NAGRODY BRANŻOWE

[swordfish]

Do tej pory nie dokończyłem Nickel Boys na Amazonie. Zeszłoroczna nominacja do najlepszego filmu. Zasnąłem po 20 minutach. Chyba specyfika kręcenia jako POV mnie nie przekonała.

[swordfish]

Moja ulubiona odliczanka. 25 filmów roku 2025 według Davida Ehrlicha.
Tym razem jedyne polonikum to ujęcie Katarzyny Herman z The Ugly Stepsister.
https://youtu.be/D4oED1q-R5Q?si=WLAUdtTMeT7phTxJ

[Mystery]

Zwycięzcy pogrubieni.

The Society of Composers & Lyricists (SCL)

Outstanding Original Score for a Studio Film:
Ludwig Göransson – Sinners
Alexandre Desplat – Frankenstein
Jonny Greenwood – One Battle After Another
Stephen Schwartz & John Powell – Wicked: For Good
Max Richter – Hamnet
Jerskin Fendrix – Bugonia

Outstanding Original Score for an Independent Film:
Dara Taylor – Straw
Bryce Dessner – Train Dreams
David Fleming – Eternity
Fabrizio Mancinelli – Out of the Nest
Jónsi & Alex Sommers – Rental Family
Sara Barone & Robert Christenson – To Kill a Wolf

Outstanding Original Song for a Dramatic or Documentary Visual Media Production:
Diane Warren – “Dear Me” from Relentless
Alice Smith, Miles Caton & Ludwig Göransson – “Last Time (I Seen the Sun)” from Sinners
Raphael Saadiq & Ludwig Göransson – “I Lied to You” from Sinners
Sara Bareilles – “Salt Then Sour Then Sweet” from Come See Me in the Good Light
Nikhil Koparkar & Rammy Park – “The Hills of Tanchico” from The Wheel of Time
Ed Sheeran, Blake Slatkin & John Mayer – “Drive” from F1

Outstanding Original Song for a Comedy or Musical Visual Media Production:
Ejae & Mark Sonnenblick – “Golden” from KPop Demon Hunters
Stephen Schwartz – “No Place Like Home” from Wicked: For Good
Stephen Schwartz – “The Girl in the Bubble” from Wicked: For Good
Jack Black & Jared Hess – “Steve’s Lava Chicken” from A Minecraft Movie
Mark Ronson, Andrew Wyatt & Jack Black – “I Feel Alive” from A Minecraft Movie
Blake Slatkin, Shakira & Ed Sheeran – “Zoo” from Zootopia 2

Outstanding Original Title Sequence for a Television Production:
Cristobal Tapia de Veer – The White Lotus
Carlos Rafael Rivera – Dept. Q
Dave Porter – Pluribus
Sean Callery – The Beast in Me
Amanda Jones – Murderbot
Jeff Beal – All Her Fault

Outstanding Original Score for a Television Production:
Theodore Shapiro – Severance
Antonio Sánchez – The Studio
Brandon Roberts – Andor
Dave Porter – Pluribus
Cristobal Tapia de Veer – The White Lotus
David Fleming & Gustavo Santaolalla – The Last of Us

Outstanding Original Score for Interactive Media:
Austin Wintory – Sword of the Sea
Gordy Haab – Indiana Jones and the Great Circle: The Order of the Giants
Wilbert Roget II, Cody Matthew Johnson & Jon Everist – Star Wars Outlaws: A Pirate’s Fortune
Maclaine Deimer – Wildgate

David Raksin Award for Emerging Talent:
Cameron Moody – Washington Black
Chin-Shan Chang – Laws of Man
Raashi Kulkarni – A Nice Indian Boy
Greg Nicolett – Dr. Seuss’s The Sneetches
Freya Berkhout – Ride or Die
Sara Trevino – The Map That Leads You

[Adam]

Tajny Agent przedpremierowo 2 miesiące wcześniej w naszych kinach już w ten weekend
Tym samym pierwszy raz ever przed ceremonią Oscarów wszystkie 10 filmów nominowanych w głównej kategorii, i wszystkie 5 w kategorii nieanglojęzycznych będę miał zaliczone na seansach w kinie ("To był zwykły przypadek" ma premierę za 10 dni)
Brawa dla naszych dystrybutorów, wreszcie nie dali ciała, tak trzymać

[Adam]

rozdanie SAG Awards na żywo na naszym Netflixie 1 marca.

[swordfish]

Orły 2026

Muzyka:

Brat - Antoni Komasa-Łazarkiewicz
Dom Dobry - Mikołaj Trzaska
Dziecko z pyłu - Joaquin Garcia
Franz Kafka - Mary Komasa, Antoni Komasa-Łazarkiewicz
Mensch - Michał Lorenc
Ministranci - Wojtek Urbański
Nie ma duchów w mieszkaniu na Dobrej - Katarzyna Gawlik, Jerzy Rogiewicz
Sny pełne dymu - Marcin Lenarczyk
Zamach na Papieża - Daniel Bloom

[Mystery]

IFMCA Award Nominations 2025

SCORE OF THE YEAR
AVATAR: FIRE AND ASH, music by Simon Franglen
THE FANTASTIC FOUR: FIRST STEPS, music by Michael Giacchino
FRANKENSTEIN, music by Alexandre Desplat
JURASSIC WORLD: REBIRTH, music by Alexandre Desplat
SINNERS, music by Ludwig Göransson

COMPOSER OF THE YEAR
ALEXANDRE DESPLAT
SIMON FRANGLEN
MICHAEL GIACCHINO
LUDWIG GÖRANSSON
JOHN POWELL

BREAKTHROUGH COMPOSER OF THE YEAR
MATHIEU ALVADO
JEREMIAH FRAITES
CAMERON MOODY
LORIEN TESTARD
YOUNG FATHERS [KAYUS BANKOLE, GRAHAM HASTINGS, ALLOYSIOUS MASSAQUOI]

COMPOSITION OF THE YEAR
“Jay Kelly Suite” from JAY KELLY, music by Nicholas Britell
“Of The Undiscovered Country” from HAMNET, music by Max Richter
“The Fantastic Four: First Steps Main Theme” from THE FANTASTIC FOUR: FIRST STEPS, music by Michael Giacchino
“The Tower” from FRANKENSTEIN, music by Alexandre Desplat
“The Windtraders” from AVATAR: FIRE AND ASH, music by Simon Franglen

BEST ORIGINAL SCORE FOR A DRAMA FILM
DOWNTON ABBEY: THE GRAND FINALE, music by John Lunn
HAMNET, music by Max Richter
JAY KELLY, music by Nicholas Britell
MARTY SUPREME, music by Daniel Lopatin
NUREMBERG, music by Brian Tyler

BEST ORIGINAL SCORE FOR A COMEDY FILM
ANACONDA, music by David Fleming
ELLA MCCAY, music by Hans Zimmer
ETERNITY, music by David Fleming
THE NAKED GUN, music by Lorne Balfe
THE THURSDAY MURDER CLUB, music by Thomas Newman

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM
F1, music by Hans Zimmer
MISSION: IMPOSSIBLE – THE FINAL RECKONING, music by Max Aruj and Alfie Godfrey
ONE BATTLE AFTER ANOTHER, music by Jonny Greenwood
PLAY DIRTY, music by Alan Silvestri
SUPERMARSU JA SUURI HUIJAUS/SUPER FURBALL AND THE LYING SQUIRREL, music by Panu Aaltio

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM
AVATAR: FIRE AND ASH, music by Simon Franglen
BUGONIA, music by Jerskin Fendrix
THE FANTASTIC FOUR: FIRST STEPS, music by Michael Giacchino
JURASSIC WORLD: REBIRTH, music by Alexandre Desplat
WICKED: FOR GOOD, music by John Powell and Stephen Schwartz

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM
DRACULA, music by Danny Elfman
FINAL DESTINATION: BLOODLINES, music by Tim Wynn
FRANKENSTEIN, music by Alexandre Desplat
THE OVAL PORTRAIT, music by Andrew Morgan Smith
SINNERS, music by Ludwig Göransson

BEST ORIGINAL SCORE FOR AN ANIMATED FILM
ARCO, music by Arnaud Toulon
THE BAD GUYS 2, music by Daniel Pemberton
ELIO, music by Rob Simonsen
THREE KINGDOMS: STARLIT HEROES, music by Neal Acree
ZOOTOPIA 2, music by Michael Giacchino

BEST ORIGINAL SCORE FOR A DOCUMENTARY
AUX ARMES, CITOYENNES! LES FEMMES DANS LA RÉVOLUTION FRANÇAISE, music by Laetitia Pansanel-Garric
DESCALZOS, music by Oscar Martín Leanizbarrutia
KANTAURI, music by Joseba Beristain
MONSEN OG NASJONALPARKENE, music by Raymond Enoksen
OCEAN WITH DAVID ATTENBOROUGH, music by Steven Price

BEST ORIGINAL SCORE FOR TELEVISION
ASTÉRIX ET OBÉLIX: LE COMBAT DES CHEFS, music by Mathieu Alvado
CALL THE MIDWIFE, music by Maurizio Malagnini
IL GATTOPARDO/THE LEOPARD, music by Paolo Buonvino
STAR WARS: ANDOR, music by Brandon Roberts and Nicholas Britell
WASHINGTON BLACK, music by Cameron Moody

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
CLAIR OBSCUR: EXPEDITION 33, music by Lorien Testard
GHOST OF YŌTEI, music by Wataru Hokoyama
KINGDOM COME: DELIVERANCE II, music by Jan Valta and Adam Sporka
SOUTH OF MIDNIGHT, music by Olivier Derivière
TOWERBORNE, music by Austin Wintory

BEST ORIGINAL SCORE FOR A SHORT FILM
ACHTER DE DEUR/BEHIND THE DOOR, music by Roy Bemelmans
BUTTERFLY ON A WHEEL, music by Trevor Morris
DRAGONITE AND THE SPECIAL DELIVERY, music by Evan Call
LARGO, music by Stuart Hancock
LE SECRET DE MARTHA, music by Romain Paillot

BEST ARCHIVAL RELEASE
THE DARK CRYSTAL, music by Trevor Jones; album produced by Trevor Jones and Tim Greiving; liner notes by Tim Greiving; album art direction by Dan Goldwasser (La-La Land)
FLATLINERS, music by James Newton Howard; album produced by Stéphane Humez; liner notes by Kaya Savas; album art direction by Kay Marshall (Intrada)
GLADIATOR, music by Hans Zimmer and Lisa Gerrard; album produced by Stéphane Humez; liner notes by Kaya Savas; album art direction by Dan Goldwasser (La-La Land)
JAWS, music by John Williams; album produced by Mike Matessino; liner notes by Mike Matessino; album art direction by Kay Marshall and Stéphane Coëdel (Intrada)
ON HER MAJESTY’S SECRET SERVICE, music by John Barry; album produced by Neil S. Bulk; liner notes by Jon Burlingame; album art direction by Dan Goldwasser and Jim Titus (La-La Land)

BEST NEW RECORDING OF AN EXISTING FILM SCORE
ABBOTT AND COSTELLO MEET FRANKENSTEIN/ABBOTT AND COSTELLO MEET THE KEYSTONE KOPS, music by Frank Skinner, William Lava, Henry Mancini, and Herman Stein; the Royal Scottish National Orchestra conducted by William Stromberg; score reconstruction by John Morgan, William Stromberg, and Anna Bonn Stromberg; recording produced by Leigh Phillips; liner notes by Ray Faiola; original cover art by Joe Sikoryak and Stéphane Coëdel; album art direction by Kay Marshall (Intrada)
THE CHAIRMAN, music by Jerry Goldsmith; the Royal Scottish National Orchestra conducted by William Stromberg; score reconstruction and orchestrations by Leigh Phillips with music prep by Anna Bonn Stromberg; album produced by Leigh Phillips; liner notes by Jon Burlingame and Leigh Phillips; original cover art by Stéphane Coëdel; album art direction by Kay Marshall (Intrada)
DEBBIE WISEMAN: MUSIC FOR FILM AND TELEVISION, music by Debbie Wiseman; Brussels Philharmonic conducted by Dirk Brossé; album produced by Thomas Van Parys; liner notes by Thomas Van Parys and Debbie Wiseman; album art direction by Stuart Ford (Silva Screen/Film Fest Gent)
HOWARD SHORE: ANTHOLOGY – THE PARIS CONCERTS, music by Howard Shore; Orchestre Philharmonique de Radio France conducted by Ludwig Wicki and Bastien Still; album produced by Ute Fesquet; liner notes by Stéphane Lerouge; album art direction by Christian Huck (Deutsche Grammophon)
PURSUIT/CRAWLSPACE/THE PEOPLE NEXT DOOR, music by Jerry Goldsmith; the City of Prague Philharmonic Orchestra conducted by Adam Klemens; score reconstruction and orchestrations by Leigh Phillips; album produced by Leigh Phillips; liner notes by Jon Burlingame and Yavar Moradi; original cover art by Stéphane Coëdel; album art direction by Kay Marshall (Klassik Film Music/Intrada)