't keep him down as he had a big job to do and he did great. I just can't get over the amount of energy he had and his funny sense of humor. He was telling jokes and doing silly dances. He brought so much fun to the session and I'm honored that my first, hopefully of many more to come, sessions was with a composer I truly admire.

If anyone knows me, I'm a big goof and a fun loving goof, but I'm quite mature on several areas like being on time to events/interviews etc. So I arrived at 10:30AM EXACTLY, like I was told. I had my Lacoste messenger bag with a, I think camera a sharpie and some covers. Was I after a signed cover at the event, it would have been nice. Since they were spending HUNDREDS of thousands of dollars, I didn't even think about it as they had a job to do. I wanted to feel out the place and the day and see if it was appropriate or not. I met my friend at the music office. He's so darn nice and easy going and FUNNY. I love a wicked sense of humor. Sadly his dad was not doing well and I kept telling him, man if you need to cancel this DO IT, your dad and his health is way more important than this session. He told me, getting me on that stage was actually getting him through this whole terminal disease. There's more to that story that is just incredible and sad and just thought provoking. I met another great gal who helped get me in. My friend sent them to my website and had to convince them that me, Peter's a good guy, he knows his stuff, he knows how to behave and he's not going to interfere or what not with the days activity. They said, OK!

Then we headed to the control room. They had a few chairs and tables at the back of the control room. We headed in, I whispered hello to a person or two I was introduced to and I sat down. The cue I came in on that they were doing was a KICK ASS cue. I can't WAIT to see the final cue in the film. It looks like it was probably toward the beginning of the film. You know what's great...I HEARD A THEME!!!!! Yahhhh, that made my day. I'm pretty good in any situation and I knew to sit down and be QUIET, that's the big thing, be very very respectful to what they are doing and how much they are spending per hour. I did NOT want to be the reason of a cue that had to be redone etc. I will say the hairs on my arm stood up several times.

I could tell that everyone working in the control room had a job to do, but they were all getting along and it was a great POSITIVE attitude and I think that can go a long way to getting the job done right and on time. You have to have good chemistry and I definitely saw it on that stage.

I think they said Jaws was recorded there as well as Titanic so that was incredible. I had the thought, man if these walls could talk. Lordy, the stories we could hear.

After a couple breaks, the gal that got me in said, you guys want to sit IN the stage with the orchestra? I said no I'm fine in the back...HELL NO, I said, sure that would be great. We sat on a couch out there and I must tell you, WOW. I have NEVER seen playing like this ever. NEVER EVER have I seen musicians like this. And the fact that they get this music that day or a day or so before and can play it perfect on the first try is phenomenal.

Here's the drill, the lights on the stage dim and within 2 seconds that ENTIRE room of 60-90 people, that's just a guesstimate, get's SILENT. I mean, you could hear a bug flying, completely SILENT. The first time they did that while I was out there, I just had a look on my face like oh my GOD, that is just incredible. I was just blown away. Then the picture starts, no audio and they play PERFECTLY each and every time. Then they finish the lights go up and they make changes adjustments do another take etc. etc. Each player has a little light on the music stand to see the music when the lights go dim. I must say, I could live out there on the stage, it was just so cozy with the lights off and just the music stand lights on and hearing them play. It's a feeling and a visual, I hope I never forget. The only thing better would have been to have a Mai Tai or a drink in my hand!

Then as they make changes or listen to the cue to picture in the control room, the players pick up their books off the floor they were reading during each take or check their phones etc. still while sitting there. What's interesting is, they just played freaking perfect and then they pick up a book nonchalantly and start reading. They are completely and absolute professionals and they do this day in and day out. Then when they are ready again, they put them down and then knock another one out of the ballpark, so to speak. I stayed on the stage for the remainder of the morning and the entire afternoon, as hello, I'm not stupid, I want to to be where the action is, the stage.

They did this the entire day, lights dim, within 2 seconds DEAD silence, and start playing. Not one time did they not do this, I was just amazed that they did it over and over and over again all day long. When they say the best musicians are in LA. I'm starting to think that. I've heard some great orchestras around the world, but man, these LA musicians blow every one away.

Then I was treated to lunch with a super sweet guy who works within the music side of things. He was so nice to me and I told him a little bit about my event and my main goal each and every time. You may think this is corny, but it's completely true. I want someone to have the same feeling I had at Lucas's FSM gathering in 2009. The first time around other film score guys and gals and talking scores. I want someone to walk away a new person. Last year, I think it's a safe bet to say our good friend Taylor Fenno was that someone. This year, I just hope I can put on another great event and have a new guy/gal come and just be on cloud 9. If I can do that every year and have at least 1 person have that feeling, to me, I've done what I've wanted to.

Lunch was great of course, just great. What's funny sitting at the commons area is everyone looks GORGEOUS. I mean everyone the gals were crazy hot the guys were incredible looking. I mean, many work there or they are actors/actresses so of course they are made to look the best they can. I felt so out of place and thought to myself, geez, I really need to loose my weight really bad and really fast as I do not look like someone who lives in LA.

Sadly my friend had to leave after lunch as his dad was real bad and his wife really needed him home now. He saw how I was acting, completely professional, silent and OUT OF THE WAY, so he felt just fine in leaving me there. I went back to the stage couch and sat and listened for the rest of the day. They ended around 5'ish. A few times, I did feel a tear coming down my face, but stopped it. I didn't want to be some emotional wreck cause it was sensory overload.

After the day I went back to the control room and my other female friend who helped get me there was like, your still here, I thought you had left as you were so out of the way. I told her, I know how to conduct myself and be completely out of the way. That made me feel good that I was so much out of the way, she thought I had left. YAH for me! LOL

Then they play all the cues with the picture and I got to see all of them in the control room. What's neat is, they play them without the sound effects and dialogue. Just music and visual. It was wonderful and I must say, Patrick's genius with his music, you really didn't need any dialogue as his music told the story all by itself. The man's a genius if you ask me. I already liked him a lot, but after that day, I had such a higher respect for him on so many levels. You know it's great to have heroes, like for me so many composers and then when I get to meet some of them occasionally and they are just the nicest and sweetest guys, it really makes you like them more and have a higher respect for them, if you ask me.

Patrick was just standing around and I went up to him again. I had been introduced to him when I arrived very very briefly. I told him hello and it was a great session and thanks for everything blah blah blah and asked if he would sign a cover or two. He was like oh my gosh of course!!! He sat down I got my covers out and my silver sharpie. As he's writing I'm telling him how I flew over to the Concert for Care to hopefully meet him, but sadly wasn't able to and now I worked my Peter magic to get to this session to meet him. He stopped, put down the sharpie and said, you did all of that just to meet me and enjoy my music? I said yes, I'm a huge admirer of your work. He was just shocked, just shocked and so humble. He then said, oh man, do you have any other covers you want signed I want to do whatever I can for you. So I got out a few more and a couple for a friend and he signed them all. I can say this. When I gave him THOR, he said, oh goodie you have this one did you like it? I said it was great and that the movie, I was pleasantly surprised by the movie and score. He said oh great and he said, this was the first THOR score he had signed so far, so that was kind of cool. Patrick was so happy that I came that he signed like every cover on the front then the inside the back. He was just SO appreciative of me. I told him of my event and he again stopped writing to listen to it and he said we need more people like you. I could have just died right there and I'd be happy. Again, you really have to feel the room out if it's appropriate to ask for an autograph and it's very important to do it when the day is completely over and people are just doing nothing or standing around. If I didn't think it was a good time, I would never have asked.

Patrick couldn't have been any nicer, he really couldn't have and on top of that he was fighting a cold or chest cold, the poor guy. I have nothing but the utmost respect for him and the entire crew there at the studio.

The film looks quite cool. I think it's going to be a big money maker. I'll of course see if on the first day. I can't wait to see that cue I walked in on and see how it turned out and see if I can even hear it over all the sound effects and dialogue, ha ha ha.

I was telling my new friends at lunch that day how I've been able to meet some incredible people out in LA and everyone has just taken such good care of me helped me and protected me on so many levels. LA supposedly has this vibe of snobby people. I've been out there several times and I have not witnessed it. Are they out there, probably,yet, but I've been lucky to not run into any of them. I really call LA my home. I have the most fun out there, I feel the most alive out there and that's really where most of my good friends are. And a few other states.

If you guys ever do get to go to a session. It's quite easy, be silent, turn your phone OFF and don't make a peep. Be respectful and nice and cough AFTER a cue is recorded whether your in the control room or stage.

I'm hoping I've made a good first impression that I will be invited back. They have seen that I know how to conduct myself so if I want to go to another, hopefully, they will be more inclined to say oh yah sure. They won't have to worry about me and if I'll screw things up.

A few times I was getting so excited that I told myself to calm down and try to take it all in, look around, breathe normally and really try to remember this day, the smells the people, the music so I can remember it for many years to come.

[Łukasz Waligórski]

Dzisiaj dostałem... jeszcze nie zdążyło się dobrze rozprostować po wyjęciu tuby... David Shire

[Althazan]

Fajny Shire!

[Łukasz Waligórski]

[Adam]

szkoda że nie udało Ci się zdobyć lepszej jakości wydruku, ale zawsze to kolejna rzecz do kolekcji

[Adam]

cyrograf Nubo na dole, a wyżej Rotha:




oraz błogosławionego:

[Ghostek]

Te całe autografy to istne marnowanie okładek...

[Bucholc Krok]

Maestro się nie wysilił. Łatwo podrobić.

Te całe autografy to istne marnowanie okładek...

[Adam]

troszke spoznione ale

Wierzynkiewicz + Skorupa:

[Bucholc Krok]

Trochę słabo widać. Ten kolor flamastra to nie był dobry pomysł.

[DanielosVK]

A wg mnie w sam raz, nie rzuca się w oczy i nie psuje aż tak okładki.

[Wawrzyniec]

Niestety nie moja:

[Bucholc Krok]

A wg mnie w sam raz, nie rzuca się w oczy i nie psuje aż tak okładki.

Tak czy siak zepsuta, ale mała strata, bo i tak kiepska.

[Pawlinda]

Szybkie pytanie - czy ten autograf jest oryginalny, bo trochę różni się od tego z pierwszej strony tego tematu: http://allegro.pl/independence-day-davi ... ?source=oo
Chodzi o to, że ten z aukcji ma zachodzące na siebie ostatnią literę imienia z pierwszą literą nazwiska, a ten z płyty AK (przy okazji pozdrawiam i dzięki za Gettysburg ) ma przerwę między nimi. Po za tym wyglądają podobnie (tak samo).
Proszę więc o szybką odpowiedź bo "kruca bomba mało czasu".