The Call Of The Wild (2020) - John Powell

Tutaj dyskutujemy o poszczególnych ścieżkach dźwiękowych napisanych na potrzeby kina.
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galljaronim
John Powell
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Re: The Call Of The Wild (2020) - John Powell

#16 Post autor: galljaronim » pn lut 03, 2020 17:56 pm

Jak się okaże, że to będzie świetna muzyka (a znając Powella to na pewno), to niech szlag trafi cały ten streaming. Kasa zostanie w kieszeni.

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Mystery
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Re: The Call Of The Wild (2020) - John Powell

#17 Post autor: Mystery » czw lut 06, 2020 09:41 am

Tracklista z czasami:

1. Wake The Girls (2:37)
2. Train North (4:02)
3. Skagway, Alaska (2:31)
4. Snowy Climb (1:25)
5. First Sledding Attempt (2:27)
6. The Ghost Wolf Of Dreams (1:06)
7. Joining The Team (2:59)
8. Ice Rescue (2:26)
9. Sometimes Nature's Cruel And Gods Fight (4:57)
10. Buck Takes The Lead (4:54)
11. We Carry Love (3:02)
12. Couldn't Find The Words (2:22)
13. Overpacked Sled (2:31)
14. Newfangled Telegram (2:23)
15. In My Bed? (2:54)
16. Buck & Thornton's Big Adventure (4:36)
17. Finding Bears And Love In The Woods (2:57)
18. They're All Gone (2:51)
19. Rewilding (3:48)
20. Animal Adventure (2:34)
21. Come Say Goodbye (2:09)
22. What An Adventure (3:02)
23. The Call Of The Wild (2:51)

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Adam
Jan Borysewicz
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Re: The Call Of The Wild (2020) - John Powell

#18 Post autor: Adam » czw lut 06, 2020 16:08 pm

67 min
#FUCKVINYL

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galljaronim
John Powell
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Re: The Call Of The Wild (2020) - John Powell

#19 Post autor: galljaronim » czw lut 06, 2020 18:14 pm

Adam pisze:67 min
Czas idealnie skrojony pod CD[emoji846] Oby to wydali fizycznie.

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bartex9
Spec od additional music
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Re: The Call Of The Wild (2020) - John Powell

#20 Post autor: bartex9 » czw lut 06, 2020 21:46 pm

Pierwszy klip z muzyką:


youtu.be/cJnqU2M8RV0

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lis23
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Re: The Call Of The Wild (2020) - John Powell

#21 Post autor: lis23 » czw lut 06, 2020 22:01 pm

Nie wiem, czy dobrze słyszę ale jest tu, chyba, trochę za dużo perkusji?
Tylko On, Williams John ;)
Tylko on, Elton John ;) ;)

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Wawrzyniec
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Re: The Call Of The Wild (2020) - John Powell

#22 Post autor: Wawrzyniec » czw lut 06, 2020 22:15 pm

Za dużo perkusji? :shock: Przecież to Powell. To wystarczy posłuchać jak w "Solo" Powell wali po garach. Nie wspominając ile jest perkusji w "Bourne'ach".
#WinaHansa #IStandByDaenerys

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Re: The Call Of The Wild (2020) - John Powell

#23 Post autor: lis23 » czw lut 06, 2020 22:21 pm

Źle się wyraziłem, ona jest taka współczesna, rockowa? Trochę mało filmowa, jak dla mnie ;)
Tylko On, Williams John ;)
Tylko on, Elton John ;) ;)

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Re: The Call Of The Wild (2020) - John Powell

#24 Post autor: Wawrzyniec » czw lut 06, 2020 22:25 pm

Znowu, nic nowego i znowu wracam do "Solo". Włącz sobie dokładnie o 2:18 minuty:

youtu.be/Y5gaTxP__Lw
#WinaHansa #IStandByDaenerys

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Kaonashi
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Re: The Call Of The Wild (2020) - John Powell

#25 Post autor: Kaonashi » czw lut 06, 2020 23:44 pm

Klip średnio zachęcający do sięgnięcia po score. Ale taka specyfika sceny. Swoją drogą mogli zrobić z tego po prostu animacje, bo w obecnym kształcie wygląda to naprawdę kieprsko.
Gdyby nie piraci, byłbym jak Zbigniew Hołdys - Eric Clapton.

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Mystery
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Re: The Call Of The Wild (2020) - John Powell

#26 Post autor: Mystery » pt lut 07, 2020 12:20 pm

Muzyczka jak z jakiejś animacji, choć w sumie wygląda to jak bajeczka...

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Re: The Call Of The Wild (2020) - John Powell

#27 Post autor: lis23 » pt lut 07, 2020 18:46 pm

Mystery pisze:
pt lut 07, 2020 12:20 pm
Muzyczka jak z jakiejś animacji, choć w sumie wygląda to jak bajeczka...
Co jak co, ale w "bajeczkach" to Powell ma spore doświadczenie, podobnie jak Giacchino ;)
Tylko On, Williams John ;)
Tylko on, Elton John ;) ;)

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Re: The Call Of The Wild (2020) - John Powell

#28 Post autor: Kaonashi » pt lut 07, 2020 20:47 pm

Wspomnienie GIacchino było tu niezbędne. :P
Gdyby nie piraci, byłbym jak Zbigniew Hołdys - Eric Clapton.

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Adam
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Re: The Call Of The Wild (2020) - John Powell

#29 Post autor: Adam » pt lut 07, 2020 23:58 pm

O co chodzi z tym długim postem u niego na fb? Znów się z czegos tłumaczy jak kiedyś z Trumpem? Bo nie znam kontekstu?
#FUCKVINYL

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Re: The Call Of The Wild (2020) - John Powell

#30 Post autor: Wawrzyniec » sob lut 08, 2020 00:06 am

Chodzi Ci o to?
A Friday Musing...
After seeing some comments inspired by our last post, and questions arising from the “originality” of what we were doing, I feel I should address this issue and come clean.
FINALLY, someone has really understood how “film composers” work in this crazy movie business. I always thought we were being disingenuous by leading people to believe we wrote “new” music for each film and whilst there have always been rumors of certain composers “borrowing” from each other’s “scores”, no one has ever really nailed the terrible and shameful truth of music in films:(
So here it is... my admission.
The music for this clip was probably first hummed by a man called Jack London in 1903 as he wrote the story of a huge dog, Buck and his travails from the comforts of a Santa Clara home to the snows of Alaska. It was to become a very famous book called “Call of the Wild”. Some time later, one of my favorite composers, Cy Lennt, May have been the first composer to use music for this scene; in a movie from 1923 named “Call of the Wild”.
Cut to 1935, Hollywood giant Alfred Newman, then takes music and to great effect made it work in another film starring Clark Gable and Loretta Young called “Call of the Wild”. Not long after that Hugo Friedhofer and Charles Maxwell captured what we were starting to call “score” and inserted it into a not dissimilar scene for 1936’s “White Fang”.
To the best of my knowledge music was then lost, or at least left dormant for some time until the great Italian composer, Carlo Rustichelli was opening an old suitcase he bought for his young daughter Anna. As you can imagine he was shocked as music leaped out, stretched itself and ran around his office, eventually making itself comfortable in his lap. Realizing the gift he had received, Rustichelli used it to great effect in the 1972 film “White Fang” and then again in the great Charlotte Heston starrer, 1972’s “Call of the Wild”.
By this time, music had clearly become sentient and it was able to insert ITSELF into scenes, so we then find it in everything from 1974’s “Challenge to White Fang” through 1974’s “White Fang To The Rescue” showing just how malleable music was despite these films’ OBVIOUS differences. Briefly in 1976, composer Peter Matz managed to catch the ever emboldened music and brilliantly lure it into a 1976 film he was working on; “Call of the Wild”. Alas during the final dubbing process, musicescaped and was last seen running along Ventura Blvd shouting something about “MECHANICALS!”.
As music spiraled into a life of sordid arrangements and late-night drug-fueled jingles, it strangely showed up in 1978’s ”What a Nightmare Charlie Brown” and then a 1981 anime called “Call of the Wild: Howl Buck”. But by 1991, I would finally enter this story.
It was during Hans Zimmer’s re-scoring of “White Fang” that, as an assistant, I was able to see the destructive nature of untamed music. Over a Xmas and New Year break, we attempted to make music that would work for the film. Alas, it was not to be and eventually, the great Basil Poledouris was burdened with an ugly cleanup. A tragedy that is still to this day surprisingly common in the film composing world (#getmelornebalfe).
With brief flings with 1997’s “The Call of the Wild: Dog of the Yukon” (an adaptation of a GMC advert of the same name) and the French art film “La Nature Sauvage A Crié Mais Personne Ne L’Entend” (‘The wild called out but no one heard’) this now musical score seemed to finally be lost.
So to my admission. Whilst searching on UTube last year, following link after link of “ear wax removal” videos, my eye was drawn to what seemed to be an old man humming as he scribbled on rough paper. The video was dated 1903 and called “Old Timey Tunes For Stories of Dog Sled Avalanche Massacres”. Intrigued, I clicked and immediately knew I’d found the perfect vehicle for expressing something natural, something dangerous and exciting: my own genius! Yes, music like this had been used MANY times for similar, if not exactly the same scenes but it was my job to find a way to make the filmmakers happy, so like many film composers who had come before me, I really couldn’t be bothered to think of something original to write.
John Powell
Los Angeles, February 7th 2020
(Please note for those of challenged humor, this is merely a story, thus all composer names mentioned, including me, did indeed write “all original music” as per signed obligations set out in various paragraphs of various composer contracts and it would be very stupid of me to infer otherwise. So I’m not. Definitely not inferring anything... otherwise...)
https://www.facebook.com/notes/john-pow ... 733186247/
#WinaHansa #IStandByDaenerys

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