NAGRODY BRANŻOWE
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- Hans Zimmer
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Re: NAGRODY BRANŻOWE
ZŁOTE GLOBY
Najlepsza muzyka:
Alexandre Desplat - The Midnight Sky
Ludwig Goransson - Tenet
James Newton Howard - News of the World
Trent Reznor, Atticus Ross - Mank
Trent Reznor, Atticus Ross, Jon Batiste - Soul
Najlepsza piosenka:
Fight for You - Judas and the Black Messiah
Hear My Voice - The Trial of Chicago 7
Io Si (Seen) - The Life Ahead
Speak Now - One Night in Miami...
Tigress & Tweed - The United States vs Billie Holliday
Najlepsza muzyka:
Alexandre Desplat - The Midnight Sky
Ludwig Goransson - Tenet
James Newton Howard - News of the World
Trent Reznor, Atticus Ross - Mank
Trent Reznor, Atticus Ross, Jon Batiste - Soul
Najlepsza piosenka:
Fight for You - Judas and the Black Messiah
Hear My Voice - The Trial of Chicago 7
Io Si (Seen) - The Life Ahead
Speak Now - One Night in Miami...
Tigress & Tweed - The United States vs Billie Holliday
Ostatnio zmieniony śr lut 03, 2021 15:17 pm przez Radzimir, łącznie zmieniany 1 raz.
Re: NAGRODY BRANŻOWE
Czyli bez niespodzianek Na Oscarach będzie Minari za Soul, no i ciekawe czy Olo utrzyma się z tak kiepsko przyjętym filmem (a Blanchard czyha), no ale Desplat na Oscarach jak Newman czy Williams, ma film, jest nomka z automatu.
- Wawrzyniec
- Hans Zimmer
- Posty: 33879
- Rejestracja: sob lip 12, 2008 02:00 am
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Re: NAGRODY BRANŻOWE
Nominacje jakie są takie są. Oczywiście spodziewałem się tylu nominacji dla "Manka", gdyż Hollywood lubi takie filmy, choć dla mnie to dalej wielki zawód. A już nominacja za scenariusz, który jest tak nieciekawy to jeszcze większe kuriozum.
Przy czym po takich nominacjach, to kolejna nagroda dla Trenta Reznora i Atticusa Rossa to już pewniak. I z jednej strony cieszy brak nominacji dla "Da 5 Bloods" ,także w innych kategoriach. Ale z drugiej strony ten brak trochę mnie niepokoi, na myśl o możliwych zamieszkach, jakie te nominacje, czy też braki, mogą wywołać...
Przy czym po takich nominacjach, to kolejna nagroda dla Trenta Reznora i Atticusa Rossa to już pewniak. I z jednej strony cieszy brak nominacji dla "Da 5 Bloods" ,także w innych kategoriach. Ale z drugiej strony ten brak trochę mnie niepokoi, na myśl o możliwych zamieszkach, jakie te nominacje, czy też braki, mogą wywołać...
#WinaHansa #IStandByDaenerys
Re: NAGRODY BRANŻOWE
Za to w kategorii reżyser, mamy trzy babki.
- Wawrzyniec
- Hans Zimmer
- Posty: 33879
- Rejestracja: sob lip 12, 2008 02:00 am
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Re: NAGRODY BRANŻOWE
I to Reginę King, a więc chyba rzeczywiście przesadzam, może być spokojnie.
Edit. Albo i nie
Edit. Albo i nie
#WinaHansa #IStandByDaenerys
Re: NAGRODY BRANŻOWE
Za to Best Drama w serialach jest Lovecraft Country i to kosztem Better Call Soul...
- Wawrzyniec
- Hans Zimmer
- Posty: 33879
- Rejestracja: sob lip 12, 2008 02:00 am
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Re: NAGRODY BRANŻOWE
What?! Czyli wszyscy kompozytorzy są równi, ale Trent Reznor i Atticus Ross są równiejsi.
Gdzie masz napisane, że jednak mogą i nie zostali zdyskwalifikowani? Gdyż dałbym przysiąc, że widziałem artykuły, że zostali odrzuceni, gdyż za dużo ich tam jest.
Gdzie masz napisane, że jednak mogą i nie zostali zdyskwalifikowani? Gdyż dałbym przysiąc, że widziałem artykuły, że zostali odrzuceni, gdyż za dużo ich tam jest.
#WinaHansa #IStandByDaenerys
Re: NAGRODY BRANŻOWE
No w tym artykule Variety.. Właśnie ja też przeoczyłem w nim jedno słowo „in” obok ruled out . To jest oszustwo bez kitu. A Marsalisa wyrzucili i Blancharda, jak u nich jest mniej muzyki trzecich osób niż w Soulu
#FUCKVINYL
- Wawrzyniec
- Hans Zimmer
- Posty: 33879
- Rejestracja: sob lip 12, 2008 02:00 am
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Re: NAGRODY BRANŻOWE
Tyle, że Soul, jest Pixara, a Pixar jest Disney'a, a Oscary transmitowane są przez ABC, które należy do Disneya. Oczywiście to tylko przypadek, ale rzeczywiście jak u Orwella, "wszystkie zwierzęta są równe, a niektóre są równiejsze". Plus pamiętamy jak The Dark Knight zdyskwalifikowali.
W sumie "Manka" też powinni zdyskwalifikować za Pope'a i masę muzyków i orkiestratorów jazzowych, którzy też przy tej pracy "pomagali".
I też raczej łatwo się domyśleć co wygra znowu za animację.
W sumie "Manka" też powinni zdyskwalifikować za Pope'a i masę muzyków i orkiestratorów jazzowych, którzy też przy tej pracy "pomagali".
I też raczej łatwo się domyśleć co wygra znowu za animację.
#WinaHansa #IStandByDaenerys
Re: NAGRODY BRANŻOWE
Nominacje do BAFTA 9 marca, tymczasem podano scory spośród których będzie wyłoniona najlepsza piątka.
Ammonite – Dustin O’Halloran & Volker Bertelmann
Da 5 Bloods – Terence Blanchard
David Attenborough: A Life on Our Planet – Steven Price
Hillbilly Elegy – Hans Zimmer & David Fleming
The Little Things – Thomas Newman
Ma Rainey’s Black Bottom – Branford Marsalis
Mank – Trent Reznor & Atticus Ross
The Midnight Sky – Alexandre Desplat
Minari – Emile Mosseri
News of the World – James Newton Howard
Promising Young Woman – Anthony Willis
Saint Maud – Adam Janota Bzowski
Soul – Trent Reznor, Atticus Ross & Jon Batiste
Tenet – Ludwig Goransson
The Trial of the Chicago 7 – Daniel Pemberton
Przypominam, że skrócona lista scorow do Oscarów będzie podana 9 lutego.
Ammonite – Dustin O’Halloran & Volker Bertelmann
Da 5 Bloods – Terence Blanchard
David Attenborough: A Life on Our Planet – Steven Price
Hillbilly Elegy – Hans Zimmer & David Fleming
The Little Things – Thomas Newman
Ma Rainey’s Black Bottom – Branford Marsalis
Mank – Trent Reznor & Atticus Ross
The Midnight Sky – Alexandre Desplat
Minari – Emile Mosseri
News of the World – James Newton Howard
Promising Young Woman – Anthony Willis
Saint Maud – Adam Janota Bzowski
Soul – Trent Reznor, Atticus Ross & Jon Batiste
Tenet – Ludwig Goransson
The Trial of the Chicago 7 – Daniel Pemberton
Przypominam, że skrócona lista scorow do Oscarów będzie podana 9 lutego.
Re: NAGRODY BRANŻOWE
IFMCA Award Nominations 2020
FILM SCORE OF THE YEAR
THE CALL OF THE WILD, music by John Powell
ENOLA HOLMES, music by Daniel Pemberton
FUKUSHIMA 50, music by Tarō Iwashiro
THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
WONDER WOMAN 1984, music by Hans Zimmer
FILM COMPOSER OF THE YEAR
FEDERICO JUSID
BEAR MCCREARY
DANIEL PEMBERTON
CHRISTOPHER WILLIS
HANS ZIMMER
BREAKTHROUGH COMPOSER OF THE YEAR
ALEX BARANOWSKI
THOMAS CLAY
PHILIP KLEIN
NAMI MELUMAD
ISOBEL WALLER-BRIDGE AND DAVID SCHWEITZER
BEST ORIGINAL SCORE FOR A DRAMA FILM
DA 5 BLOODS, music by Terence Blanchard
FANNY LYE DELIVER’D, music by Thomas Clay
FUKUSHIMA 50, music by Tarō Iwashiro
NEWS OF THE WORLD, music by James Newton Howard
THE TRIAL OF THE CHICAGO 7, music by Daniel Pemberton
BEST ORIGINAL SCORE FOR A COMEDY FILM
AN AMERICAN PICKLE, music by Michael Giacchino and Nami Melumad
EMMA, music by Isobel Waller-Bridge and David Schweitzer
GODMOTHERED, music by Rachel Portman
THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
WILD MOUNTAIN THYME, music by Amelia Warner
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
THE CALL OF THE WILD, music by John Powell
ENOLA HOLMES, music by Daniel Pemberton
MULAN, music by Harry Gregson-Williams
ORÍGENES SECRETOS [UNKNOWN ORIGINS], music by Federico Jusid
TENET, music by Ludwig Göransson
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
THE INVISIBLE MAN, music by Benjamin Wallfisch
THE MIDNIGHT SKY, music by Alexandre Desplat
WENDY, music by Dan Romer and Benh Zeitlin
THE WITCHES, music by Alan Silvestri
WONDER WOMAN 1984, music by Hans Zimmer
BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
ANIMAL CRACKERS, music by Bear McCreary
FEARLESS, music by Anne-Kathrin Dern
ONWARD, music by Mychael Danna and Jeff Danna
SOUL, music by Trent Reznor, Atticus Ross, and Jon Batiste
WOLFWALKERS, music by Bruno Coulais
BEST ORIGINAL SCORE FOR A DOCUMENTARY
DAVID ATTENBOROUGH: A LIFE ON OUR PLANET, music by Steven Price
ELEPHANT, music by Ramin Djawadi
HARBOR FROM THE HOLOCAUST, music by Chad Cannon
RISING PHOENIX, music by Daniel Pemberton
SADAN HANIM, music by George Kallis
BEST ORIGINAL SCORE FOR TELEVISION
DRACULA, music by David Arnold and Michael Price
HIS DARK MATERIALS, music by Lorne Balfe
LOVECRAFT COUNTRY, music by Laura Karpman and Raphael Saadiq
THE MANDALORIAN, music by Ludwig Göransson
THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
GHOST OF TSUSHIMA, music by Ilan Eshkeri and Shigeru Umebayashi
MEDAL OF HONOR: ABOVE AND BEYOND, music by Michael Giacchino and Nami Melumad
ORI AND THE WILL OF THE WISPS, music by Gareth Coker
THE PATHLESS, music by Austin Wintory
STAR WARS: SQUADRONS, music by Gordy Haab
BEST NEW ARCHIVAL RELEASE – RE-RELEASE OR RE-RECORDING
ENDLESS NIGHT, music by Bernard Herrmann; the Basque National Orchestra, conducted by Fernando Velázquez; album produced by Edouard Dubois and José M. Benitez; liner notes by Frank K. DeWald; album art direction by Nacho B. Govantes (Quartet)
THE GOOD, THE BAD AND THE UGLY, music by Ennio Morricone; album produced by Chris Malone and José M. Benitez; liner notes by Chris Malone and Tim Greiving; album art direction by Nacho B. Govantes (Quartet)
HOW TO TRAIN YOUR DRAGON, music by John Powell; album produced by John Powell, Batu Sener, Bryon Davis, and Cary E. Mansfield; liner notes by Tim Greiving; album art direction by Bill Pitzonka (Varèse Sarabande/5 Cat Studios)
KING OF KINGS, music by Miklós Rózsa; the City of Prague Philharmonic Orchestra and Chorus, conducted by Nic Raine; album produced by James Fitzpatick; liner notes by Frank K. DeWald and James Fitzpatrick; album art direction by Nic Finch, Gareth Bevan, and James Fitzpatrick (Tadlow Music)
ROBIN HOOD: PRINCE OF THIEVES, music by Michael Kamen; album produced by Douglass Fake and Roger Feigelson; liner notes by Frank K. DeWald; album art direction by Kay Marshall (Intrada)
BEST NEW ARCHIVAL RELEASE – COMPILATION
FRANZ WAXMAN: THE DOCUMENTARIES, music by Franz Waxman; album produced by Ford A. Thaxton and James Nelson; liner notes by Jon Burlingame; album art direction by Mark Banning (Dragon’s Domain)
JOHN WILLIAMS IN VIENNA, music by John Williams; the Wiener Philharmoniker and Anne-Sophie Mutter, conducted by John Williams; album produced by Bernhard Güttler; liner notes by Otta Biba; album art direction by Büro Dirk Rudolph (Deutsche Grammophon)
MORRICONE SEGRETO, music by Ennio Morricone; album produced by Pierpaolo De Sanctis; album art direction by Leonardo Pellegrino (Decca)
VOYAGE TO THE BOTTOM OF THE SEA, music by Alexander Courage, Robert Drasnin, Jerry Goldsmith, Lennie Hayton, Joseph Mullendore, Nelson Riddle, Paul Sawtell, Herman Stein, and Leith Stevens; album produced by Jeff Bond and Neil S. Bulk; liner notes by Jeff Bond; album art direction by Mark Banning (La-La Land)
WORLD SOUNDTRACK AWARDS – TRIBUTE TO THE FILM COMPOSER, music by Various Composers; the Brussels Philharmonic Orchestra and Vlaams Radiokoor, conducted by Dirk Brossé; album produced by Thomas Van Parys; liner notes by Thomas Van Parys; album art direction by Stuart Ford (Silva Screen/Film Fest Ghent)
FILM MUSIC RECORD LABEL OF THE YEAR
INTRADA RECORDS, Douglass Fake and Roger Feigelson
LA-LA LAND RECORDS, MV Gerhard and Matt Verboys
MOVIESCORE MEDIA, Mikael Carlsson
QUARTET RECORDS, José M. Benitez
TADLOW MUSIC, James Fitzpatrick
FILM MUSIC COMPOSITION OF THE YEAR
“1984” from WONDER WOMAN 1984, music by Hans Zimmer
“Buck Takes the Lead” from THE CALL OF THE WILD, music by John Powell
“Main Title” from THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera
“Symphonic Suite F – 1st Chapter: All Life” from FUKUSHIMA 50, music by Tarō Iwashiro
“Themyscira” from WONDER WOMAN 1984, music by Hans Zimmer
FILM SCORE OF THE YEAR
THE CALL OF THE WILD, music by John Powell
ENOLA HOLMES, music by Daniel Pemberton
FUKUSHIMA 50, music by Tarō Iwashiro
THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
WONDER WOMAN 1984, music by Hans Zimmer
FILM COMPOSER OF THE YEAR
FEDERICO JUSID
BEAR MCCREARY
DANIEL PEMBERTON
CHRISTOPHER WILLIS
HANS ZIMMER
BREAKTHROUGH COMPOSER OF THE YEAR
ALEX BARANOWSKI
THOMAS CLAY
PHILIP KLEIN
NAMI MELUMAD
ISOBEL WALLER-BRIDGE AND DAVID SCHWEITZER
BEST ORIGINAL SCORE FOR A DRAMA FILM
DA 5 BLOODS, music by Terence Blanchard
FANNY LYE DELIVER’D, music by Thomas Clay
FUKUSHIMA 50, music by Tarō Iwashiro
NEWS OF THE WORLD, music by James Newton Howard
THE TRIAL OF THE CHICAGO 7, music by Daniel Pemberton
BEST ORIGINAL SCORE FOR A COMEDY FILM
AN AMERICAN PICKLE, music by Michael Giacchino and Nami Melumad
EMMA, music by Isobel Waller-Bridge and David Schweitzer
GODMOTHERED, music by Rachel Portman
THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
WILD MOUNTAIN THYME, music by Amelia Warner
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
THE CALL OF THE WILD, music by John Powell
ENOLA HOLMES, music by Daniel Pemberton
MULAN, music by Harry Gregson-Williams
ORÍGENES SECRETOS [UNKNOWN ORIGINS], music by Federico Jusid
TENET, music by Ludwig Göransson
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
THE INVISIBLE MAN, music by Benjamin Wallfisch
THE MIDNIGHT SKY, music by Alexandre Desplat
WENDY, music by Dan Romer and Benh Zeitlin
THE WITCHES, music by Alan Silvestri
WONDER WOMAN 1984, music by Hans Zimmer
BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
ANIMAL CRACKERS, music by Bear McCreary
FEARLESS, music by Anne-Kathrin Dern
ONWARD, music by Mychael Danna and Jeff Danna
SOUL, music by Trent Reznor, Atticus Ross, and Jon Batiste
WOLFWALKERS, music by Bruno Coulais
BEST ORIGINAL SCORE FOR A DOCUMENTARY
DAVID ATTENBOROUGH: A LIFE ON OUR PLANET, music by Steven Price
ELEPHANT, music by Ramin Djawadi
HARBOR FROM THE HOLOCAUST, music by Chad Cannon
RISING PHOENIX, music by Daniel Pemberton
SADAN HANIM, music by George Kallis
BEST ORIGINAL SCORE FOR TELEVISION
DRACULA, music by David Arnold and Michael Price
HIS DARK MATERIALS, music by Lorne Balfe
LOVECRAFT COUNTRY, music by Laura Karpman and Raphael Saadiq
THE MANDALORIAN, music by Ludwig Göransson
THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
GHOST OF TSUSHIMA, music by Ilan Eshkeri and Shigeru Umebayashi
MEDAL OF HONOR: ABOVE AND BEYOND, music by Michael Giacchino and Nami Melumad
ORI AND THE WILL OF THE WISPS, music by Gareth Coker
THE PATHLESS, music by Austin Wintory
STAR WARS: SQUADRONS, music by Gordy Haab
BEST NEW ARCHIVAL RELEASE – RE-RELEASE OR RE-RECORDING
ENDLESS NIGHT, music by Bernard Herrmann; the Basque National Orchestra, conducted by Fernando Velázquez; album produced by Edouard Dubois and José M. Benitez; liner notes by Frank K. DeWald; album art direction by Nacho B. Govantes (Quartet)
THE GOOD, THE BAD AND THE UGLY, music by Ennio Morricone; album produced by Chris Malone and José M. Benitez; liner notes by Chris Malone and Tim Greiving; album art direction by Nacho B. Govantes (Quartet)
HOW TO TRAIN YOUR DRAGON, music by John Powell; album produced by John Powell, Batu Sener, Bryon Davis, and Cary E. Mansfield; liner notes by Tim Greiving; album art direction by Bill Pitzonka (Varèse Sarabande/5 Cat Studios)
KING OF KINGS, music by Miklós Rózsa; the City of Prague Philharmonic Orchestra and Chorus, conducted by Nic Raine; album produced by James Fitzpatick; liner notes by Frank K. DeWald and James Fitzpatrick; album art direction by Nic Finch, Gareth Bevan, and James Fitzpatrick (Tadlow Music)
ROBIN HOOD: PRINCE OF THIEVES, music by Michael Kamen; album produced by Douglass Fake and Roger Feigelson; liner notes by Frank K. DeWald; album art direction by Kay Marshall (Intrada)
BEST NEW ARCHIVAL RELEASE – COMPILATION
FRANZ WAXMAN: THE DOCUMENTARIES, music by Franz Waxman; album produced by Ford A. Thaxton and James Nelson; liner notes by Jon Burlingame; album art direction by Mark Banning (Dragon’s Domain)
JOHN WILLIAMS IN VIENNA, music by John Williams; the Wiener Philharmoniker and Anne-Sophie Mutter, conducted by John Williams; album produced by Bernhard Güttler; liner notes by Otta Biba; album art direction by Büro Dirk Rudolph (Deutsche Grammophon)
MORRICONE SEGRETO, music by Ennio Morricone; album produced by Pierpaolo De Sanctis; album art direction by Leonardo Pellegrino (Decca)
VOYAGE TO THE BOTTOM OF THE SEA, music by Alexander Courage, Robert Drasnin, Jerry Goldsmith, Lennie Hayton, Joseph Mullendore, Nelson Riddle, Paul Sawtell, Herman Stein, and Leith Stevens; album produced by Jeff Bond and Neil S. Bulk; liner notes by Jeff Bond; album art direction by Mark Banning (La-La Land)
WORLD SOUNDTRACK AWARDS – TRIBUTE TO THE FILM COMPOSER, music by Various Composers; the Brussels Philharmonic Orchestra and Vlaams Radiokoor, conducted by Dirk Brossé; album produced by Thomas Van Parys; liner notes by Thomas Van Parys; album art direction by Stuart Ford (Silva Screen/Film Fest Ghent)
FILM MUSIC RECORD LABEL OF THE YEAR
INTRADA RECORDS, Douglass Fake and Roger Feigelson
LA-LA LAND RECORDS, MV Gerhard and Matt Verboys
MOVIESCORE MEDIA, Mikael Carlsson
QUARTET RECORDS, José M. Benitez
TADLOW MUSIC, James Fitzpatrick
FILM MUSIC COMPOSITION OF THE YEAR
“1984” from WONDER WOMAN 1984, music by Hans Zimmer
“Buck Takes the Lead” from THE CALL OF THE WILD, music by John Powell
“Main Title” from THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera
“Symphonic Suite F – 1st Chapter: All Life” from FUKUSHIMA 50, music by Tarō Iwashiro
“Themyscira” from WONDER WOMAN 1984, music by Hans Zimmer
Re: NAGRODY BRANŻOWE
Critics’ Choice Movie Awards:
The Best Score
The Midnight Sky – Alexandre Desplat
Tenet – Ludwig Göransson
News of the World – James Newton Howard
Minari – Emile Mosseri
Mank – Trent Reznor & Atticus Ross
Soul – Trent Reznor, Atticus Ross & Jon Batiste
The Best Score
The Midnight Sky – Alexandre Desplat
Tenet – Ludwig Göransson
News of the World – James Newton Howard
Minari – Emile Mosseri
Mank – Trent Reznor & Atticus Ross
Soul – Trent Reznor, Atticus Ross & Jon Batiste