THE JOURNEY INSIDE
Composed and Conducted by DAVID SHIRE
INTRADA Special Collection Vol. 302
For the 1994 IMAX film The Journey Inside, the filmmakers knew they wanted a big, theme-driven sci-fi score —and when the composer of Return to Oz was available and interested, they were thrilled. Oz was packed with memorable character themes, motifs and sumptuous orchestration; it is now considered a classic and a high point in Shire’s career. And that's what they wanted for The Journey Inside. "We were agreed that it needed a good meat-and-potatoes, sci-fi, symphonic score,” said Shire. This is apparent right away in the main title, which establishes the film’s main melody -- a “hero” theme for the young boy. Rushed along on rippling strings and woodwinds, a French horn sings the tune—filled with optimism, adventure and wonder— Shire opens the saga with grand ambitions and gives the whole orchestra a workout, establishing the musical character to follow.
The 80-piece orchestra was blended with a few “spacey” synth voices (with names like “alien metal,” “computer piano” and “space chorus”), and recorded on September 9 and 10, 1993, at the old MGM scoring stage under the watch of veteran engineer Dan Wallin. “The score sounded just magnificent,” said Shire. “It was thrilling to have an orchestra that large.”
The Journey Inside tells of an alien race who come to earth to harvest its food supply, but see a threat in the humans’ development of a computer chip that will allow them to “cross the critical threshold” and travel to the stars. After landing on earth, the squid-like aliens “juxtaport” from their cavernous meeting place to the Intel factory in an attempt to sabotage the production of Intel’s new “Project 5” (Pentium) chip. Fortunately for the human race, a young boy named Jimmy (Tim Farrell) witnessed the aliens’ landing and overheard their secret plans, and rushes to the laboratory just in time to stop their evil plot.
INTRADA Special Collection Vol. 302
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01. Main Title (3:09)
02. To The Cave (2:41)
03. The Cave I (2:58)
04. The Cave II (2:02)
05. The Cave III (4:30)
06. Chip Trip (2:26)
07. The FAB I (2:22)
08. The FAB II (2:28)
09. 3rd Middle Layer (2:54)
10. Get Him! (2:11)
11. In The Computer (4:31)
12. Across The Critical Threshold (2:10)
13. End Title (2:34)
Wow! Both Jerry Goldsmith's complete powerhouse score and Maurice Jarre's dynamic unused score together in exciting 2-CD set! Under director Curtis Hanson, Meryl Streep becomes sensational action heroine with husband David Strathairn, son Joseph Mazzello battling killers Kevin Bacon, John C. Reilly plus whitewater rapids, violent waterfalls shot on spectacular locations of Montana, southern Oregon. Incredible opportunity for listeners to hear two Academy Award-winning, top-drawer composers at peak of their craft, both commanding large orchestras - with two dramatically contrasting approaches to thrilling tale! Jarre approaches with epic, majestic David Lean-style main theme, numerous dramatic variants, culminating in powerful action finale with spectacular array of percussion in the spotlight. Jarre then allows room for traditional "The Water Is Wide" before wrapping with rich statement of his own main theme plus fortissimo coda. 50-minute score is presented plus more than 20-minutes of additional cues and alternates. After producers deleted entire effort by Jarre, Goldsmith enters project with his own dynamic score. His thematic approach relies on traditional melody, given emotional resonance courtesy soaring solo trumpet quotes over expressive string harmonies. Once established, theme gives way to one of Goldsmith's best nineties devices: not just one but two important thematic ideas take over, competing for control through remainder of score. First is surging minor-key "water" theme with imposing chords for dangerous currents. Second is five-note motif that becomes all-important Rambo-style action theme, usually connected with Strathairn as mild-mannered businessman who springs into action during second part of film. How this tiny idea grows in importance, now as solitary melodic percussion figure, now as soaring French horn melody, now as solo clarinet line, now as rhythmic ostinato against soaring minor-key "water" theme becomes just one compelling aspect of knockout score! Also commanding attention is 10-minute action cue "Vacation's Over", amongst composer's all-time greatest. Original RCA release offered just 30 minutes of score. New Intrada release not only premieres entire Jarre score but also doubles the amount of Goldsmith music with a half hour of previously unreleased score plus another 16-minutes of unused alternates. Jarre score recorded by Shawn Murphy at Sony Pictures Scoring, Goldsmith score recorded by Bruce Botnick at Todd-AO Scoring Stage. Entire 2-CD set presented from complete digital scoring session masters preserved by Universal in pristine condition and released courtesy Universal, RCA and Sony. Maurice Jarre, Jerry Goldsmith conduct. Intrada Special Collection release available while quantities and interest remain!
CD 1 (ORIGINAL MOTION PICTURE SOUNDTRACK)
01. Practice (2:24)
02. The Field (1:25)
03. Let’s Go Boys (1:26)
04. Here We Go (1:01)
05. No Favors (1:32)
06. Graffiti (1:38)
07. My Life (0:45)
08. Wade’s Over (3:20)
09. Same Old Story (2:13)
10. All Is Well (0:47)
11. Get The Drinks (4:00)
12. Stand Off (0:48)
13. Run Maggie (0:41)
14. Pictures (1:54)
15. Maggie’s Back (1:02)
16. Secrets (2:03)
17. Where Are You? (2:34)
18. Anything I Want (1:10)
19. The Raft (Original) (3:41)
20. Go, Mom (2:11)
21. What Happened? (2:41)
22. Do It! (2:53)
23. Ballast (Revised #1) (1:43)
24. Vacation’s Over (10:05)
25. One Left (Revised #1) (0:35)
26. Family Reunion (End Title)
Contains Edited Version of “The Water Is Wide” (Traditional)
Performed by Cowboy Junkies Produced by Michael Timmins (5:46)
Total Score Time: 62:06
The Extras
27. The Gun (Pizzicato Hits) (1:52)
28. The Raft (Revised) (3:42)
29. Now What? (Original) (1:44)
30. Ballast (Original) (1:18)
31. Ballast (Revised #2) (1:19)
32. One Left (Original) (0:36)
33. One Left (Revised #2) (0:37)
34. Great Timing (Original) (1:59)
35. “The Water Is Wide” (Electric Violin Version)
(Adapted and Arranged by Jerry Goldsmith) (2:58)
Total Extras Time: 16:18
Total CD Time: 78:52
CD 2 THE UNUSED SCORE
01. The Bridge (2:59)
02. We All Go (3:58)
03. Wade Overboard (4:27)
04. The Stakes Just Got Higher (5:02)
05. Tom Lost (3:46)
06. The Cliff (2:32)
07. Ranger Danger (1:00)
08. Raft In Trouble (2:32)
09. Gail Strikes Back (1:30)
10. Hold On (4:28)
11. The Gauntlet (9:29)
12. Final Fight (2:06)
13. Reunion And End Title (6:33)
Contains “Mandolin Mix” of “The Water Is Wide” (Traditional)
Performed by Cowboy Junkies Produced by Michael Timmins
Total Score Time: 50:36
The Extras
14. Racing Victory (0:44)
15. Racing Victory - Alternate 1 (0:35)
16. Racing Victory - Alternate 2 (0:29)
17. Gail Leads - Alternate (0:13)
18. Maggie, Too (0:36)
19. Maggie, Too - Revised (0:36)
20. First Baggage (0:36)
21. First Baggage - Revised (0:28)
22. Rock Symbols (0:55)
23. Baggage Again (0:28)
24. Gail’s Advice (0:50)
25. Wade Shows The Gun (0:36)
26. Terry Hesitates (0:44)
27. Threats (0:18)
28. Wade And Terry Argue (0:34)
29. Tom’s Plan – Revised (0:22)
30. Twigs And Leaves (0:47)
31. Raft In Trouble - Revised (2:30)
32. Tom And Maggie (0:30)
33. Untie Us (0:43)
34. Final Fight – Revised (2:06)
35. Reunion - Version 2 (2:00)
36. Reunion - Version 3 (1:59)
37. Reunion - Version For Album (2:02)
38. Reunion – Version 4 (0:10)
39. “The Water Is Wide” (Traditional)
Performed by Cowboy Junkies
Produced by Michael Timmins (3:10)
Total Extras Time: 25:26
Total CD Time: 76:06
THE RIVER WILD - jak dla mnie zawsze był to odtwórczy, średni Goldsmith... Specjalnie dla tego wydania odświeżę sobie film i obadam to w jakichś flaczkach, ale wątpię bym zdecydował się na zakup.
Ale to moja prywatna opinia
