Więcej zdjęć:
Michel Orier @michel_orier
#valérian Démarrage des séances de la musique du film de Luc Besson @Maisondelaradio @nationaldefce avec Alexandre Desplat grande fierté !
Radio France @radiofrance
[ ENREGISTREMENT EN COURS ] Le @nationaldefce & le Chœur de #RadioFrance enregistrent cette semaine la musique de "Valérian" de @lucbesson
Wywiadzik z Bessonem z połowy listopada, który najwyraźniej nam umknął, wynika z tego że w tamtym okresie Olek zaczął pracować nad Valerianem (obecna sesja nagraniowa przypadałaby po trzech miesiącach, więc tyle ile mniej więcej trwa cały proces przy blockbusterach), wklejam fragmenty poświęcone wstępnej koncepcji muzyki (na tamten moment):
Question: When you have a trailer with a bold song like this, bold music choice, it makes me wonder what is the music gonna be like in the actual film?
Luc Besson: He start Monday. So I can’t tell you exactly.
Question: Who’s that?
Luc Besson: We talked a lot with the musician. And for now there are few options, and I give him few weeks to come and surprise me with something. I don’t want to start and say, okay here is what I want. Because maybe he has an idea that is better than mine. You know, so I tell him what I want. But I say, okay, for now, you are free for a couple of weeks to digest the thing and see what’s coming from you.
Question: But it’s gonna be all traditional score, it’s not gonna be pop songs?
Luc Besson: No, probably classical probably. We don’t know yet if there is a place for a theme. Which is very interesting because of the rhythm of the film in the ’70s and ’80s like Star Wars and the film before that… I’m a big Star Wars fan, so nothing against the film, but the rhythm was way more, you know, [MAKES NOISE] They come in, they walk, they open the door, they talk. You know, it’s another rhythm. With this rhythm, you have the time to put theme. Today with the Internet and the way that people are watching films, it’s so fast that you don’t have the time to place themes in the film anymore. It’s very strange. It goes too fast. They finish the line, boom, open, tack; they take the thing, the door, up, another line. You know, it’s the rhythm of today. You can’t escape that. So I don’t know if we will have themes in a classical way.
http://www.slashfilm.com/luc-besson-val ... terview/2/
Oprócz tego świeży artykuł wyjaśniający, czemu nie LSO, tylko Radio France (a w zasadzie jego tłumaczenie z francuska)
The National Orchestra of France and the choir of Radio France are recording the music of Luc Besson's film, VALERIAN, composed by Alexandre Desplat. This is a first since 1984, when the house of the radio recorded the "Carmen" of Francesco Rosi.
Alexandre Desplat is known for recording regularly with the London Symphonic Orchestra (LSO) in London. Most of the major French composers (Eric Neveux, Bruno Coulais, Philippe Rombi) have often expressed their preference for English orchestras.
The choice to remain in France for this recording would be a choice of Luc Besson, fervent patriot who did everything possible to make the filming of his film is located in France - notably in its City of Cinema (by negotiating taxes with the " French State).
Luc Besson has also centralized in his Cité du cinéma all stages of creation (from production to post-production through filming). Only the musical part is missing the studios of St Denis, hence an agreement signed between Radio France and EuropaCorp, the company of Luc Besson, after several months of negotiation, allowing today 95 musicians of the Orchester National de France And 40 singers of the choir of Radio France to participate in the recording at Studio 104 of the Maison de la Radio.
The most expensive superproduction in the history of French cinema, with a budget of more than 170 million euros, "Valérian and the City of the thousand planets" Luc Besson is on the bill in July.
Rozmowa z Olkiem zaczyna się ok. 1:26:00 
