
NAGRODY BRANŻOWE
Re: NAGRODY BRANŻOWE
BAFTA dla Price'a, ale tu było na 99% wiadomo, że nagrodzą swojego:


- Wojteł
- John Williams
- Posty: 9895
- Rejestracja: sob mar 15, 2008 23:50 pm
- Lokalizacja: Chrząszczyżewoszyce powiat Łękołody
Re: NAGRODY BRANŻOWE
Się baftami podniecacie a już od 5 minut filmmuzy na głównej wiszo 

Haha Śląsk węgiel zadupie gwara
- DanielosVK
- Howardelis Vangeshore
- Posty: 7894
- Rejestracja: sob cze 26, 2010 13:43 pm
Re: NAGRODY BRANŻOWE
Gdy nawet filmmuzy nie zachwycają to wiedz, że rok był naprawdę cienki. 

Fe.
Cóż za score, Howard Shore.
Cóż za score, Howard Shore.
Re: NAGRODY BRANŻOWE
Jakieś z dupy te Filmmuzy, chyba najbardziej hipsterskie rozdanie jakie widziałem w tym roku 

Re: NAGRODY BRANŻOWE
A mi się filmmuzy podobają 

Gdyby nie piraci, byłbym jak Zbigniew Hołdys - Eric Clapton.
Re: NAGRODY BRANŻOWE
Zwycięzcy IFMCA 2013 (wytłuszczeni)
FILM SCORE OF THE YEAR
• Evil Dead, music by Roque Baños
• Grand Piano, music by Víctor Reyes
• Gravity, music by Steven Price
• The Hobbit: The Desolation of Smaug, music by Howard Shore
• Romeo and Juliet, music by Abel Korzeniowski
FILM COMPOSER OF THE YEAR
• Roque Baños
• Laurent Eyquem
• Abel Korzeniowski
• Steven Price
• Brian Tyler
BREAKTHROUGH FILM COMPOSER OF THE YEAR
• César Benito
• Sarah Class
• Alexander Ebert
• Laurent Eyquem
• Steven Price
BEST ORIGINAL SCORE FOR A DRAMA FILM
• The Best Offer [La Migliore Offerta], music by Ennio Morricone
• The Book Thief, music by John Williams
• Copperhead, music by Laurent Eyquem
• Romeo and Juliet, music by Abel Korzeniowski
• Summer in February, music by Benjamin Wallfisch
BEST ORIGINAL SCORE FOR A COMEDY FILM
• Instructions Not Included [No Se Aceptan Devoluciones], music by Carlo Siliotto
• Quai d'Orsay, music by Philippe Sarde
• The Secret Life of Walter Mitty, music by Theodore Shapiro
• This is the End, music by Henry Jackman
• Venus in Fur [La Vénus à la Fourrure], music by Alexandre Desplat
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
• Grand Piano, music by Víctor Reyes
• Iron Man 3, music by Brian Tyler
• Passion, music by Pino Donaggio
• Rubinrot, music by Philipp F. Kölmel
• Stalingrad, music by Angelo Badalamenti
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
• Escape From Tomorrow, music by Abel Korzeniowski
• Evil Dead, music by Roque Baños
• Gravity, music by Steven Price
• The Hobbit: The Desolation of Smaug, music by Howard Shore
• Star Trek Into Darkness, music by Michael Giacchino
BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
• The Croods, music by Alan Silvestri
• Epic, music by Danny Elfman
• Frozen, music by Christophe Beck
• Planes, music by Mark Mancina
• The Wind Rises [Kaze Tachinu], music by Joe Hisaishi
BEST ORIGINAL SCORE FOR A DOCUMENTARY
• Africa, music by Sarah Class
• Anne & Alet, music by Mark Rayen Candasamy
• Die Nordsee: Unser Meer, music by Oliver Heuss
• Space Shuttle Columbia: Mission of Hope, music by Blake Neely
• Tim's Vermeer, music by Conrad Pope
BEST ORIGINAL SCORE FOR A TELEVISION SERIES
• Czas Honoru, music by Bartosz Chajdecki
• Da Vinci's Demons, music by Bear McCreary
• El Tiempo Entre Costuras, music by César Benito
• Game of Thrones, music by Ramin Djawadi
• Isabel, music by Federico Jusid
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
• Assassin’s Creed IV: Black Flag, music by Brian Tyler
• Beyond: Two Souls, music by Lorne Balfe
• Company of Heroes 2, music by Cris Velasco
• Puppeteer, music by Patrick Doyle
• Remember Me, music by Olivier Deriviére
BEST ARCHIVAL RELEASE OF AN EXISTING SCORE - RE-RELEASE OR RE-RECORDING
• Breakfast at Tiffany's, music by Henry Mancini; album produced by Douglass Fake and Roger Feigelson; liner notes by Jeff Bond; album art direction by Joe Sikoryak (Intrada)
• QB VII, music by Jerry Goldsmith; re-recording conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Damien Doherty, James Fitzpatrick and GINKO DIGI (Prometheus/Tadlow)
• The Salamander, music by Jerry Goldsmith; re-recording conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Paul de Blieck, Johan van den Broeck and GINKO DIGI (Prometheus/Tadlow)
• The Wild Bunch, music by Jerry Fielding; album produced by Lukas Kendall; liner notes by Lukas Kendall and John Takis; album art direction by Joe Sikoryak (Film Score Monthly)
• Wyatt Earp, music by James Newton Howard; album produced by Dan Goldwasser; liner notes by Tim Grieving; album art direction by Dan Goldwasser (La-La Land)
BEST ARCHIVAL RELEASE OF AN EXISTING SCORE - COMPILATION
• Doctor Who: The 50th Anniversary Collection, music by Various Composers; album produced by Mark Ayres, Reynold DaSilva and David Stoner; liner notes by Mark Ayres; album art direction by Stuart Ford (Silva Screen)
• Lethal Weapon Soundtrack Collection, music by Michael Kamen, Eric Clapton and David Sanborn; album produced by Neil S. Bulk and MV Gerhard; liner notes by Jeff Bond; album art direction by Jim Titus (La-La Land)
• Michel Legrand Anthology, music by Michel Legrand; album produced by Stéphane Lerouge; liner notes by Stéphane Lerouge; album art direction by Jerome Witz-Gilles Guerlet (Universal/Écoutez le Cinéma!)
• Varèse Sarabande: A 35th Anniversary Celebration, music by Various Composers; album produced by Robert Townson; liner notes by Robert Townson; album art direction by Robert Townson and Bill Pitzonka (Varèse Sarabande)
• The X-Files: Volume Two, music by Mark Snow; album produced by Mark Snow, Mike Joffe and Nick Redman; liner notes by Randall D. Larson; album art direction by Mark Banning (La-La Land)
FILM MUSIC RECORD LABEL OF THE YEAR
• Intrada Records, Douglass Fake and Roger Feigelson
• La-La Land Records, MV Gerhard and Matt Verboys
• Moviescore Media, Mikael Carlsson
• Quartet Records, Jose M. Benitez
• Tadlow Music, James Fitzpatrick
FILM MUSIC COMPOSITION OF THE YEAR
• “The Book Thief” from The Book Thief, music by John Williams
• “The Grand Finale” from Escape From Tomorrow, music by Abel Korzeniowski
• “Abominations Rising” from Evil Dead, music by Roque Baños
• “Beyond the Forest” from The Hobbit: The Desolation of Smaug, music by Howard Shore
• “A Thousand Times Goodnight” from Romeo and Juliet, music by Abel Korzeniowski[/quote]
SPECIAL AWARD
• The Salamander, score reconstruction by Leigh Phillips
FILM SCORE OF THE YEAR
• Evil Dead, music by Roque Baños
• Grand Piano, music by Víctor Reyes
• Gravity, music by Steven Price
• The Hobbit: The Desolation of Smaug, music by Howard Shore
• Romeo and Juliet, music by Abel Korzeniowski
FILM COMPOSER OF THE YEAR
• Roque Baños
• Laurent Eyquem
• Abel Korzeniowski
• Steven Price
• Brian Tyler
BREAKTHROUGH FILM COMPOSER OF THE YEAR
• César Benito
• Sarah Class
• Alexander Ebert
• Laurent Eyquem
• Steven Price
BEST ORIGINAL SCORE FOR A DRAMA FILM
• The Best Offer [La Migliore Offerta], music by Ennio Morricone
• The Book Thief, music by John Williams
• Copperhead, music by Laurent Eyquem
• Romeo and Juliet, music by Abel Korzeniowski
• Summer in February, music by Benjamin Wallfisch
BEST ORIGINAL SCORE FOR A COMEDY FILM
• Instructions Not Included [No Se Aceptan Devoluciones], music by Carlo Siliotto
• Quai d'Orsay, music by Philippe Sarde
• The Secret Life of Walter Mitty, music by Theodore Shapiro
• This is the End, music by Henry Jackman
• Venus in Fur [La Vénus à la Fourrure], music by Alexandre Desplat
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
• Grand Piano, music by Víctor Reyes
• Iron Man 3, music by Brian Tyler
• Passion, music by Pino Donaggio
• Rubinrot, music by Philipp F. Kölmel
• Stalingrad, music by Angelo Badalamenti
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
• Escape From Tomorrow, music by Abel Korzeniowski
• Evil Dead, music by Roque Baños
• Gravity, music by Steven Price
• The Hobbit: The Desolation of Smaug, music by Howard Shore
• Star Trek Into Darkness, music by Michael Giacchino
BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
• The Croods, music by Alan Silvestri
• Epic, music by Danny Elfman
• Frozen, music by Christophe Beck
• Planes, music by Mark Mancina
• The Wind Rises [Kaze Tachinu], music by Joe Hisaishi
BEST ORIGINAL SCORE FOR A DOCUMENTARY
• Africa, music by Sarah Class
• Anne & Alet, music by Mark Rayen Candasamy
• Die Nordsee: Unser Meer, music by Oliver Heuss
• Space Shuttle Columbia: Mission of Hope, music by Blake Neely
• Tim's Vermeer, music by Conrad Pope
BEST ORIGINAL SCORE FOR A TELEVISION SERIES
• Czas Honoru, music by Bartosz Chajdecki
• Da Vinci's Demons, music by Bear McCreary
• El Tiempo Entre Costuras, music by César Benito
• Game of Thrones, music by Ramin Djawadi
• Isabel, music by Federico Jusid
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
• Assassin’s Creed IV: Black Flag, music by Brian Tyler
• Beyond: Two Souls, music by Lorne Balfe
• Company of Heroes 2, music by Cris Velasco
• Puppeteer, music by Patrick Doyle
• Remember Me, music by Olivier Deriviére
BEST ARCHIVAL RELEASE OF AN EXISTING SCORE - RE-RELEASE OR RE-RECORDING
• Breakfast at Tiffany's, music by Henry Mancini; album produced by Douglass Fake and Roger Feigelson; liner notes by Jeff Bond; album art direction by Joe Sikoryak (Intrada)
• QB VII, music by Jerry Goldsmith; re-recording conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Damien Doherty, James Fitzpatrick and GINKO DIGI (Prometheus/Tadlow)
• The Salamander, music by Jerry Goldsmith; re-recording conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Paul de Blieck, Johan van den Broeck and GINKO DIGI (Prometheus/Tadlow)
• The Wild Bunch, music by Jerry Fielding; album produced by Lukas Kendall; liner notes by Lukas Kendall and John Takis; album art direction by Joe Sikoryak (Film Score Monthly)
• Wyatt Earp, music by James Newton Howard; album produced by Dan Goldwasser; liner notes by Tim Grieving; album art direction by Dan Goldwasser (La-La Land)
BEST ARCHIVAL RELEASE OF AN EXISTING SCORE - COMPILATION
• Doctor Who: The 50th Anniversary Collection, music by Various Composers; album produced by Mark Ayres, Reynold DaSilva and David Stoner; liner notes by Mark Ayres; album art direction by Stuart Ford (Silva Screen)
• Lethal Weapon Soundtrack Collection, music by Michael Kamen, Eric Clapton and David Sanborn; album produced by Neil S. Bulk and MV Gerhard; liner notes by Jeff Bond; album art direction by Jim Titus (La-La Land)
• Michel Legrand Anthology, music by Michel Legrand; album produced by Stéphane Lerouge; liner notes by Stéphane Lerouge; album art direction by Jerome Witz-Gilles Guerlet (Universal/Écoutez le Cinéma!)
• Varèse Sarabande: A 35th Anniversary Celebration, music by Various Composers; album produced by Robert Townson; liner notes by Robert Townson; album art direction by Robert Townson and Bill Pitzonka (Varèse Sarabande)
• The X-Files: Volume Two, music by Mark Snow; album produced by Mark Snow, Mike Joffe and Nick Redman; liner notes by Randall D. Larson; album art direction by Mark Banning (La-La Land)
FILM MUSIC RECORD LABEL OF THE YEAR
• Intrada Records, Douglass Fake and Roger Feigelson
• La-La Land Records, MV Gerhard and Matt Verboys
• Moviescore Media, Mikael Carlsson
• Quartet Records, Jose M. Benitez
• Tadlow Music, James Fitzpatrick
FILM MUSIC COMPOSITION OF THE YEAR
• “The Book Thief” from The Book Thief, music by John Williams
• “The Grand Finale” from Escape From Tomorrow, music by Abel Korzeniowski
• “Abominations Rising” from Evil Dead, music by Roque Baños
• “Beyond the Forest” from The Hobbit: The Desolation of Smaug, music by Howard Shore
• “A Thousand Times Goodnight” from Romeo and Juliet, music by Abel Korzeniowski[/quote]
SPECIAL AWARD
• The Salamander, score reconstruction by Leigh Phillips
Re: NAGRODY BRANŻOWE
Zwycięzcy na pewno mogą się podobać 

- Marek Łach
- + Jerry Goldsmith +
- Posty: 5671
- Rejestracja: śr maja 04, 2005 16:30 pm
- Lokalizacja: Kraków
Re: NAGRODY BRANŻOWE
Brawo, Abel! Niekwestionowany zwycięzca w Polsce i za granicą.
W ogóle całkiem udane IFMCA w tym roku, cieszy mnie Banos, Hisaishi, Reyes, Jusid. Nie ma chyba żadnej wtopy wśród nagrodzonych. I cieszę się też, że Philips dostał specjalne wyróżnienie za niesamowitą robotę przy Salamandrze.

- Michał Turkowski
- Zdobywca nieistotnych nagród
- Posty: 1264
- Rejestracja: sob wrz 15, 2012 13:45 pm
Re: NAGRODY BRANŻOWE
Brawa dla Abla ! 
Brawa też dla Prażan i dla Leigha Philipsa
Z początku myślałem że za re-rec wygra "QB VII" ale po dłuższym zastanowieniu się nie ma co się dziwić że jednak "Salamander".
Pomimo iż "QB VII" jest bardzo rozszerzone o wiele świetnego materiału, to jednak score był wcześniej obecny na LP i znaliśmy go.
"Salamandra" nigdy nie była dostępna oficjalnie więc jej wydanie cieszy jeszcze bardziej, choć "QB VII" też wg. mnie wymiata w kompletnej wersji

Brawa też dla Prażan i dla Leigha Philipsa

Z początku myślałem że za re-rec wygra "QB VII" ale po dłuższym zastanowieniu się nie ma co się dziwić że jednak "Salamander".
Pomimo iż "QB VII" jest bardzo rozszerzone o wiele świetnego materiału, to jednak score był wcześniej obecny na LP i znaliśmy go.
"Salamandra" nigdy nie była dostępna oficjalnie więc jej wydanie cieszy jeszcze bardziej, choć "QB VII" też wg. mnie wymiata w kompletnej wersji

Re: NAGRODY BRANŻOWE
Antek at his best
- http://www.soundtracks.pl/index.php?op=show&ID=1764

NO CD = NO SALE
Re: NAGRODY BRANŻOWE
Właśnie zdarł sobie jakiś plaster z głowy?Adam pisze:Antek at his best- http://www.soundtracks.pl/index.php?op=show&ID=1764
Gdyby nie piraci, byłbym jak Zbigniew Hołdys - Eric Clapton.
Re: NAGRODY BRANŻOWE
Erik Woods wreszcie skompletował swoje ulubione scory roku, świetny top
http://www.cinematicsound.net/the-best-scores-of-2013/

http://www.cinematicsound.net/the-best-scores-of-2013/