A co, dramat, musical i animację, chciałeś na globach w jednej kategorii?Filmy tak rozłożono, że w kategorii dramatu wygra "Przełęcz Ocalonych" lub "Moonlight", w kategorii musical lub komedia "La La Land', a w kategorii film animowany "Zwierzogród".
NAGRODY BRANŻOWE
Re: NAGRODY BRANŻOWE
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- Posty: 14610
- Rejestracja: czw lis 12, 2009 03:50 am
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Re: NAGRODY BRANŻOWE
Na Oscarach podziału nie będzie, a i filmów będzie 10 w kategorii Najlepszy Film, ale Masz racje, na Globach jest inaczej.Mystery pisze: A co, dramat, musical i animację, chciałeś na globach w jednej kategorii?
Tylko On, Williams John 
Tylko on, Elton John

Tylko on, Elton John
Re: NAGRODY BRANŻOWE
Dokładnie. Te hipsterkie "wybory" muzyczne będą jeszcze trwały a zakończą się na oscarowych nominacjach, z tego względu że tu wyborów dokonują głównie krytycy, dla których dobra muzyka dzisiaj, to taka, w której oby nie było jakiegoś tematu a co dopiero orkiestry. Co to, to nie. Tam do głosu dojdzie konserwatyzm branży muzycznej przy Akademii (czyli innymi słowy fachowców) i znowu będziemy przeżywali deja vu z nazwiskami Williams, Johannsson, Newman a może i nawet DesplatMystery pisze:Nomy bez większych zaskoczeń, znów nie ma tak wyróżnianej Levi, no i niestety zabrakło Abla, a szkoda, bo film inne nominacje otrzymywał. W tym roku myślę, że nomy do Oscarów będą się różnić znacząco, no i może być naprawdę ciasno, wszak dojdzie nam Reznor&Ross (Patriots Day), Giacchino (Rogue One), Pemberton (Gold), Burwell (The Founder ), no i rzecz jasna ulubieńcy Akademii, T.Newman (Passengers) i J.Williams (BFG).
PS. Nominowali świetne Sing Street, ale już świetnej piosenki nie

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Mefisto
Re: NAGRODY BRANŻOWE
Akurat Hurwitz to bardzo klasyczny kompozytor - tak Whiplash jak i La La Land to praktycznie prace wyjęte z innej epoki.Tomek pisze:Jedno miejsce pozostawią tym maluczkim w typie Hurwitz czy Brittell, ale to tylko tak na odczepienie się i pokazanie jaka to Akademia jest prestiżowa, wizjonerska, nowoczesna i naturalnie "różnorodna"
Re: NAGRODY BRANŻOWE
OK, ale nie jest on znany z typowych, orkiestrowych ilustracji i nie jest jakimś kompozytorem głównego nurtu, tym bardziej hollywoodzkiego.

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Mefisto
Re: NAGRODY BRANŻOWE
Nie jest, bo dopiero zaczyna. Ale jakiekolwiek wyróżnienie dla niego na pewno nie jest / nie byłoby pokazówką.
Re: NAGRODY BRANŻOWE
Drift And Fall Again na Oscarowej liście songów do nominacji - szanse na wybór do finału zerowe, bo film był chujowy, a wygranym w tej kategorii i tak będzie Hurwitz.
“Just Like Fire” from “Alice through the Looking Glass”
“Rise” from “American Wrestler: The Wizard”
“Friends” from “The Angry Birds Movie”
“Flicker” from “Audrie & Daisy”
“Seconds” from “Autumn Lights”
“A Minute To Breathe” from “Before the Flood”
“Glory (Let There Be Peace)” from “Believe”
“Mother’s Theme” from “Believe”
“Somewhere” from “Believe”
“The Only Way Out” from “Ben-Hur”
“Still Falling For You” from “Bridget Jones’s Baby”
“F That” from “The Bronze”
“Torch Pt. 2” from “Citizen Soldier”
“Drift And Fall Again” from “Criminal”
“Take Me Down” from “Deepwater Horizon”
“Land Of All” from “Desierto”
“Sad But True (Dreamland Theme)” from “Dreamland”
“Angel By The Wings” from “The Eagle Huntress”
“Blind Pig” from “Fantastic Beasts and Where to Find Them”
“One Frame At A Time” from “Floyd Norman: An Animated Life”
“I’m Crying” from “Free State of Jones”
“Gold” from “Gold”
“Champion” from “Hands of Stone”
“Dance Rascal, Dance” from “Hello, My Name Is Doris”
“I See A Victory” from “Hidden Figures”
“Runnin” from “Hidden Figures”
“Sixty Charisma Scented Blackbirds” from “How to Let Go of the World and Love All the Things Climate
Can’t Change”
“My Superstar” from “Ice Age: Collision Course”
“Seeing You Around” from “Ithaca”
“The Empty Chair” from “Jim: The James Foley Story”
“Audition (The Fools Who Dream)” from “La La Land”
“City Of Stars” from “La La Land”
“Start A Fire” from “La La Land”
“Cateura Vamos A Soñar (We Will Dream)” from “Landfill Harmonic”
“Better Love” from “The Legend of Tarzan”
“Never Give Up” from “Lion”
“Equation” from “The Little Prince”
“Turnaround” from “The Little Prince”
“Moonshine” from “Live By Night”
“Loving” from “Loving”
“Hurry Home” from “Max Rose”
“Gone 2015” from “Miles Ahead”
“Wish That You Were Here” from “Miss Peregrine’s Home for Peculiar Children”
“I’m Still Here” from “Miss Sharon Jones!”
“How Far I’ll Go” from “Moana”
“We Know The Way” from “Moana”
“Even More Mine” from “My Big Fat Greek Wedding 2”
“Waving Goodbye” from “The Neon Demon”
“I’m Back” from “Never Surrender”
“Find My Victory” from “Olympic Pride, American Prejudice”
“On Ghost Ridge” from “100 Years: One Woman’s Fight for Justice”
“Ordinary World” from “Ordinary World”
“Devil’s Girl” from “Outlaws and Angels”
“Levitate” from “Passengers”
“Ginga” from “Pelé: Birth of a Legend”
“Nobody Knows” from “Pete’s Dragon”
“Something Wild” from “Pete’s Dragon”
“Dancing With Your Shadow” from “Po”
“I’m So Humble” from “Popstar: Never Stop Never Stopping”
“Stay Here” from “Presenting Princess Shaw”
“Celebrate Life” from “Queen Mimi”
“Back To Life” from “Queen of Katwe”
“Let The Games Begin” from “Race”
“Think About It” from “The Red Pill”
“The Rules Don’t Apply” from “Rules Don’t Apply”
“The Great Beyond” from “Sausage Party”
“Faith” from “Sing”
“Set It All Free” from “Sing”
“Drive It Like You Stole It” from “Sing Street”
“Go Now” from “Sing Street”
“The Veil” from “Snowden”
“Hymn” from “Snowtime!”
“Kiss Me Goodnight” from “Southwest of Salem: The Story of the San Antonio Four”
“Holdin’ Out” from “Storks”
“Heathens” from “Suicide Squad”
“Flying Home” from “Sully”
“Montage” from “Swiss Army Man”
“Petit Metier” from “They Will Have to Kill Us First – Malian Music in Exile”
“Letter To The Free” from “13th”
“Down With Mary” from “Too Late”
“Can’t Stop The Feeling” from “Trolls”
“Get Back Up Again” from “Trolls”
“Smile” from “The Uncondemned”
“We Will Rise” from “Veeram-Macbeth”
“LA Venus” from “We Are X”
“New Dogs, Old Tricks” from “What Happened Last Night”
“Runnin’ Runnin'” from “What Happened Last Night”
“What’s Happening Today” from “What Happened Last Night”
“Who I Am” from “What Happened Last Night”
“The Ballad Of Wiener-Dog” from “Wiener-Dog”
“Try Everything” from “Zootopia”
“Just Like Fire” from “Alice through the Looking Glass”
“Rise” from “American Wrestler: The Wizard”
“Friends” from “The Angry Birds Movie”
“Flicker” from “Audrie & Daisy”
“Seconds” from “Autumn Lights”
“A Minute To Breathe” from “Before the Flood”
“Glory (Let There Be Peace)” from “Believe”
“Mother’s Theme” from “Believe”
“Somewhere” from “Believe”
“The Only Way Out” from “Ben-Hur”
“Still Falling For You” from “Bridget Jones’s Baby”
“F That” from “The Bronze”
“Torch Pt. 2” from “Citizen Soldier”
“Drift And Fall Again” from “Criminal”
“Take Me Down” from “Deepwater Horizon”
“Land Of All” from “Desierto”
“Sad But True (Dreamland Theme)” from “Dreamland”
“Angel By The Wings” from “The Eagle Huntress”
“Blind Pig” from “Fantastic Beasts and Where to Find Them”
“One Frame At A Time” from “Floyd Norman: An Animated Life”
“I’m Crying” from “Free State of Jones”
“Gold” from “Gold”
“Champion” from “Hands of Stone”
“Dance Rascal, Dance” from “Hello, My Name Is Doris”
“I See A Victory” from “Hidden Figures”
“Runnin” from “Hidden Figures”
“Sixty Charisma Scented Blackbirds” from “How to Let Go of the World and Love All the Things Climate
Can’t Change”
“My Superstar” from “Ice Age: Collision Course”
“Seeing You Around” from “Ithaca”
“The Empty Chair” from “Jim: The James Foley Story”
“Audition (The Fools Who Dream)” from “La La Land”
“City Of Stars” from “La La Land”
“Start A Fire” from “La La Land”
“Cateura Vamos A Soñar (We Will Dream)” from “Landfill Harmonic”
“Better Love” from “The Legend of Tarzan”
“Never Give Up” from “Lion”
“Equation” from “The Little Prince”
“Turnaround” from “The Little Prince”
“Moonshine” from “Live By Night”
“Loving” from “Loving”
“Hurry Home” from “Max Rose”
“Gone 2015” from “Miles Ahead”
“Wish That You Were Here” from “Miss Peregrine’s Home for Peculiar Children”
“I’m Still Here” from “Miss Sharon Jones!”
“How Far I’ll Go” from “Moana”
“We Know The Way” from “Moana”
“Even More Mine” from “My Big Fat Greek Wedding 2”
“Waving Goodbye” from “The Neon Demon”
“I’m Back” from “Never Surrender”
“Find My Victory” from “Olympic Pride, American Prejudice”
“On Ghost Ridge” from “100 Years: One Woman’s Fight for Justice”
“Ordinary World” from “Ordinary World”
“Devil’s Girl” from “Outlaws and Angels”
“Levitate” from “Passengers”
“Ginga” from “Pelé: Birth of a Legend”
“Nobody Knows” from “Pete’s Dragon”
“Something Wild” from “Pete’s Dragon”
“Dancing With Your Shadow” from “Po”
“I’m So Humble” from “Popstar: Never Stop Never Stopping”
“Stay Here” from “Presenting Princess Shaw”
“Celebrate Life” from “Queen Mimi”
“Back To Life” from “Queen of Katwe”
“Let The Games Begin” from “Race”
“Think About It” from “The Red Pill”
“The Rules Don’t Apply” from “Rules Don’t Apply”
“The Great Beyond” from “Sausage Party”
“Faith” from “Sing”
“Set It All Free” from “Sing”
“Drive It Like You Stole It” from “Sing Street”
“Go Now” from “Sing Street”
“The Veil” from “Snowden”
“Hymn” from “Snowtime!”
“Kiss Me Goodnight” from “Southwest of Salem: The Story of the San Antonio Four”
“Holdin’ Out” from “Storks”
“Heathens” from “Suicide Squad”
“Flying Home” from “Sully”
“Montage” from “Swiss Army Man”
“Petit Metier” from “They Will Have to Kill Us First – Malian Music in Exile”
“Letter To The Free” from “13th”
“Down With Mary” from “Too Late”
“Can’t Stop The Feeling” from “Trolls”
“Get Back Up Again” from “Trolls”
“Smile” from “The Uncondemned”
“We Will Rise” from “Veeram-Macbeth”
“LA Venus” from “We Are X”
“New Dogs, Old Tricks” from “What Happened Last Night”
“Runnin’ Runnin'” from “What Happened Last Night”
“What’s Happening Today” from “What Happened Last Night”
“Who I Am” from “What Happened Last Night”
“The Ballad Of Wiener-Dog” from “Wiener-Dog”
“Try Everything” from “Zootopia”
NO CD = NO SALE
Re: NAGRODY BRANŻOWE
Jest i lista scorów:
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“American Pastoral,” Alexandre Desplat, composer
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“Denial,” Howard Shore, composer
“Doctor Strange,” Michael Giacchino, composer
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“The Edge of Seventeen,” Atli Ӧrvarsson, composer
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“The First Monday in May,” Ian Hultquist and Sofia Hultquist, composers
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“Floyd Norman: An Animated Life,” Ryan Shore, composer
“The Founder,” Carter Burwell, composer
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“Gleason,” Dan Romer and Saul Simon MacWilliams, composers
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“Greater,” Stephen Raynor-Endelman, composer
“Hacksaw Ridge,” Rupert Gregson-Williams, composer
“Hail, Caesar!,” Carter Burwell, composer
“The Handmaiden,” Cho Young-wuk, composer
“Hands of Stone,” Angelo Milli, composer
“Hell or High Water,” Nick Cave and Warren Ellis, composers
“Hidden Figures,” Pharrell Williams and Benjamin Wallfisch, composers
“High-Rise,” Clint Mansell, composer
“How to Be Single,” Fil Eisler, composer
“Hunt for the Wilderpeople,” Lukasz Buda and Samuel Scott, composers
“The Huntsman: Winter’s War,” James Newton Howard, composer
“Ice Age: Collision Course,” John Debney, composer
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“Indignation,” Jay Wadley, composer
“The Invitation,” Theodore Shapiro, composer
“Ithaca,” John Mellencamp, composer
“Jack Reacher: Never Go Back,” Henry Jackman, composer
“Jackie,” Mica Levi, composer
“Julieta,” Alberto Iglesias, composer
“The Jungle Book,” John Debney, composer
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“Kicks,” Brian Reitzell, composer
“Krisha,” Brian McOmber, composer
“Kubo and the Two Strings,” Dario Marianelli, composer
“La La Land,” Justin Hurwitz, composer
“Land of Mine,” Sune Martin, composer
“Landfill Harmonic,” Michael A. Levine, composer
“The Legend of Ben Hall,” Ronnie Minder, composer
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Dziwna sprawa z Hidden Figures i brakiem Hansa, który za ten film otrzymał przecież noma do Globa. Zapomnieli o nim?, nie łapał się ze względu na regulamin?, sam odszedł by pozostała dwójka mogła być nominowana?, czy może nadal jest wypięty na Akademię (brak Batman v Superman), choć w sumie za Little Prince już jest. "Silence" zgodnie z przywidywaniami całe szczęście nie ma, z ważniejszych tytułów brakło "Manchester by the Sea ", ale sądząc po sondtracku gdzie było 20 minut scoru, a resztę stanowiła klasyka, to pewnie za nią nie dopuścili tej pracy. Brak "Arrival" za względu na 1 nieoryginalny kawałek trochę niepojęty, dziwne, bo Akademia lubi Johanna, wszak miał już dwa nomy, a to był pewniak do trzeciego, no ale regulamin rzecz święta

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“Gold,” Daniel Pemberton, composer
“Greater,” Stephen Raynor-Endelman, composer
“Hacksaw Ridge,” Rupert Gregson-Williams, composer
“Hail, Caesar!,” Carter Burwell, composer
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“Hands of Stone,” Angelo Milli, composer
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“High-Rise,” Clint Mansell, composer
“How to Be Single,” Fil Eisler, composer
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“Indignation,” Jay Wadley, composer
“The Invitation,” Theodore Shapiro, composer
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“Julieta,” Alberto Iglesias, composer
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“Krisha,” Brian McOmber, composer
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“The Secret Life of Pets,” Alexandre Desplat, composer
“Silicon Cowboys,” Ian Hultquist, composer
“Sing,” Joby Talbot, composer
“Snowtime!,” Eloi Painchaud and Jorane, composers
“Southside with You,” Stephen James Taylor, composer
“Star Trek Beyond,” Michael Giacchino, composer
“Storks,” Mychael Danna and Jeff Danna, composers
“Suicide Squad,” Steven Price, composer
“Sully,” Christian Jacob, composer
“Swiss Army Man,” Andy Hull and Robert McDowell, composers
“Teenage Mutant Ninja Turtles: Out of the Shadows,” Steve Jablonsky, composer
“10 Cloverfield Lane,” Bear McCreary, composer
“10 Days in a Madhouse,” Jamie Hall, composer
“13 Hours: The Secret Soldiers of Benghazi,” Lorne Balfe, composer
“Trolls,” Christophe Beck, composer
“20th Century Women,” Roger Neill, composer
“Warcraft,” Ramin Djawadi, composer
“Whiskey Tango Foxtrot,” Nick Urata, composer
“X-Men: Apocalypse,” John Ottman, composer
“Zoolander 2,” Theodore Shapiro, composer
“Zootopia,” Michael Giacchino, composer
Dziwna sprawa z Hidden Figures i brakiem Hansa, który za ten film otrzymał przecież noma do Globa. Zapomnieli o nim?, nie łapał się ze względu na regulamin?, sam odszedł by pozostała dwójka mogła być nominowana?, czy może nadal jest wypięty na Akademię (brak Batman v Superman), choć w sumie za Little Prince już jest. "Silence" zgodnie z przywidywaniami całe szczęście nie ma, z ważniejszych tytułów brakło "Manchester by the Sea ", ale sądząc po sondtracku gdzie było 20 minut scoru, a resztę stanowiła klasyka, to pewnie za nią nie dopuścili tej pracy. Brak "Arrival" za względu na 1 nieoryginalny kawałek trochę niepojęty, dziwne, bo Akademia lubi Johanna, wszak miał już dwa nomy, a to był pewniak do trzeciego, no ale regulamin rzecz święta
Re: NAGRODY BRANŻOWE
odpadli ci z muzą źródłową lub z innych filmów i prawidłowo. nie powinno być zdziwienia, bo to długoletnia praktyka ampasu. do tego niektóre to nie była muzyka tylko dźwiękonaśladowstwo a dla takich to już w ogóle zero tolerancji! 
a tutaj masz spory artykuł z Variety nt temat - http://variety.com/2016/film/in-content ... 201941479/
a tutaj masz spory artykuł z Variety nt temat - http://variety.com/2016/film/in-content ... 201941479/
NO CD = NO SALE
- Wawrzyniec
- Hans Zimmer
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- Kontakt:
Re: NAGRODY BRANŻOWE
Całkiem ciekawe te nominacje do Złotych Globów i zupełnie nie rozumiem tej złośliwej i szyderczej krytyki Tomka.
Jak już Mefisto napisał Hurwitz to właśnie przykład klasycznego, używając krzywdzącego określenia "staroświeckiego grania". "Lion" posiada bardzo wyrazisty temat, że naprawdę trzeba byłoby być głuchym, aby go nie usłyszeć. "Arrival" to wiadomo Jóhannson, który jest na fali i skomponował bardzo oryginalny score. A nominacja dla Zimmera? No cóż najwidoczniej nawet ci od Złotych Globów nie mogli się powstrzymać aby trochę wnerwić forum filmmusic.pl

#WinaHansa #IStandByDaenerys
Re: NAGRODY BRANŻOWE
Ale to nie żadna krytyka. Czy przeciwne zdanie musi być od razu krytyką (złośliwą!) czy hejtem i od razu opatrzone jakimś emotikonami zniesmaczenia?
Przewiduję jak będzie w nominacjach oscarowych po prostu. Wystarczy prześledzić schemat ostatnich lat i w ogóle kto dostaje - to są zazwyczaj "prestiżowi" twórcy. To że jakaś muzyka jest OK, czy jest temat, nie ma to większego znaczenia. Będzie czwórka starych wyjadaczy/ugruntowanych w branży kompozytorów i Hurwitz, nietrudno to wywnioskować ze zwycięstwem Hurwitza, który dostanie to wzorem choćby Rahmana,
Przewiduję jak będzie w nominacjach oscarowych po prostu. Wystarczy prześledzić schemat ostatnich lat i w ogóle kto dostaje - to są zazwyczaj "prestiżowi" twórcy. To że jakaś muzyka jest OK, czy jest temat, nie ma to większego znaczenia. Będzie czwórka starych wyjadaczy/ugruntowanych w branży kompozytorów i Hurwitz, nietrudno to wywnioskować ze zwycięstwem Hurwitza, który dostanie to wzorem choćby Rahmana,

Re: NAGRODY BRANŻOWE
ten rok ma takie zgniatacze że lista nagród jest już pewna w kilku kategoriach na czele z aktorskimi
NO CD = NO SALE
- lis23
- + Ludvig van Beethoven +
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Re: NAGRODY BRANŻOWE
https://naekranie.pl/aktualnosci/oscary ... ow-1490962Jeśli chodzi o ścieżki dźwiękowe, to zdyskwalifikowane zostały trzy tytuły: Milczenie, Manchester by the Sea i Nowy początek. W przypadku dwóch pierwszych filmów Akademia uznała, że liczba utworów oryginalnych w stosunku do całej ścieżki jest niewystarczająca. Z kolei w przypadku Arrival wykorzystanie utworu On the Nature of Daylight Maksa Richtera było według Akademii zbyt częste i dotyczyło najważniejszych momentów.
Tylko On, Williams John 
Tylko on, Elton John

Tylko on, Elton John
Re: NAGRODY BRANŻOWE
podepnę tu - najlepiej sprzedające się cyfrowo na iTunes soundtracki w 2016 roku (lista zrobiona do 1 grudnia, więc nie uwzględnia Łotra):

białe zaznaczenia to albumy Lakeshore Records - jest ich najwięcej na zestawieniu.
świat ma dobry gust
Na pohybel krytykom 

białe zaznaczenia to albumy Lakeshore Records - jest ich najwięcej na zestawieniu.
świat ma dobry gust
NO CD = NO SALE
Re: NAGRODY BRANŻOWE
Na pewno w oczy rzuca się tylko 1 symfoniczna ścieżka i to w dodatku Star Wars Williamsa, także dobrze widać dzisiejsze trendy, muza z popularnych seriali, musicale i wszystkie te hipsterskie scory 