Muzyka filmowa - Forum FilmMusic.pl

Living in the Age of Airplanes kapitale bardzo dobre zakończenie kariery Jamesa bardziej niż Magnificent Seven, które zostawiało spory niedosyt i to nie była w 100 % praca Jamesa.

Ghostek pisze: ↑

czw kwie 12, 2018 17:45 pm

Może w końcu Spiderman 3?

A może Indiana Jones and the Kingdom of the Crystal Skull

No i nastepny Horner z Intrady:

THE BOY IN THE STRIPED PAJAMAS
Composed by JAMES HORNER
INTRADA ISC 400

http://store.intrada.com/s.nl/it.A/id.11452/.f

Track Listing:
01. Boys Playing Airplanes (4:08)
02. Exploring The Forest (2:32)
03. The Train Ride To A New Home (3:30)
04. The Winds Gently Blow Through The Garden (5:52)
05. An Odd Discovery Beyond The Trees (2:48)
06. Dolls Are Not For Big Girls, Propaganda Is… (3:40)
07. Black Smoke (1:42)
08. Evening Supper – A Family Slowly Crumbles (7:48)
09. The Funeral (1:50)
10. The Boys’ Plans, From Night To Day (2:35)
11. Strange New Clothes (9:50)
12. Remembrance, Remembrance (5:29)

Jak beda mieli promocje do dolaczy do kolekcji

znacznie lepsza muzyka od tego przereklamowanego Aeroplanes..

Pytanie do posiadaczy Szczęk i Szczęk 2 od Intrady warto ?. Dodam, że posiadam Jaws 25th Anniversary Edition i według mnie jakość dżwięku jest taka sobie.

Mam kupione Jaws i Jaws2 od Intrady. W posiadaniu mam rowniez oryginalny CD i rozszerzenie Jaws. Oba nie umywaja sie do nowej edycji Intrady. Matessino na prawde sie przylozyl - jest nowy wyczyszczony mix i master. Lepszy bas i dzwiek czysty jak lza - wyrazisty i pelny - oczywiscie aparat wykonawczy jest mniejszy wiec nie brzmi to jakby bylo nagrywane wczoraj przez 120 osobowa orkiestre ale ja slysze wyrazna roznice na plus pomiedzy Intrada i Anniversary Edition.

Jaws 2 - nie moge sie wypowiadac bo poza stara kaseta nigdy tego nie slyszalem z plyty. Ale w porownaniu do Jaws brzmi tak samo dobrze jak nie lepiej - troche wieksza orkiestra i kilka lat roznicy.

Same wydania w obydwu przypadkach - pelny score na pierwszej plycie + dodatki (w przypadku Jaws na drugiej razem z oryginalnym soundtrackiem jest troche muzyki zrodlowej ale podobno tez skomponowanej przez Williamsa), na drugiej plycie zremasterowany oryginalny soundtrack. Wypasna ksiazeczka, ponad 30 stron do Jaws i standardowa 24 strony do Jaws2.

15 maj - Intrada standardowo kolejne wznowienie tego samego swojego wydania, tym razem z najcudowniejszego mastera który oczywiście wczesniej nie był dostepny

Mid-80s (mostly) action score features a re-issue of earlier Intrada release that was a quick sell out. But while that release was taken from a transfer of the composer's 1/4" copy of the score, this release features a new mastering from the first-generation multi-tracks housed in the studio vaults, providing a more detailed, crisper presentation, correcting a few pitch issues and featuring bonus tracks from composer's family member.

Jakiś Jerry pewnie.

Idąc śladami wskazówek z Intrady to zdecydowanie będzie reedycja score " Remo Williams -the adventure begins " z 1985r. Kompozycja Craiga Safana ...trza obejrzeć ten film

Jak już to się szarpną i będzie box złożony z obu części Remo Williams

Tego się nie spodziewałem !!!

Remastered reissue of impressive Jerry Goldsmith soundtrack! 1985 Disney live action dinosaur adventure arrives ahead of its time, before Jurassic Park and similar fare became hot property the following decade. William Katt, Sean Young, Patrick McGoohan perform alongside Brontosaurus family, John Alcott shoots rich outdoor jungle photography, Jonathan Taplin & Roger Spottiswoode (who’s Under Fire resulted in one of Goldsmith’s all-time great scores) produce, B.W.L. Norton directs and Disney’s adult theme-oriented Touchstone Pictures presents. Discovery of dinosaurs during expedition in Central Africa leads to family antics followed by treachery, kidnapping, military conflict, pursuit and exciting rescue - all set to powerhouse Jerry Goldsmith score! Initial ideas color outdoor terrain, expedition itself. Discovery of dinosaur “family” inspires Goldsmith to write not down to but upwards towards majestic, magnificent sauropods: powerful French horn/trumpet statement of their theme over massive major chords in low brass, swirling strings above makes for one of composer’s grandest moments ever! Other highlights abound: tuneful “Baby” theme underscores playful antics in contrast to initial bold material, jungle setting garners array of electronic colors amidst complex orchestration. Spotlight goes without doubt however to propulsive, thundering action cues. Foreshadowing Goldsmith’s very next project - Rambo: First Blood Part II - exciting pursuit, rescue scenes (“The Cave”, “Mother Is Free”) feature composer in his most ferocious, mixed-meter action mode with tour-de-force writing for entire orchestra. When all is said and done, Goldsmith offers dynamic final cue (“Baby’s Alive”) which re-unites mother and baby, leading to end credits. In epic finish, when medley of themes reaches conclusion, Goldsmith adds magnificent fortissimo coda proclaiming his initial dinosaur theme in triumphant brass, trumpets in the lead. Spectacular ending! Previous release of score (a fast sell-out) was presented from two-track mixes made from 32-track masters vaulted at Disney, then dubbed down to analog for composer who later transferred elements back to DAT for his own storage, a copy of which was subsequently made for use with Intrada’s presentation many years ago. In somewhat convoluted process, somewhere along the way, pitch anomalies arose on a couple of tracks, especially lengthy finale. New Intrada remastered release was prepared from Disney’s original elements including 32-track session masters and Shawn Murphy’s first generation multi-track film mixes. New elements also allowed for a pair of previously unreleased source percussion pieces recorded by Goldsmith at his sessions plus three source numbers composed by his son, Joel Goldsmith, which appear very briefly in truncated fashion in film but play here in their entirety. Flipper-style booklet designed by Kay Marshall, notes by Jeff Bond. Recorded by Shawn Murphy on September 24-26, 1984. Arthur Morton & Alexander Courage orchestrate, Jerry Goldsmith composes and conducts. Intrada Special Collection CD available while quantities and interest remain!

01. The Drawing (0:49)
02. No Problem (0:41)
03. The River* (2:24)
04. Picture Party (1:14)
05. A Little Joke (0:31)
06. The Family* (3:59)
07. Papa’s Death (7:10)
08. Papa’s Gone (1:21)
09. Baby And Monkeys* (2:51)
10. Food Time* (5:00)
11. No Play (1:54)
12. Where’s Baby?* (3:06)
13. The Cave (4:25)
14. Baby’s Gone (1:57)

15. The Captive (4:11)
16. Mother Is Free (3:33)
17. Baby’s Alive (7:04)
Total Score Time: 52:46
The Extras
18. Native Funeral* (Traditional) (3:04)
19. Kaleri Night Party (Traditional) (2:00)
20. Back Stabber* (Joel Goldsmith/Debrah Neal) (2:12)
21. Hot Love* (Joel Goldsmith/Sidney Barnes) (2:17)
22. Warm Body* (Joel Goldsmith/Sidney Barnes) (3:31)
Total Extras Time: 13:07

*Includes Music Not Featured in Film

Jako wznowienie spoko, ale robiwnie z tego wielkiego larum bo nowe miksy i master... Meh na poziomie Eambo :p
Mam starsze wydanie i styknie

Intrada pozamiata

Coming the rest of the 2018 - albums by Jerry Goldsmith, Alan Silvestri, Bill Conti, James Horner, more Goldsmith, more Horner, Andrew Powell, Arthur B Rubinstein, even more Horner, possibly Max Steiner, and more...

biedny portfel będzie La-La jak chce wygrać ten rok to musi mooocno spiąć poślady na Black Friday, bo będzie ciężko jak Intrada parę Hornerów chce wydać

Dla mnie tylko more Horner się liczy a La La może dowalić Williamsem, np. Harry Potter x 6 CD

Rubinsteina to mogliby wydać Blue Thunder, bo z dostępnością i ceną tego soundtracku jest obecnie problem. Z Hornera to na pewno chciałbym Willow.
Lala zapewne zacznie gonić Intradę po wakacjach, bo jak na razie, to kiepsko.
Ja liczę w końcu na jakieś stare Hansy.