INTRADA - PLANY WYDAWNICZE

[Ghostek]

Nie wiem czemu płaczesz. Za jakiś czas LaLa zrobi promo i skosisz to u nich za ok 70$ + dostawa i wyjdzie ci taniej niż w Intradzie.
Trza tylko trochę cierpliwości.

[Adam]

Swoją drogą sprzedaż musi być fatalna skoro zablokowali Intradzie dostawy

[Ghostek]

Intrada zalewa rynek kolejnymi szrotami



01. Deep In The City (3:07)
02. Trick Or Treat (1:57)
03. Lab Deconstruction (1:19)
04. Thinking Out Loud (4:22)
05. Long Search And Rescue (7:10)
06. Racing To The Scene (2:04)
07. Family Photos (3:16)
08. West Haddon Street (2:29)
09. Brotherly Love (1:40)
10. Discovery At Stockyard (2:55)
11. All Is Well In Chicago (3:15)
12. Arson (3:13)
13. Traveling To The Station (1:51)
14. In A Hero’s Light (1:21)
15. A Fitting Farewell (1:33)
16. Burnt Soul (2:31)
17. Hearing A Faint Heartbeat (4:38)
18. Clues At Home (1:41)
19. Wading Through The Rubble (2:05)
20. Backdrafting (2:02)
21. Street Tribute (1:41)
22. The Final Explosion (2:11)
23. Sean (2:41)

Samplowana orkiestra, kilka solowych instrumentów i przeogromna nuda już w samplach.

Ciekawostka z tego wszystkiego jest taka, że chyba sobie Back Lot odpuszcza wydawanie CD na poczet Intrady, która już kolejny tytuł tej podwytwórni Universalu bierze.

[Ghostek]

W piątek Intrada wypuszcza oficjalną edycję scoru do Virtuosity.
Ciekawe czym się będzie różnić od promosa, jakie wypuszczono dwie dekady temu...

[Charles]

01. Searching For Sid (3:22)
02. Game Over (4:17)
03. Just A Glitch (1:37)
04. He Cheated (0:58)
05. Welcome Back, Cop (2:00)
06. A Real Rush (2:23)
07. The Evaluation (1:49)
08. Incubate Sheila (1:36)
09. Nano-Cells (2:45)
10. Sid’s Birth (1:31)
11. Parker’s Implant (1:13)
12. Leaving Prison (0:33)
13. Death To The Pigs (1:55)
14. Matthew Grimes (0:32)
15. Police Radio (0:33)
16. Symphony Of Collision (5:11)
17. Sid On Video (1:10)
18. Ka-Pow (5:12)
19. Flashback (4:51)
20. Parker Escaped (3:03)
21. The Cemetery (1:54)
22. Death TV – Part 1 (2:24)
23. Death TV – Part 2 (2:31)
24. Glass Smash (0:52)
25. Madison Confronts Daryl (2:11)
26. Parker Chases Sid (4:05)
27. V.R. Rooftop Fight (6:00)
28. Parker Saves The Girl (6:05)
29. Happy Ending (2:05)

Time: 76:17

[Ghostek]

Pieknie! Biore

[Charles]

30% taniej w Intradzie - do 11 września.

[Ghostek]

Od wtorku go zgarnięcia z Intrady:

Next week’s new CD releases from Intrada at last bring everyone - including myself - a lot of John Barry love. Over 100 minutes of original Barry music for Universal’s early Marvel superhero movie, Howard The Duck from executive producer George Lucas probably headlines for most listeners. Literally packed with Barry at his best, from riveting sci-fi action music to smoky shades of film noir, from beautifully gentle romantic moods to the best of James Bond. 3-CDs offer all of Barry’s music, most of it never-before-released, his numerous alternates and re-scored cues plus replacement music scored by Sylvester Levay, also previously unreleased. All of Thomas Dolby’s songs, performed in the movie by star Lea Thompson’s all-female band also appear, as does the premiere CD release of MCA’s original 40-minute album. A tough act to follow for Barry fans. But one of my own most-played John Barry albums in my youth was King Rat, the Bryan Forbes WWII prisoner of war film with George Segal, written by James Clavell. As part of our well-regarded series of Mainstream and Ava label CDs, mixed and mastered from the first generation master elements, we initially planned on just bringing out the best release of Barry’s classic re-recorded stereo Mainstream album. Upon delivery of the masters, we made the incredible discovery of finding, amongst the many rolls of tape, the long-lost and never-before-released masters for the actual soundtrack itself, a darker and moodier musical masterpiece. Barry’s film soundtrack is an entirely different experience from his opened-up and thematically-expanded Mainstream album. Both musical experiences are terrific. Noted John Barry authority Jon Burlingame supplies all the informative details in his notes for both the Duck and the King. Look for artwork, contents and sound samples here next Monday evening!

[Adam]

Kaczka miażdży Ależ score Barry'ego. I takie wydania to ja rozumiem.



Hugely expanded 3-CD release of action-packed John Barry score to early Marvel Superhero film! When John Barry scored 1986’s Howard The Duck, he recorded vibrant music replete with action-packed battles and heroics, hauntingly beautiful love themes and a plethora of James Bond-ish orchestral dazzle dazzle. Barry even recorded strikingly different versions of several cues to accommodate numerous editorial changes in the film during post-production. Over 100 minutes of original music in all. A monumental scoring achievement! By the time the finished film made it to theaters in 1986, nearly 20 minutes of the scoring for later scenes had been deleted in favor of additional music scored by Sylvester Levay. Enhancing the overall musical approach to Universal’s fantasy vehicle still further were several songs arranged and produced by Thomas Dolby, essential to the antics as they were performed on screen by the all-female rock group Cherry Bomb, the lead singer of which is also the film’s star, Lea Thompson, hot off of her flashy turn in Back To The Future. When MCA Records released the soundtrack on vinyl and cassette, they chose just 40 minutes of music, divided roughly in half between songs and score. Intrada now happily presents all of the music John Barry, Sylvester Levay and Thomas Dolby recorded, spread across 3 CDs, most of it being released for the first time! In addition, that original 1986 MCA album also makes its CD premiere! Howard The Duck was created for Marvel Comics by Steve Gerber in 1973. Star Wars filmmaker George Lucas produced with his friends Willard Huyck and Gloria Katz. Heck also scripted and directed. Lea Thompson, Jeffrey Jones, Tim Robbins star alongside Howard, who later rose to contemporary CGI fame courtesy Marvel/Disney’s Guardians Of The Galaxy films. To present this gargantuan score, all of it in stereo, including all of the alternates and rewrites, Intrada was provided access to the complete session masters for all three musical artists, including 2” 24-track, 1/2” 3-channel and 1/4” 2-track stereo elements preserved in the Universal vaults in beautiful condition. Liner notes are authored by John Barry authority, Jon Burlingame. Kay Marshall fashions the colorful packaging, including two original film artwork campaigns. John Barry conducts his score in June 1986, Dan Wallin records at The Record Plant, Sylvester Levay conducts his score in July 1986, records at 20th Century Fox, Thomas Dolby co-composes, produces and arranges his songs with Allee Willis, George Clinton. Intrada Special Collection 3-CD set available while quantities and interest remain!

CD 1 - Original Score by JOHN BARRY

01. Lullaby Of Duckland (2:32)
02. Disco Duckland (Original) (0:37)
03. Main Title (2:41)
04. Howard To The Rescue (2:28)
05. Flashback (0:23)
06. Beak Jobs And Tail Tucks (1:15)
07. Special Destiny (0:32)
08. You’re The Duckiest (2:09)
09. Taxi Ride (Alternate) (1:00)
10. Taxi Ride (0:54)
11. Man’s Oldest Fantasy (0:43)
12. Super Powers (0:43)
13. Ascent Of Duck (1:20)
14. So Long Ducky (0:57)
15. Lonely Duck (1:04)
16. Duck Bond I Presume (1:28)
17. Beddy-Bye For Howard (3:21)
18. Experiment Video (1:09)
19. Experiment Video (Alternate) (1:10)
20. Hard Boiled Egg (1:44)
21. My Eyes, My Eyes (1:00)
22. Take His Clothes Off (0:31)
23. So Long, Copper (0:32)
24. Shoot To Kill (4:14)
25. Shoot To Kill (Alternate) (3:03)
26. Dark Overlord
– Introduction (Alternate) (1:42)
27. He’s Got A Whole Gang (1:48)
28. Howard’s Bar Brawl (1:37)
29. Give Me The Code Key, Howard (1:20)
30. It’s Closing Time (1:08)
31. Filthy Scum Bucket (2:16)
32. Ultralight Discovery (0:29)
33. Nuclear Drive (0:36)
34. Ultralight #1 (Alternate) (1:33)
35. Ultralight #1 (1:37)
36. Power! (1:09)
37. Ultralight #2 (2:22)
38. Smog Inspection (0:48)
39. Ultralight #3 (3:38)
40. Jenning As Dark Overlord (7:18)
41. Jenning As Dark Overlord – Part II (0:47)
42. Dr. Jenning (0:17)
43. Dark Overlord (5:25)
44. Fallout (1:27)
45. End Credits – Suite (Version #1) (2:13)
CD 1 Total Time: 78:16

CD 2 - Alternate Score Cues by JOHN BARRY

01. Main Title (Alternate) (2:42)
02. You’re The Duckiest (Alternate) (2:07)
03. Man’s Oldest Fantasy (Alternate) (0:44)
04. My Eyes, My Eyes (Alternate) (1:01)
05. Ultralight #2 (Alternate) (2:13)
06. Ultralight #3 (Alternate) (3:34)
07. Jenning As Dark Overlord – Part II (Alternate) (0:46)
08. Dark Overlord (Alternate) (5:24)
09. End Credits – Suite (Version #2) (3:25)
Total JOHN BARRY
Alternates Time: 22:07

Original Rescore by SYLVESTER LEVAY
10. Howard’s Bar Brawl (Rescore) (1:31)
11. Shoot To Kill (Rescore) (4:13)
12. I Need Your Body (Rescore) (2:22)
13. Nuclear Drive (Rescore) (0:38)
14. Ultralight #1 (Rescore) (1:45)
15. Power! (Rescore) (1:09)
16. Ultralight #2 (Rescore) (2:34)
17. Ultralight #3 (Rescore) (4:18)
Total Rescore Time: 18:43

Alternate Rescore Cues by SYLVESTER LEVAY
18. Shoot To Kill (Rescore) (4:12)
19. I Need Your Body (Rescore) (2:22)
20. Nuclear Drive (Rescore) (0:38)
21. Ultralight #1 (Rescore) (1:45)
22. Power! (Rescore) (1:09)
23. Power! (Alternate End) (Rescore) (1:09)
24. Ultralight #2 (Rescore) (2:36)
25. Smog Inspection (Rescore) (0:50)
26. Ultralight #3 (Rescore) (3:30)
Total SYLVESTER LEVAY
Alternates Time: 18:30
CD 2 Total Time: 59:37

CD 3 - Original Songs and Music Produced by THOMAS DOLBY

01. Hunger City – With Extended Intro
(Allee Willis/Thomas Dolby) (4:38)
02. Don’t Turn Away
(Allee Willis/Thomas Dolby) (5:18)
03. I’m On My Way
(Trad., Adapted & Arranged by Thomas Dolby) (2:55)
04. It Don’t Come Cheap
(Allee Willis/Thomas Dolby) (4:47)
05. Beverly’s Loft (Howard The Duck – Instrumental) (0:35)
06. Don’t Turn Away – Version 2
(Allee Willis/Thomas Dolby) (6:22)
07. Howard The Duck – Extended
(Allee Willis/Thomas Dolby/George Clinton) (5:10)
08. Howard The Duck (Alternate)
(Allee Willis/Thomas Dolby/George Clinton) (4:53)
Total THOMAS DOLBY Time: 34:59

Original 1986 Soundtrack Album

09. Hunger City (4:14)
10. Howard The Duck (3:57)
11. Don’t Turn Away (5:02)
12. It Don’t Come Cheap (4:47)
13. I’m On My Way (2:55)
14. Lullaby Of Duckland (2:27)
15. Journey To Earth (2:40)
16. You’re The Duckiest (2:06)
17. Ultralight Flight (2:58)
18. Beddy-Bye For Howard (2:45)
19. Dark Overlord (5:27)
Total Original Album Time: 39:47
CD 3 Total Time: 74:55

[Kaonashi]

O ile mnie pamięć nie myli, to był akurat taki średniawy Barry.

[Adam]

bo nie był wydany więc nie było co pamietać z tych ledwo paru minut co wydali 30 lat temu tu jest pastisz jego całej kariery - jazz, liryka, akcja, bondy, tematy... oczywiście nie ma tu nic nowego, ale to po prostu świetny kolaż jego stylistyki. przez dodatki jeszcze nie przebrnąłem ale dwie pierwsze płyty są super. no i jakośc dźwięku petarda.

[Kaonashi]

Wydali 6 kawałków - 6 średnich kawałków, w których "nie ma nic nowego", więc za tyle muzy to ja podziękuję (tak, wiem, że nie wszystko to score Barry'ego).

[Michal]

Roger Feigelson zdradził 2 z 4 płyt do wydania 3 grudnia .,Jest to Dora and the City of Gold --John Debney oraz Escape from the Witch Mountain --Lalo Schifrin ...eeh a tak mocno wierzyłem w Snow Dogs z 2002 roku Debneya

[Michał Turkowski]

Roger Feigelson zdradził 2 z 4 płyt do wydania 3 grudnia .,Jest to Dora and the City of Gold --John Debney oraz Escape from the Witch Mountain --Lalo Schifrin ...eeh a tak mocno wierzyłem w Snow Dogs z 2002 roku Debneya

Pozostałe wydania to będą re-recordingi - 2x Tiomkin - w tym Intradowy re-recording "Dial M for Murder" i prawdopodobnie muzyki baletowej Tiomkina.

[Kaonashi]

"Dial M for Murder" to jeden z najbardziej przeszarżowanych ilustracyjnie score'ów ever.