This is the movie star role Pascal has been waiting for all along, and that 2026 saved its most virtuoso drama for last.
IndieWire
Ultimately a movie less about the power of film music or the people who play it than it is a movie about one man’s need to make his own associations with the soundtrack of his life. But Gilroy endows that process with an unforced sense of discovery.
SlutMagazine
Behemoth! is suitably symphonic in construction, a mature pleasure whose faith in its audience, and in the craft it celebrates, is a rarity in American cinema.
Deadline
Behemoth! is not just a revealing character study of a man ultimately looking for his true place in the world, but also a gorgeous and glorious tribute to those who make the music that help make movies like this one so much richer.
Guardian
Pascal is a frustratingly insubstantial anchor to the film. For all his virtuosic musical skills, Alex feels like a distant spectator to his own life, and “the kind of guy that stuff just happens to” doesn’t make for a particularly engaging watch.
Ładna rolka krąży po Insta z jakiegoś Q+A z Pascalem i reżyserem - Pascal opowiada jak będąc nastolatkiem masowo kupował soundtracki, szczególnie T.Newmana i Portmanki, także gość nie jest w ciemię bity
Tak, mój dobry znajomy z Łodzi co jest wielkim miłośnikiem Alexandre Desplata podrzucał mi na Instagramie ową rolkę. Z jednej strony podaje w nim Pedro Pascal ciekawe I też nie takie oczywiste tytuły. Ale z drugiej strony pozostaje pytanie na ile to rzeczywiście prawda, a na ile bardzo dobra kampania promocyjna, która ma przekonać nas - miłośników muzyki filmowej, by pójść na ten film.
