Intrada juz sie do tego odniosla w oficjalnej informacji. Ten defekt dzwiekowy jest na tasmach z nagrania. I byl tez na wydaniu od Decci. Ich mix jest glosniejszy/bardziej mokry wiec i defekt jest bardziej slyszalny. Problem jest z ludzmi, ktorzy tego sluchaja na roznym sprzecie i z roznymi defektami sluchu (niektorzy sa autentycznie glusi na niektore pasma). Dlatego niektorzy to slysza a inni nie. Na FSM jeden marudzil, ze jego dziewczyna jest w stanie to uslyszec a on niestety nie - bosze, ludzie maja problemy .Wychodzi na to że Intrada znów dała ciała i w jednym utworze na cd1 z nowego wydania pierwszej Mumii jest jakiś defekt dźwiękowy trwający około minuty
Dodalem oryginalna wypowiedz z Intrady:
We did a deep investigation and this is what we found. There is actually some distortion after about a minute in, where the cue goes into a new section. It hits pretty loud and seems over-modulated. That continues for the remainder of the track when it is loud. Quieter sections are perfect, showing it isn’t random static at all.
This is ALSO present on the 1999 CD as well but our new mix is hotter and more detailed, making the distortion more evident. This means the original recording sessions must have been too hot during that portion of the cue. Our release exacerbates the distortion but it is not anything that can be corrected because it's inherent in the recording itself.
Keep in mind there were no stereo mixes of the additional music, only what was mixed for Decca in 1999. Universal only had the complete 48-track sessions and potted/edited 5.1 film mixes which would have been unacceptable. Therefore expanding The Mummy required all-new mixing and Bruce Botnick’s participation because he was the original mixer. Since we want to retain our new 48-channel mix the distortion will stay in this hot section. This makes keeping the old album mix a nice bonus for CD 2.