John Carpenter
Re: John Carpenter
dziadzia z ziomkami będzie odgrzewał kotleta:
CD/LP - Sacred Bones Records - 19.10.2018
When the new Halloween movie hits theaters in October 2018, it will have the distinction of being the first film in the series with creator John Carpenter’s direct involvement since 1982’s Halloween III: Season of the Witch. Carpenter serves on the new David Gordon Green-directed installment as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his three recent solo albums, Cody Carpenter and Daniel Davies. The new soundtrack pays homage to the classic Halloween score that Carpenter composed and recorded in 1978, when he forever changed the course of horror cinema and synthesizer music with his low-budget masterpiece. Several new versions of the iconic main theme serve as the pulse of Green’s film, its familiar 5/4 refrain stabbing through the soundtrack like the Shape’s knife. The rest of the soundtrack is just as enthralling, incorporating everything from atmospheric synth whooshes to eerie piano-driven pieces to skittering electronic percussion. While the new score was made with a few more resources than Carpenter’s famously shoestring original, its musical spirit was preserved. “We wanted to honor the original Halloween soundtrack in terms of the sounds we used,” Davies explained. “We used a lot of the Dave Smith OB-6, bowed guitar, Roland Juno, Korg, Roli, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano.” Unlike the Lost Themes albums, where the composers wrote the soundtracks for imaginary movies, Halloween saw the Carpenters and Davies collaborating on music set to images for the first time. Though it marked a significant change from their previous creative process, the trio thrived under the constraints and tight deadlines that film scoring work demands. “Being limited by the length of time in scoring the sequence, we focused on the director’s tempo, timing, and vision,” Davies said. “He would tell us what he had in mind, how long the cue should be, what emotion he wanted, and we would take it from there. It’s only the three of us, there is no elaborate system. We wrote, performed, and orchestrated everything.” For John Carpenter, who reunited on the new film with original Halloween star Jamie Lee Curtis, composing the score felt like a homecoming. Not only had he not worked on a Halloween movie in 35 years, he hadn’t composed a soundtrack since his 2001 sci-fi thriller Ghosts of Mars. “It was great,” Carpenter said of the experience. “It was transforming. It was not a movie I directed, so I had a lot of freedom in creating the score and getting into the director's head. I was proud to serve David Gordon Green’s vision.” For Cody Carpenter, John’s son, and Davies, his godson, it was surreal to work on something that means so much to generations of fans, and that they grew up around. “It was an honor for us to be involved, and we are really happy to be a part of something that so many people are anticipating and excited about,” Davies said. “Working together with both the director of the new Halloween and the creator of the original Halloween was really a fantastic experience.”
CD/LP - Sacred Bones Records - 19.10.2018
When the new Halloween movie hits theaters in October 2018, it will have the distinction of being the first film in the series with creator John Carpenter’s direct involvement since 1982’s Halloween III: Season of the Witch. Carpenter serves on the new David Gordon Green-directed installment as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his three recent solo albums, Cody Carpenter and Daniel Davies. The new soundtrack pays homage to the classic Halloween score that Carpenter composed and recorded in 1978, when he forever changed the course of horror cinema and synthesizer music with his low-budget masterpiece. Several new versions of the iconic main theme serve as the pulse of Green’s film, its familiar 5/4 refrain stabbing through the soundtrack like the Shape’s knife. The rest of the soundtrack is just as enthralling, incorporating everything from atmospheric synth whooshes to eerie piano-driven pieces to skittering electronic percussion. While the new score was made with a few more resources than Carpenter’s famously shoestring original, its musical spirit was preserved. “We wanted to honor the original Halloween soundtrack in terms of the sounds we used,” Davies explained. “We used a lot of the Dave Smith OB-6, bowed guitar, Roland Juno, Korg, Roli, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano.” Unlike the Lost Themes albums, where the composers wrote the soundtracks for imaginary movies, Halloween saw the Carpenters and Davies collaborating on music set to images for the first time. Though it marked a significant change from their previous creative process, the trio thrived under the constraints and tight deadlines that film scoring work demands. “Being limited by the length of time in scoring the sequence, we focused on the director’s tempo, timing, and vision,” Davies said. “He would tell us what he had in mind, how long the cue should be, what emotion he wanted, and we would take it from there. It’s only the three of us, there is no elaborate system. We wrote, performed, and orchestrated everything.” For John Carpenter, who reunited on the new film with original Halloween star Jamie Lee Curtis, composing the score felt like a homecoming. Not only had he not worked on a Halloween movie in 35 years, he hadn’t composed a soundtrack since his 2001 sci-fi thriller Ghosts of Mars. “It was great,” Carpenter said of the experience. “It was transforming. It was not a movie I directed, so I had a lot of freedom in creating the score and getting into the director's head. I was proud to serve David Gordon Green’s vision.” For Cody Carpenter, John’s son, and Davies, his godson, it was surreal to work on something that means so much to generations of fans, and that they grew up around. “It was an honor for us to be involved, and we are really happy to be a part of something that so many people are anticipating and excited about,” Davies said. “Working together with both the director of the new Halloween and the creator of the original Halloween was really a fantastic experience.”
#FUCKVINYL
- Koper
- Ennio Morricone
- Posty: 26264
- Rejestracja: pn mar 06, 2006 22:16 pm
- Lokalizacja: Zielona Góra
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Re: John Carpenter
Ooo, rodzinnie
"Hans Zimmer w tej chwili nic nie potrzebuje. (...) Ciebie też nie potrzebuje." - Paweł Stroiński
- Wawrzyniec
- Hans Zimmer
- Posty: 34148
- Rejestracja: sob lip 12, 2008 02:00 am
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Re: John Carpenter
Synthember 3 = Halloween 3:
http://filmmusic.pl/index.php?act=recki&id=2678
http://filmmusic.pl/index.php?act=recki&id=2678
#WinaHansa #IStandByDaenerys
Re: John Carpenter
Po raz pierwszy na rynek wychodzi muzyka Carpentera z "Thinga" - "John Carpenter's The Thing and Lost Cues: The Thing Bundle" https://waxworkrecords.com/products/joh ... 3188730941
O ile dobrze pamiętam - w filmie 4x pojawia się score Carpentera, m.in. w scenie napisów początkowych. Nie wiem, jak oni chcą z tego upchać cały krążek, no ale podobno to ma być jakiś rerec tamtego materiału więc może coś wydłużą i dadzą jakieś alternaty. Mam nadzieję, że to wydanie już raz na zawsze wyjaśni, że temat główny z dum-dum zrobił Ennio, nie Carpenter, jak głoszą teorie spiskowe.“Ennio Morricone composed the magnificent score for my movie THE THING. Because we weren’t finished editing the movie, Ennio had to score without seeing a complete picture. When we put everything together, there were gaps dramatically where I would have wanted music. So I went off and scored a couple of simple pieces that filled in.” - John Carpenter
Gdyby nie piraci, byłbym jak Zbigniew Hołdys - Eric Clapton.
- Wawrzyniec
- Hans Zimmer
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Re: John Carpenter
Bardzo ładnie to wygląda. Mam na myśli to wydanie. Ale czy to jest tylko vinyl? Ale na tych napisach początkowych (które w ogóle są dziwne, jeżeli chodzi o kolejność wyświetlanych nazwisk) to jest zaledwie jakiś anonimowy syntezatoro-ambient w tle. To coś takiego miało by się tutaj znaleźć? Jakoś dziwnie to widzę zważywszy, że akurat The Thing jako film ma bardzo, ale to bardzo mało muzyki.
#WinaHansa #IStandByDaenerys
Re: John Carpenter
Tak, wszystko co zrobił Carpenter do Thinga, to te synthowe buczenia w czterech bodajże scenach. Nie widzę jeszcze czasów dla tych kawałków Carpentera, ale to mają być jakieś rereci.Wawrzyniec pisze: ↑śr kwie 15, 2020 16:19 pmAle na tych napisach początkowych (które w ogóle są dziwne, jeżeli chodzi o kolejność wyświetlanych nazwisk) to jest zaledwie jakiś anonimowy syntezatoro-ambient w tle. To coś takiego miało by się tutaj znaleźć?
3/1 - 3/2, 4/1 - 4/2: John Carpenter Composer Arranger Performer; Alan Howarth Composer Arranger; Cody Carpenter Performer; Daniel Davies Performer;
Gdyby nie piraci, byłbym jak Zbigniew Hołdys - Eric Clapton.
- Wawrzyniec
- Hans Zimmer
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Re: John Carpenter
Dzisiaj widziałem w berlińskim Saturnie to wydanie za 15 Euro. I się zastanawiam na ile to korzystna cena.
#WinaHansa #IStandByDaenerys
- Wawrzyniec
- Hans Zimmer
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Re: John Carpenter
John Carpenter otwiera nowy rok fajnym singlem, z jego najnowszego albumu i świetnym animowanym teledyskiem, który wygląda dla mnie jak mix mojej ulubionej gry "Alice: Madness Returns" i "Spirited Away"
youtu.be/A8NHR31TA9E
youtu.be/A8NHR31TA9E
#WinaHansa #IStandByDaenerys
- Wawrzyniec
- Hans Zimmer
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Re: John Carpenter
Muszę przyznać, że jakoś oba albumy Lost Themes Carpentera mnie nie zachwyciły. Ale jeżeli chodzi o Lost Themes III Alive After Death,które ma się ukazać 5 lutego, to na razie prezentuje się zachęcająco. Na razie mamy dwa kawałki i oba mi się podobają:
youtu.be/3Ic0Xdpwhl4
youtu.be/3Ic0Xdpwhl4
#WinaHansa #IStandByDaenerys
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- Hans Zimmer
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Re: John Carpenter
01. Alive After Death (4:05)
02. Weeping Ghost (3:34)
03. Dripping Blood (3:55)
04. Dead Eyes (3:27)
05. Vampire’s Touch (4:31)
06. Cemetery (4:12)
07. Skeleton (3:14)
08. Turning The Bones (3:34)
09. The Dead Walk (4:26)
10. Carpathian Darkness (5:37)
Jak wspominałem wyżej, jakoś dotychczasowe albumy "Lost Themes" John Carpentera mnie nie zachwyciły, ale muszę przyznać, "Lost Themes III" mi się naprawdę podoba. Cała ścieżka posiada dobry, mroczny, elektroniczny klimat, ale nie powiedziałbym, że brzmi ona retro. Co prawda najlepszym utworem pozostaje chwalone przeze "Alive After Death" ze świetnym teledyskiem, który wrzucałem wyżej, ale można tu znaleźć parę naprawdę ciekawych kawałków. Plus cały album trwa tylko 40 minut, co wydaje się idealnym czasem na tego typu muzykę. W sumie polecam też końcowe "Carpathian Darkness", gdzie nie wiem czy słychać karpackie wpływy, na pewno nie "podkarpackie", ale za to słyszę trochę nawiązań do tematu Halloween Carpentera.
#WinaHansa #IStandByDaenerys
Re: John Carpenter
15 października.
1. Logos Kill (1:21)
2. Halloween Kills (Main Title) (1:46)
3. The Myer’s House (0:41)
4. First Attack (0:57)
5. Stand Off (1:41)
6. Let It Burn (1:13)
7. He Appears (0:59)
8. From The Fire (1:18)
9. Strodes At The Hospital (2:25)
10. Cruel Intentions (2:37)
11. Gather The Mob (1:11)
12. Rampage (3:58)
13. Frank And Laurie (1:49)
14. Hallway Madness (1:37)
15. It Needs To Die (6:52)
16. Reflection (1:27)
17. Unkillable (3:44)
18. Payback (2:31)
19. Michael’s Legend (2:36)
20. Halloween Kills (End Titles) (3:08)
youtu.be/StEzNUxxyPc
1. Logos Kill (1:21)
2. Halloween Kills (Main Title) (1:46)
3. The Myer’s House (0:41)
4. First Attack (0:57)
5. Stand Off (1:41)
6. Let It Burn (1:13)
7. He Appears (0:59)
8. From The Fire (1:18)
9. Strodes At The Hospital (2:25)
10. Cruel Intentions (2:37)
11. Gather The Mob (1:11)
12. Rampage (3:58)
13. Frank And Laurie (1:49)
14. Hallway Madness (1:37)
15. It Needs To Die (6:52)
16. Reflection (1:27)
17. Unkillable (3:44)
18. Payback (2:31)
19. Michael’s Legend (2:36)
20. Halloween Kills (End Titles) (3:08)
youtu.be/StEzNUxxyPc
- kiedyśgrześ
- + W.A. Mozart +
- Posty: 6021
- Rejestracja: sob lip 09, 2011 12:05 pm
Re: John Carpenter
15 października
materiał wypłynął do sieci coś 2 tygodnie temu
Re: John Carpenter
Najważniejsze że będzie aż… 14 (tak, 14, sic!) wersji wydania winylowego
#FUCKVINYL