INTRADA - PLANY WYDAWNICZE

[MichalP]

Cena bardzo dobra, trzeba przyznać, ale sam nie wiem. Słuchałem tego wczoraj po przerwie z wydania z 2018 r. Niby miło i fajnie, ale jednak także sporo dłużyzn. W jakąś szczególnie zauważalną dla mnie poprawę brzmienia nie bardzo wierzę. Ale jeśli ktoś nie kupił wtedy, teraz brać i się nie zastanawiać.

Jak sie wczytac w info na ich stronie to zaraz po tym jak wspominaja nowy master to dodaja, ze juz oryginalne wydanie brzmialo bardzo dobrze - wiec pewnie w domysle, w praktyce nie ma roznicy

[Adam]

także tak

An initial side-by-side comparison (via headphones) of just the first few tracks of Disc One of the old and new Intrada sets suggests to me there's no significant difference in sound quality. In fact I'm playing sections over and over in an attempt to hear any differences at all.
I think if I switched one of these tracks from one set with the same track in the other, no-one would spot the difference. Both sound very good and the extra music is the real attraction.
However, it could be that later tracks exhibit differences. If so, I'll update this.

[lis23]

Piosenki były dwie, drugą, "Wild Times"? śpiewał Jeff Lynne, były lider ELO.

[Adam]

i kolejny głos rozsądku:

Received mine today and listened through everything except "Generic Witch Ambience". I'm not a fan of source music, and reading another member's earlier comment about it being "formless noise" didn't really motivate me to listen to it.

The first thing to note is that the sound quality improvement...I can't even hear it. It sounds just as good as the original expansion. In the newer portion of the liner notes though, it says the improvement is nominal.

Second, the track listings give the illusion that there's more new music here than there is because a multitude of tracks have been broken down into smaller portions and renamed.

End Credits - The earlier description of a lullaby version of the Robin/Marian theme is an excellent description. I don't think it would've been a good end credits track simply because it would've gone from a rousing flourish in the last shot to this really gentle melody. That being said, it's an absolutely lovely piece of stand-alone music, and it's a wonderful addition to the set.

I particularly like Circle of Stones with the cellos repeating the opening of the main theme. Of all the additions, this is the one that jumped out at and hooked me. It just does a fantastic job setting the stage for the first of the climax's two lengthy action cues. Will Captured isn't anything particularly impressive on its own, but it gives the whole track a sense of completeness. Same with And His Merry Men. Nothing revelatory IMO but the score feels more complete with it.

The new cues on Disc 3 are of varied interest for me. When I ripped the discs to MP3, I combined the alternates with the OST assemblies from Disc 4 and put them in film order as best I could (especially since the OST combined cues). That means I have three consecutive versions of Training Sequence and then three consecutive renditions of Marian at the Waterfall. Hearing them back to back...they're not radically different, so while it's nice to have them for completeness' sake, I don't feel as though they add much value to the set for me. They just sound redundant. The three Medieval Dance - Source #3 cues and Hangman's Drums are pretty cool additions to the set. I was disappointed with Finale Part 4A (Bridge to Song) because there's really not much there. I was expecting it to culminate in an instrumental of "Everything I Do (I Do It for You)", but nope. The track all but fades out at the 0:38 mark and the remaining 25ish seconds are just a low sustained note that isn't very audible without headphones or the volume turned up.

Now, all that being said, was it worth the double-dip if you have and are satisfied with the original 2-disc version?

Right off the bat, $34.99 for a 4-disc set is a fantastic price no matter what way you cut it, so no issues there (I know overseas customers will probably factor that into their decision more than stateside customers). This is one of my favorite scores, so having the extra half-hour was worth it. I guess it comes down to how much you really want the extra cues and the remastered OST assemblies. I have no regrets about it, but I wouldn't necessarily feel gypped if I didn't get it either because Intrada's first swing at this score was so good.

[Pawel P.]

"War of the Worlds" Williamsa od Intrady 6 października. Wiem, że nie wszyscy za tą muzyką przepadają, ale ja lubię bardzo, więc zakup obowiązkowy.

http://www.intrada.net/phpBB2/viewtopic.php?f=4&t=8554

[Kaonashi]

Też lubię ten score. Materiał będzie identyczny z pierwszym wydawnictwem?

[Pawel P.]

To by nie mialo sensu. Jest troche materialu niewydanego i niewykorzystanego, poza tym pewnie różne "alternejty".

[Kaonashi]

Okładka brzydsza, no ale czekam na trackilistę.

[Adam]

Najlepsza część tego scoru kończy się gdy Freeman przestaje gadać w pierwszym traku

[Pawel P.]

Dwie płyty. Na pierwszej pełen score, bez narracji Freemana, na drugiej remasterowany album plus extrasy. Włączyłem sobie dziś OST po dłuższej przerwie i lubię go chyba nawet jeszcze bardziej niż kiedyś.

Na JWFan.com pojawiła się tracklista i inne szczegóły":

CD 1
SCORE PRESENTATION
1. Prologue And Opening Montage • 2:54
2. Is It Over? • 3:05
3. The Intersection Scene (Film Version)** • 4:10
4. What Happened? • 3:36
5. Driving Away From Trouble** • 3:39
6. Surveying Wreckage / Watch The Lightning* • 2:15
7. Bodies In The Water / Ray And Rachel** • 3:47
8. Attacking The Car** • 2:53
9. In The Cafe* • 1:12
10. The Ferry Scene (Extended Version)** • 5:56
11. Woods Walk* • 1:55
12. Refugee Status (Extended Version)** • 4:12
13. Robbie Joins The Fight • 3:27
14. The Basement* • 2:42
15. Harlan Ogilvy* • 2:37
16. Probing The Basement (Extended Version)** • 4:24
17. The Aliens* • 3:16
18. Ogilvy’s End* • 1:49
19. Red Planet** • 3:56
20. The Basket** • 3:17
21. The Entrance To Boston** • 4:43
22. Defeat And Reunion** • 2:35
23. Boston Street Finale** • 2:13
24. Closing Montage** • 1:36
25. Epilogue (Film Version) • 3:14
CD 1 Total Time: 79:36

CD 2
REMASTERED ORIGINAL SOUNDTRACK
1. Prologue • 2:53
2. The Ferry Scene • 5:49
3. Reaching The Country • 3:24
4. The Intersection Scene • 4:14
5. Ray And Rachel • 2:41
6. Escape From The City • 3:50
7. Probing The Basement • 4:13
8. Refugee Status • 3:51
9. The Attack On The Car • 2:44
10. The Separation Of The Family • 2:37
11. The Confrontation With Ogilvy • 4:35
12. The Return To Boston • 4:29
13. Escape From The Basket • 9:21
14. The Reunion • 3:17
15. Epilogue • 3:13
Remastered Original Soundtrack Total Time: 61:11

THE EXTRAS
16. Prologue And Opening Montage (Alternate)* • 2:43
17. Before The Escape • 0:35
18. The Entrance To Boston (Alternate)** • 4:40
19. Boston Street Finale (Alternate No. 1)* • 2:03
20. Boston Street Finale (Alternate No. 2)* • 2:00
21. Epilogue (Alternate)* • 3:24
Total Extras Time: 15:30

CD 2 Total Time: 76:46

Two-Disc Total Time: 156:22

*previously unreleased
**contains previously unreleased music

http://www.jwfan.com/?p=13047

[Kaonashi]

Najlepsza część tego scoru kończy się gdy Freeman przestaje gadać w pierwszym traku

E tam, to jest dobra muza przecież.


youtu.be/GIu9uve6m0s

[MichalP]

Fajnie zrobione wydanie jak dla mnie. Nie mialbym nic przeciwko jakby to wydali bardziej w stylu A.I. albo Minory Report. To wsadzanie na sile oryginalnego albumu zaczyna byc juz meczace ale pewnie taki wymog mieli. Juz ten pierwszy utwor jaki sobie mozna posluchac na JWFan bez glosu Freemana przypomnial mi jaki to jest fajny album. Jakosc jest swietna. Jasne w samym scorze praktycznie brak wyrazistych melodii i blizej mu do wlasnie Raportu Mniejszosci, ale ma swoj klimat, utwory akcji sa zajebiste - maja taki jakis pazur i rytm - taki troche action horror od Williamsa. Tak jak JP: The Lost World byl takim troche monster movie od Williamsa, Minority Report action thriller i A.I. family drama Kazdy z nich cenie za cos innego.

Nigdy nie lubilem oryginalnego OSTa wlasnie za glos Freemana - gdzie pierwszy i ostatni kawalek byly fajnym wprowadzeniem i zwienczeniem albumu, a teraz mozna bedzie ich posluchac w pelnej okazalosci.

[Pawel P.]

Wymóg nie wymóg, i tak "extrasy" nie zmieściłyby się na 1. płycie, a warto je mieć, więc obecność albumu ceny tu absolutnie nie podwyższa. Ja i tak jak zawsze zostawię sobie w kolekcji oryginalny OST.

[Mefisto]

Oryginalny OST byl niezle skrojony

Oryginalne wydanie jest perfekcyjne. Expanded było już nudnawe i męczące, w dodatku montaż nie sprzyjał odsłuchowi. Tutaj pewnie będzie jeszcze gorzej. Te 5 minut nowej muzyki, która i tak osadza się na tych samych tematach to żadna różnica.

[Michal]

All newly-expanded and remastered 2-CD set to John Williams 2005 sci-fi gem! Steven Spielberg directs, Tom Cruise stars, Dreamworks Pictures and Paramount Pictures present, Industrial Light & Magic (ILM) provide the spectacular effects and of, course, H.G. Wells lays the groundwork with his ever-influential 1897 novel. With John Williams providing the score, you know everything will be a sensation! It’s a score filled to the brim with all manner of excitement, from the interior and complex, to the richly moving and elegiac, from the powerful and terrifying, to the aggressive and relentless. Think large orchestra replete with chorus! Spielberg’s fresh and visceral take on this classic tale of invaders from another world launching an all-out war on Earth with the goal of nothing less than human harvest and annihilation. Adding his unique vision, Spielberg focuses on a very human story anchored by deadbeat father Ray Ferrier (Cruise) currently in charge of the two children, Rachel & Robbie, (Dakota Fanning, Justin Chatwin) with Ray now in the desperate situation of “growing up” himself and protecting the youngsters at all costs. With invaders from another planet decimating everything in their paths courtesy of their fearsome, towering tripods, the tasks of fatherhood become near-impossible indeed. John Williams contributes to every challenge but a special spotlight must go to the dual musical ingredients of cerebral writing in the manner of Close Encounters Of The Third Kind and incredibly propulsive and charged action in the manner of Jaws, albeit on steroids! This one is dark, oppressive and frightening! New to this 2-CD set are numerous cues (“Watch The Lightning”, “In The Cafe”, “The Basement”, “The Aliens”, “Ogilvy’s End”) that bring additional depth to the score. Precious bars previously unreleased from”The Intersection Scene”, “Attacking The Car”, “The Ferry Scene” and “Probing The Basement” also add extra weight to this sensational music. Creating the climactic sequence (“Boston Street Finale”) proved challenging, with three versions of the cue fashioned. All of them appear on this release. Other extras include an alternate version of the “Prologue And Opening Montage” as well as an alternate “Epilogue”. And listeners can enjoy the opening and closing sequences both with and without the admittedly sensational narration by Morgan Freeman. Our generous set presents the listening experience without the voice in the complete score presentation with the narrated version included in the remastered presentation of the original 2005 Decca album heard on CD 2. 15 minutes of extras round out the second disc. Mike Matessino meticulously mixes, assembles and masters everything with Jeff Bond joining in with highly descriptive and authoritative booklet notes. Kay Marshall designs the “flipper-style” booklet and package, Shawn Murphy engineers, John Williams conducts the orchestra augmented with the Hollywood Film Chorale. Intrada Special Collection 2-CD set available while quantities and interest remain!
CD 1 SCORE PRESENTATION
01. Prologue And Opening Montage (2:54)
02. Is It Over? (3:05)
03. The Intersection Scene (Film Version)** (4:10)
04. What Happened? (3:36)
05. Driving Away From Trouble** (3:39)
06. Surveying Wreckage/Watch The Lightning* (2:15)
07. Bodies In The Water/Ray And Rachel** (3:47)
08. Attacking The Car** (2:53)
09. In The Cafe* (1:12)
10. The Ferry Scene (Extended Version)** (5:56)
11. Woods Walk* (1:55)
12. Refugee Status (Extended Version)** (4:12)
13. Robbie Joins The Fight (3:27)
14. The Basement* (2:42)
15. Harlan Ogilvy* (2:37)
16. Probing The Basement (Extended Version)** (4:24)
17. The Aliens* (3:16)
18. Ogilvy’s End* (1:49)
19. Red Planet** (3:56)
20. The Basket** (3:17)
21. The Entrance To Boston** (4:43)
22. Defeat And Reunion** (2:35)
23. Boston Street Finale** (2:13)
24. Closing Montage** (1:36)
25. Epilogue (Film Version) (3:14)
CD 1 Total Time: 79:36
CD 2 REMASTERED ORIGINAL SOUNDTRACK
01. Prologue (2:53)
02. The Ferry Scene (5:49)
03. Reaching The Country (3:24)
04. The Intersection Scene (4:14)
05. Ray And Rachel (2:41)
06. Escape From The City (3:50)
07. Probing The Basement (4:13)
08. Refugee Status (3:51)
09. The Attack On The Car (2:44)
10. The Separation Of The Family (2:37)
11. The Confrontation With Ogilvy (4:35)
12. The Return To Boston (4:29)
13. Escape From The Basket (9:21)
14. The Reunion (3:17)
15. Epilogue (3:13)
Remastered Original Soundtrack Total Time: 61:11

THE EXTRAS
16. Prologue And Opening Montage (Alternate)* (2:43)
17. Before The Escape (0:35)
18. The Entrance To Boston (Alternate)** (4:40)
19. Boston Street Finale (Alternate No. 1)* (2:03)
20. Boston Street Finale (Alternate No. 2)* (2:00)
21. Epilogue (Alternate)* (3:24)
Total Extras Time: 15:30
CD 2 Total Time: 76:46
Two-Disc Total Time: 156:22

*previously unreleased
**contains previously unreleased music
Kompletny score na 1CD --zremasterowany album na 2CD plus alternate .
To wszystko zapowiada muzyczną ucztę dla fanów .Palce lizać .Enjoy .