NAGRODY BRANŻOWE
Re: NAGRODY BRANŻOWE
w nagrodach BAFTA za najlepszy game score skończyło się niestety tylko na nominacji dla Brajana za Black Flag - statuetkę sprzątnął mu
Najlepsza muzyka:
BioShock Infinite (Irrational Games / 2K Games)
Najlepsza muzyka:
BioShock Infinite (Irrational Games / 2K Games)
#FUCKVINYL
- Wawrzyniec
- Hans Zimmer
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Re: NAGRODY BRANŻOWE
Dziwny wybór.
Liczyłem bardziej na Balfego i jego "Beyond Two Souls".

#WinaHansa #IStandByDaenerys
Re: NAGRODY BRANŻOWE
2014 ASCAP Composers' Choice Award - nominacje:
12 Years a Slave - Hans Zimmer
All Is Lost - Alex Ebert
Gravity - Steven Price
Oblivion - Anthony Gonzalez (M83) & Joseph Trapanese
Rush - Hans Zimmer
12 Years a Slave - Hans Zimmer
All Is Lost - Alex Ebert
Gravity - Steven Price
Oblivion - Anthony Gonzalez (M83) & Joseph Trapanese
Rush - Hans Zimmer
#FUCKVINYL
Re: NAGRODY BRANŻOWE
LOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOL!Adam pisze:12 Years a Slave - Hans Zimmer
- Koper
- Ennio Morricone
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Re: NAGRODY BRANŻOWE
"Composers' Choice Award" znaczy, że kompozytorzy z branży wybierają te nominacje?
"Hans Zimmer w tej chwili nic nie potrzebuje. (...) Ciebie też nie potrzebuje." - Paweł Stroiński
- Marek Łach
- + Jerry Goldsmith +
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Re: NAGRODY BRANŻOWE
Dokładnie:
For the first time in ASCAP awards show history, we're opening up the voting process to all ASCAP writer members. Between now and May 31st, ASCAP writers can select their favorite ASCAP film score and TV composer of 2013 from the below nominees, hand-picked by a select group of professional composers and film/TV industry leaders
- Wawrzyniec
- Hans Zimmer
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Re: NAGRODY BRANŻOWE
A to wszystko jasne, chłopaki z RCP zagłosowali z lizustwa i strachu. 

#WinaHansa #IStandByDaenerys
Re: NAGRODY BRANŻOWE
a kto dostał najwięcej nagród na rozdaniu BMI Awards?
Hail to the king!

kompletna lista nagrodzonych tu - http://www.bmi.com/news/entry/mychael_d ... _tv_awards


kompletna lista nagrodzonych tu - http://www.bmi.com/news/entry/mychael_d ... _tv_awards
#FUCKVINYL
Re: NAGRODY BRANŻOWE
w nadchodzącym sezonie nagród wygląda na to że już dosłownie wszystko będzie czystym przypadkiem
As part of its annual review of campaign regulations, the Academy of Motion Picture Arts and Science’s board of governors has approved a new rule affecting its music branch: Music branch members may not contact other members of the branch directly to promote the nomination of their own song in any way, including via mail, email, telephone or social media.
Additionally, music branch members may not attend any special live performances of eligible songs unless attached to a screening.
The first change comes in the wake of last season's music branch controversy that saw the Academy rescind the best song nomination for the song "Alone But Not Alone." The tune, which appeared in the film of the same name, was written by music branch member and composer Bruce Broughton and lyricist Dennis Spiegel. But after the surprise nomination was announced, the Academy decided that Broughton acted improperly by sending an email to at least 70 members of the 240-member branch, asking them to listen to his song. Rescinding the nomination, the Academy said at the time, that Broughton "took advantage of information that few other potential nominees are privy to."
The new rule specifically forbids members of the branch from reaching out to each other to promote a song.
The second change in the music campaign regulations addresses the sudden surge of concert events that popped up during the last awards season in an effort to highlight individual song and scores. The music from Inside Llewyn Davis, for example, was spotlighted at concerts in New York City and at the Buffalo Club in West Los Angeles. Idina Menzel performed "Let It Go," the eventual Oscar winner, at another awards season event, and Pharrell Williams offered up his "Happy" at another awards season gathering.
The music branch's new rule does not prohibit such events or performances, but it makes them off limits for members of the music branch — who vote the nominations for best song — by saying, "music branch members may not attend any special live performances of eligible songs unless attached to a screening."
http://www.hollywoodreporter.com/news/a ... uIolu.dpuf


As part of its annual review of campaign regulations, the Academy of Motion Picture Arts and Science’s board of governors has approved a new rule affecting its music branch: Music branch members may not contact other members of the branch directly to promote the nomination of their own song in any way, including via mail, email, telephone or social media.
Additionally, music branch members may not attend any special live performances of eligible songs unless attached to a screening.
The first change comes in the wake of last season's music branch controversy that saw the Academy rescind the best song nomination for the song "Alone But Not Alone." The tune, which appeared in the film of the same name, was written by music branch member and composer Bruce Broughton and lyricist Dennis Spiegel. But after the surprise nomination was announced, the Academy decided that Broughton acted improperly by sending an email to at least 70 members of the 240-member branch, asking them to listen to his song. Rescinding the nomination, the Academy said at the time, that Broughton "took advantage of information that few other potential nominees are privy to."
The new rule specifically forbids members of the branch from reaching out to each other to promote a song.
The second change in the music campaign regulations addresses the sudden surge of concert events that popped up during the last awards season in an effort to highlight individual song and scores. The music from Inside Llewyn Davis, for example, was spotlighted at concerts in New York City and at the Buffalo Club in West Los Angeles. Idina Menzel performed "Let It Go," the eventual Oscar winner, at another awards season event, and Pharrell Williams offered up his "Happy" at another awards season gathering.
The music branch's new rule does not prohibit such events or performances, but it makes them off limits for members of the music branch — who vote the nominations for best song — by saying, "music branch members may not attend any special live performances of eligible songs unless attached to a screening."
http://www.hollywoodreporter.com/news/a ... uIolu.dpuf

#FUCKVINYL
Re: NAGRODY BRANŻOWE
Saturn dla Franka Ilfmana za "Big Bad Wolves"!
Pozostali nominowani:
Danny Elfman – Oz the Great and Powerful
Howard Shore – The Hobbit: The Desolation of Smaug
Brian Tyler – Iron Man 3
Brian Tyler – Now You See Me
John Williams – The Book Thief
Pozostali nominowani:
Danny Elfman – Oz the Great and Powerful
Howard Shore – The Hobbit: The Desolation of Smaug
Brian Tyler – Iron Man 3
Brian Tyler – Now You See Me
John Williams – The Book Thief
Re: NAGRODY BRANŻOWE
Ktoś coś wie o tym scorze więcej?
Gdyby nie piraci, byłbym jak Zbigniew Hołdys - Eric Clapton.
Re: NAGRODY BRANŻOWE
O samym obrazie zrobiło się pierwszy raz głośno gdy Tarantino okrzyknął go najlepszym filmem 2014, no i jak widać zrobił mu dobrą reklamę, bo wygrał również Saturna w kategorii najlepszy film zagraniczny. Co do muzyki to jest to symfoniczne granie do thrillera z okazałym tematem przewodnim, dobrze wypadające w samym filmie, z tej stawki chyba też bym mu dał
https://www.youtube.com/watch?v=yRDsImlpKv8

https://www.youtube.com/watch?v=yRDsImlpKv8
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Re: NAGRODY BRANŻOWE
Pewnie dali mu dlatego, że Żyd
ale niechcący akurat wybrali dobrze, bo to niezły stymfoniczny score, dobrze działający w filmie, tak jak Myster napisał, z dobrym tematem i z tej stawki też bym go wybrał.

"Hans Zimmer w tej chwili nic nie potrzebuje. (...) Ciebie też nie potrzebuje." - Paweł Stroiński