Wyczekiwane score'y

[Wawrzyniec]

Fajnie, że chwalony jest Barton, ale nie zapominajmy o Wiedmannie, który ile razy coś jego słyszę, to brzmi przynajmniej solidnie, jak nie naprawdę dobrze.

[Mystery]

Wiedmanna akurat tu niewiele, pomagał przy 3 epizodach, ale fakt, jemu też należy się kredyt.

[lis23]

1. The Darling Darlings (From “Peter Pan & Wendy”/Score) (2:48)
2. My Shadow (From “Peter Pan & Wendy”/Score) (2:55)
3. All Grown Up (From “Peter Pan & Wendy”/Soundtrack Version) (1:12)
4. Neverland (From “Peter Pan & Wendy”/Score) (2:43)
5. Never Say His Name (From “Peter Pan & Wendy”/Score) (1:22)
6. Tea Time (From “Peter Pan & Wendy”/Score) (2:11)
7. No Clocks (From “Peter Pan & Wendy”/Score) (2:54)
8. Behemooth (From “Peter Pan & Wendy”/Soundtrack Version) (1:37)
9. It’s Not Half Bad Being a Pirate (From “Peter Pan & Wendy”/Score) (1:23)
10. Peter Pan Shall Perish Today (From “Peter Pan & Wendy”/Score) (1:44)
11. Where You Go from Here Is Up to You (From “Peter Pan & Wendy”/Score) (2:46)
12. The Very First Lost Boy (From “Peter Pan & Wendy”/Score) (2:54)
13. The Shadow Run (From “Peter Pan & Wendy”/Score) (1:05)
14. The Brig (From “Peter Pan & Wendy”/Score) (2:03)
15. Ode to the Falling (From “Peter Pan & Wendy”/Soundtrack Version) (2:10)
16. Did Anyone Hear a Splash? (From “Peter Pan & Wendy”/Score) (0:50)
17. Faith, Trust and Pixie Dust (From “Peter Pan & Wendy”/Score) (6:49)
18. Straight on ‘Til Chaos (From “Peter Pan & Wendy”/Score) (2:33)
19. Reckoning (From “Peter Pan & Wendy”/Score) (2:34)
20. Straight on ‘Til Morning (From “Peter Pan & Wendy”/Score) (2:14)
21. Goodbye Peter Pan (From “Peter Pan & Wendy”/Score) (3:37)

[Mystery]

Jest już w temacie kompozytora.

[Adam]

Czekam na ten serial, ale szokuje, że Plemons schudł z 50 kilo


youtu.be/oUM30Cj_dmo

[Mystery]

Są już dostępne 3 odcinki. Muzę robi Russo, podobnie jak w Mrs. Davis, której 4 odcinki również pojawiły się na HBO.

[swordfish]

Warto porównać z "Candy". Ta sama historia oparta na faktach.

[Mystery]

Nowy film Edwardsa, pierwszy od czasu Łotra. Zdjęcia Frasera, efekty ILM i ciekawe kto zrobi muzę. Do Godzilli i Rogue One wziął Desplata, ale tu na Olo raczej nie ma co liczyć, tak więc kto, Balfe?


youtu.be/573GCxqkYEg

[dougan]

“Gimme Shelter” may not have made it into the final cut, but the chugging bass groove of Robbie Robertson’s brilliantly anachronistic score almost leads you to believe that it might.

Stylistically, this feels like a young man’s movie. It’s engrossing from the get-go, the palpable tension methodically echoed by Robbie Robertson’s steady-heartbeat score.

Robbie Robertson finds a calling in the music ofthat time.

young tribesmen hurl themselves in slow-motion into the air, getting showered in black sludge to the electrifying sounds of Robbie Robertson’s century-spanning rootsy rock score.

Our investment in Mollie and the devastating losses she suffers makes the stakes in the courtroom scenes more tangible, with suspense expertly measured out in the haunting drumbeats of Robertson’s score.

Robbie Robertson’s score kicks in with a bluesy riff as the oil continues to flow. It’s a zesty moment that suggests we may be playing to the rhythms of Scorsese joints such as Goodfellas.

Robertson scores the long build-up to retribution with an ominous repeated beat that nods to Native American percussion.

“Killers of the Flower Moon” displays tremendous vigor and vitality through the early going. That’s to do with Robbie Robertson’s rumbling and rustling score, slide guitars that slice open the mood to pour intoxicating notes onto immaculate compositions that suggest how much care Scorsese and cinematographer Rodrigo Prieto are taking in recharging history.

There is then celebration upon hitting an oil line, which also introduces us to the brawniest segments of Robbie Robertson’s bravura score: drummy, pulsating and defiantly hair-rising like the sounds of the earth brimming with liquid gold right before it ruptures.

Mocne opinie po "Killers of the Flower Moon" prosto z Cannes i ku zaskoczeniu nawet nazwisko Robertsona często się w nich pojawia. Chyba można liczyć na pełnoprawny score.

[Adam]

Nie lubię muzyki Hani Rani, ale trzeba oddać, że to jest wielki sukces - pierwszy raz Polski twórca pracuje jako kompozytor przy międzynarodowym serialu Amazona, a w dodatku jest to kobieta. Także duży szacun i nieważne jak to w efekcie wyjdzie:

http://filmmusicreporter.com/2023/06/05 ... lice-hart/


youtu.be/v7_O33oQEMk

[Mystery]

No i jest muza z drugiego sezonu, w serialu grało to potężnie.



1. Lemme Catch You Up – Sam Riegel & Mr. Fantastic (2:07)
2. Dragonfall – Neal Acree (3:46)
3. The Fall of Emon – Neal Acree (2:22)
4. To Vasselheim – Neal Acree (2:21)
5. The Wrath of the Chroma Conclave – Neal Acree (1:08)
6. The Outhouse (End Credits) – Sam Riegel & Mr. Fantastic (0:46)
7. Vasselheim – Neal Acree (1:47)
8. Temple of the Stormlord – Neal Acree (1:47)
9. The Slayer’s Take – Neal Acree (2:37)
10. Where Do You Find Your Strength? – Neal Acree (3:13)
11. Makin’ My Way – Sam Riegel, Mr. Fantastic & Ashley Johnson (1:00)
12. Do Not Go Far from Me – Neal Acree (2:51)
13. The Matron of Ravens – Neal Acree (3:29)
14. Hail the New Champion – Neal Acree (2:07)
15. Road, Road – Ashley Johnson & Travis Willingham (0:12)
16. Wind – Neal Acree (1:54)
17. Walk Through Fire – Neal Acree (2:54)
18. The Blessing of Pyrah – Neal Acree (1:44)
19. Song for Osysa – Sam Riegel, Mr. Fantastic & Alanna Ubach (1:21)
20. Song for Osysa (End Credits) – Mr. Fantastic (0:46)
21. Spore Trip – Neal Acree (1:22)
22. The Herd of Storms – Neal Acree (2:15)
23. I Would Like to Rage – Neal Acree (2:31)
24. We All Rage – Sam Riegel, Mr. Fantastic & Travis Willingham (2:26)
25. Finishing Move – Neal Acree (2:04)
26. Strongjaw – Neal Acree (2:12)
27. When The Bald Man Cries (End Credits) – Sam Riegel, Mr. Fantastic & Aisling Franciosi (0:45)
28. Leia – Neal Acree (1:15)
29. Threads of Fate – Neal Acree (4:48)
30. Lightning in Your Face! – Sam Riegel & Mr. Fantastic (0:09)
31. Leap of Faith – Neal Acree (2:07)
32. The Hope Devourer – Neal Acree (2:31)
33. Scanlan’s Destiny – Neal Acree (2:05)
34. Epilogue -Neal Acree (1:25)
35. Makin’ My Way (End Credits) – Mr. Fantastic & Laura Bailey (0:45)


youtu.be/w95L6TbEKa0

[Adam]

czy Mr. Fantastic to nowa ksywa Junkie XL ?

[qnebra]

Adam Nierow i Peter Habib, robią głównie do reklam i trailerów

[Mystery]

Ten Fantastic odpawiada tu za bardowskie piosenki Scanlana.

[Wawrzyniec]

Wygląda jak jakaś bieda-wersja Trule Lies z nieznanym mi Tony Moralesem:



1. FUBAR End Credits Theme (2:03)
2. Kings In The Castle (1:23)
3. I Took The Antidote (2:25)
4. Operation Panda Drop (1:08)
5. Don’t Know You (1:09)
6. Father Meets Daughter (1:10)
7. Dead In The Water (2:27)
8. Grabbing The Case (1:35)
9. Guyanese Compound (2:26)
10. FBI Ultimatum (1:13)
11. Messy Is A Problem (0:37)
12. Premium Wax (0:59)
13. This Is My Seat (1:44)
14. Cupcakes (1:22)
15. Spy Train (1:31)
16. World’s Largest Dirty Bomb (1:37)
17. Dirty Bomb Train (4:35)
18. Family Dinners (1:55)
19. Action Figures (1:10)
20. Moldovan Jam Slam (1:41)
21. Never Unfaithful (1:59)
22. Faraday Cage Weakened (0:53)
23. Hanky Spanky (0:33)
24. Beating Level Seven (1:34)
25. Rowing Machine (0:48)
26. Someone Else (1:02)
27. Landon’s Jeep (1:37)
28. Breaking Up With Emma (1:44)
29. Reactor (1:16)
30. Dr. Pfeffer To The Rescue (1:15)
31. Finn Confronts Boro (2:06)
32. The Minute I Met You (1:53)
33. True (2:01)
34. Vent Escape (1:11)
35. Get Out (2:45)
36. Saving Emma (1:24)
37. In Love With You (1:11)
38. Russian Spy (1:11)
39. The Death Of Boro (2:51)
40. Nowhere Is Safe (1:28)


youtu.be/BLydZPrhsc4