NAGRODY BRANŻOWE

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Nominacje do hiszpańskich nagród Goya:

Mejor música original
- El teatro del más allá
- La novia
- Ma ma - Alberto Iglesias
- Nadie quiere la noche

[Wawrzyniec]

Nic mi to nie mówi, ale jakby co gratuluję nominowanym.

[Kaonashi]

W 3 przypadkach takie nołnejmy, że nawet gremium przyznające te nagrody ich nie zna?

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Już z nazwiskami:

Mejor Música Original
Santi Vega por El teatro de más allá. Chavín de Huántar
Shigeru Umebayashi por La novia
Alberto Iglesias por ma ma
Lucas Vidal por Nadie quiere la noche (Nobody Wants the Night)

PS. A Iglesiasa wcześniej dopisałem ja Bo to wiedziałem, a reszty nie opublikowali jeszcze, a mnie się nie chciało sprawdzać

[Wawrzyniec]

Nominacje do Critics' Choice Movie Awards:

Carol – Carter Burwell
The Hateful Eight – Ennio Morricone
The Revenant – Ryuichi Sakamoto & Alva Noto
Sicario – Johann Johannsson
Spotlight – Howard Shore

The Best Song nominees are:

Love Me Like You Do – Ellie Goulding – Fifty Shades of Grey
See You Again – Wiz Khalifa feat. Charlie Puth – Furious 7
Til It Happens to You – Lady Gaga – The Hunting Ground
One Kind of Love – Brian Wilson –Love & Mercy
Writing’s On the Wall – Sam Smith – Spectre
Simple Song #3 – David Lang – Youth

W sumie powoli wszystko zaczyna się pokrywać. I z tego co widzimy Morricone dalej jest.

[Kaonashi]

Znów Ennio i Ryuichi.

[hp_gof]

I tak wszystko zależy od listy zakwalifikowanych

[Kaonashi]

Ale to mówisz o Oscarach, a to inna sprawa. :]

[Kaonashi]

http://www.dfwcritics.com/dallas-fort-w ... e-of-2015/

Best Musical Score:
The Revenant (Bryce Dessner, Carsten Nicolai and Ryûichi Sakamoto)

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Jako że nikt jeszcze nie dodał:

Academy Announces 112 Original Scores in Oscar Race:

“Adult Beginners,” Marcelo Zarvos, composer
“The Age of Adaline,” Rob Simonsen, composer
“Altered Minds,” Edmund Choi, composer
“Alvin and the Chipmunks: The Road Chip,” Mark Mothersbaugh, composer
“Anomalisa,” Carter Burwell, composer
“Ant-Man,” Christophe Beck, composer
“Beasts of No Nation,” Dan Romer, composer
“The Big Short,” Nicholas Britell, composer
“Black Mass,” Tom Holkenborg, composer
“Bridge of Spies,” Thomas Newman, composer
“Brooklyn,” Michael Brook, composer
“Burnt,” Rob Simonsen, composer
“By the Sea,” Gabriel Yared, composer
“Carol,” Carter Burwell, composer
“Cartel Land,” H. Scott Salinas and Jackson Greenberg, composers
“Chi-Raq,” Terence Blanchard, composer
“Cinderella,” Patrick Doyle, composer
“Coming Home,” Qigang Chen, composer
“Concussion,” James Newton Howard, composer
“Creed,” Ludwig Goransson, composer
“The Danish Girl,” Alexandre Desplat, composer
“The Divergent Series: Insurgent,” Joseph Trapanese, composer
“Dukhtar,” Peter Nashel, composer
“The End of the Tour,” Danny Elfman, composer
“Everest,” Dario Marianelli, composer
“Ex Machina,” Ben Salisbury and Geoff Barrow, composers
“Far from the Madding Crowd,” Craig Armstrong, composer
“Fifty Shades of Grey,” Danny Elfman, composer
“5 Flights Up,” David Newman, composer
“Frame by Frame,” Patrick Jonsson, composer
“Freedom,” James Lavino, composer
“Furious Seven,” Brian Tyler, composer
“The Good Dinosaur,” Mychael Danna and Jeff Danna, composers
“Goosebumps,” Danny Elfman, composer
“Grandma,” Joel P. West, composer
“The Hateful Eight,” Ennio Morricone, composer
“He Named Me Malala,” Thomas Newman, composer
“Hot Pursuit,” Christophe Beck, composer
“Hot Tub Time Machine 2,” Christophe Beck, composer
“The Hunger Games: Mockingjay – Part 2,” James Newton Howard, composer
“The Hunting Ground,” Miriam Cutler, composer
“I Smile Back,” Zack Ryan, composer
“I’ll See You in My Dreams,” Keegan DeWitt, composer
“In the Heart of the Sea,” Roque Baños, composer
“Inside Out,” Michael Giacchino, composer
“The Intern,” Theodore Shapiro, composer
“It Follows,” Disasterpeace, composer
“Jalam,” Ouesppachan, composer
“Jurassic World,” Michael Giacchino, composer
“Kahlil Gibran’s The Prophet,” Gabriel Yared, composer
“Kingsman: The Secret Service,” Henry Jackman and Matthew Margeson, composers
“Krampus,” Douglas Pipes, composer
“La Jaula de Oro,” Jacobo Lieberman and Leonardo Heiblum, composers
“The Lady in the Van,” George Fenton, composer
“The Last Witch Hunter,” Steve Jablonsky, composer
“Learning to Drive,” Dhani Harrison and Paul Hicks, composers
“Legend,” Carter Burwell, composer
“Little Accidents,” Marcelo Zarvos, composer
“The Longest Ride,” Mark Isham, composer
“Mad Max: Fury Road,” Tom Holkenborg, composer
“The Man from U.N.C.L.E.,” Daniel Pemberton, composer
“The Martian,” Harry Gregson-Williams, composer
“Max,” Trevor Rabin, composer
“Maze Runner: The Scorch Trials,” John Paesano, composer
“Meru,” J. Ralph, composer
“Minions,” Heitor Pereira, composer
“Mr. Holmes,” Carter Burwell, composer
“Mistress America,” Dean Wareham and Britta Phillips, composers
“My All American,” John Paesano, composer
“Nachom-ia Kumpasar,” Ronnie Monsorate, composer
“99 Homes,” Antony Partos and Matteo Zingales, composers
“Our Brand Is Crisis,” David Wingo, composer
“Pan,” John Powell, composer
“Paper Towns,” Son Lux, composer
“Paranoid Girls,” Javier del Santo, composer
“Pawn Sacrifice,” James Newton Howard, composer
“The Peanuts Movie,” Christophe Beck, composer
“Pixels,” Henry Jackman, composer
“Poached,” Mark Orton, composer
“Pod,” Giona Ostinelli, composer
“Poltergeist,” Marc Streitenfeld, composer
“Racing Extinction,” J. Ralph, composer
“Room,” Stephen Rennicks, composer
“Salt Bridge,” Marciano Telese, composer
“San Andreas,” Andrew Lockington, composer
“The Second Best Exotic Marigold Hotel,” Thomas Newman, composer
“Set Fire to the Stars,” Gruff Rhys, composer
“Shaun the Sheep Movie,” Ilan Eshkeri, composer
“Sicario,” Jóhann Jóhannsson, composer
“Southpaw,” James Horner, composer
“Spectre,” Thomas Newman, composer
“The SpongeBob Movie: Sponge out of Water,” John Debney, composer
“Spotlight,” Howard Shore, composer
“Spy,” Theodore Shapiro, composer
“Star Wars: The Force Awakens,” John Williams, composer
“Steve Jobs,” Daniel Pemberton, composer
“Steve McQueen: The Man & Le Mans,” Jim Copperthwaite, composer
“Stonewall,” Rob Simonsen, composer
“Suffragette,” Alexandre Desplat, composer
“Taken 3,” Nathaniel Mechaly, composer
“Ted 2,” Walter Murphy, composer
“Testament of Youth,” Max Richter, composer
“The 33,” James Horner, composer
“Tomorrowland,” Michael Giacchino, composer
“True Story,” Marco Beltrami, composer
“Trumbo,” Theodore Shapiro, composer
“Truth,” Brian Tyler, composer
“Victor Frankenstein,” Craig Armstrong, composer
“The Walk,” Alan Silvestri, composer
“The Water Diviner,” David Hirschfelder, composer
“Wolf Totem,” James Horner, composer
“Z for Zachariah,” Heather McIntosh, composer

The most notable omission from the list is the Golden Globe-nominated score for The Revenant<> composed by Ryuichi Sakamoto & Alva Noto. Also reportedly submitted was Atticus Ross’ score for Love & Mercy, although it was expected that it would not make the cut given that it extensively incorporates Brian Wilson’s music.

http://filmmusicreporter.com/2015/12/16 ... scar-race/

[Mystery]

Czyli Star Wars i H8 zakwalifikowali, niestety dla Revenant się nie udało, czyli już teraz wiadomo, że piątka z Globów się nie powtórzy.

Chicago Film Critics
Score: The Hateful Eight

Phoenix Critics Circle Award
Winner: Tom Holkenborg aka Junkie XL, Mad Max: Fury Road

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Teraz wszystko zależy od tego, które filmy będą najsilniejsze. A potem od tego, który z najsilniejszych filmów ma najbardziej wyrazistą muzykę. Ennio ma całkiem spore szanse

[Kaonashi]

Ryuichi się nie załapał, szkoda. Ale za to Ennio tak, także ogólnie tak o ta lista.

[Wawrzyniec]

Phoenix Critics Circle Award
Winner: Tom Holkenborg aka Junkie XL, Mad Max: Fury Road

Hm, może jest jakaś nadzieja. W sumie skoro Desplat dostaje noma za plumkanie to dlaczego Tom nie może za walenie po garach?

Plus ciekawe czy Ryuichi odpadł za nawiązania, czy zbyt dużą ilość zaangażowanych osób?

[Kaonashi]

No właśnie, ktoś widział jakieś uzasadnienie?