Re: Alexandre Desplat
: wt lut 13, 2018 09:11 am
ile to trwa?
muzyka filmowa i nie tylko...
https://forum.filmmusic.pl/
Nie wiem, na ile oceniać wiarygodność Jonesa, który mówi o tym, że wie kto zabił Kennedy'ego, The Beatles "were a band of non playing motherfuckers", Ed Sheeran jest świetny, i że Michael Jackson ukradł wiele piosenek (Tutaj się nie dziwię, bo sam zauważyłem, że Black or White ma riff podobny do jednej z piosenek Beatlesów, no Jackson wykupił prawa autorskie do ich wczesnego stuffu, więc mógł - za to przytoczone przez Jonesa porównania w ogole nie wydawały mi się podobne) ale wiele argumentów na temat prymitywizacji przemysłu muzycznego jest naprawdę ciekawych i celnyc-Are you as down on the state of film scoring as you are on pop?
-It’s not good. Everybody’s lazy. Alexandre Desplat — he’s good. He’s my brother. He was influenced by my scores.
-Again, when you say film composers are lazy, what does that mean, exactly, in this context?
-It means they’re not going back and listening to what Bernard Herrmann did.
http://www.indiewire.com/2018/02/wes-an ... 201928932/“[Miyazaki] brings the detail and also the silences I think,” he continued. “With Miyazaki you get nature and you get moments of peace, a kind of rhythm that is not in the American animation tradition so much. That inspired us quite a lot. There were times when I worked with [composer] Alexandre Desplat on the score and we found many places where we had to pull back from what we were doing musically because the movie wanted to be quiet. That came from Miyazaki.”
https://twitter.com/MartynConterio/stat ... 3675556865Martyn Conterio @MartynConterio
Isle of Dogs is an adorable and typically eccentric tale by Wes Anderson, reaffirming dogs are truly man's best friend. Alexandre Desplat's score is special too. Dogs rule. #Berlinale #IsleofDogs
https://www.screendaily.com/reviews/isl ... 36.articleIsle Of Dogs is also filled with music throughout (regular collaborator Alexandre Desplat is not easily identifiable in a robustly Japanese score), even if it’s only whistling.
http://www.telegraph.co.uk/films/0/isle ... ing-wrong/But listen! Alexandre Desplat’s score, which might be peak Desplat for overall invention, is busy at work being a brilliant synergy of Western and Eastern musical forms. With its battery of taiko drums rattling away ominously, but also a fluty, buoyant finale, it suggests a missing link between Toru Takemitsu (Dodes’ka-den’s legendary composer) and the entirely non-Japanese Henry Mancini. Plus the score adapts – sorry, culturally appropriates – Prokofiev’s Troika from Lieutenant Kije and makes this fit just as well.
http://lwlies.com/festivals/isle-of-dog ... ok-review/It’s a quiet Anderson film, perhaps his most restrained since Rushmore, notable even in the film’s music, which only makes scant use of Anderson’s plentiful 60s pop music archive, only notably making use of West Coast Pop Art Experimental Band’s apt “I Won’t Hurt You”, previously heard in the film’s trailer. Instead, Alexander Desplat provides a beautiful score in keeping with the film’s setting, undoubtedly some of his best work to date.
https://www.theguardian.com/film/2018/f ... _b-gdnfilmAlexandre Desplat’s minimalist score is also a pleasure, mixing taiko drumming, laconic jazz bass and the occasional dash of Prokofiev.
https://www.filminquiry.com/isle-of-dogs-2018-review/Its orientalism is treated with a sensitivity that, while expected from Anderson, is refreshing considering the whitewashed climate of Hollywood. Alexandre Desplat plays a huge part in this, his experimental score a clashing of Japanese-inspired drums, cymbals and bells that’s thrillingly infused into the narrative.
https://cine-vue.com/2018/02/berlin-201 ... um=twitterThe lively imagery is brilliantly accompanied by Alexandre Desplat’s Kodō drums-heavy score, which provides a thriller-like tension to the film’s quest narrative.