FIRST LOVE (JOHN BARRY) - 29.01.2013 - LA-LA LAND

[Adam]

nieźle. nie znam tego w ogóle, na bootlegu też nie było, bo score prawie w całości nie wszedł do filmu i był bez muzy w większości! (taki pół-reject), stąd chętnie obadamy oczywiście to tytuł Paramountu więc wszystko jasne

[Adam]

Bond pisze że:

What remains in the film is just a hodgepodge of isolated snippets of underscore. Particularly given the very slight film, I think Barry produced an amazing, fascinating score, one of the most interesting things I've heard from him. I think people will love it, especially Barry fans.

może być ciekawie

[Adam]

Bond dopisał że limit będzie tylko 2 tys.szt.

[Adam]

FIRST LOVE
MUSIC BY JOHN BARRY
LLLCD 1243
LIMITED EDTION OF 2000 UNITS
RETAIL PRICE: $19.98

Produced by Neil S. Bulk and Lukas Kendall
Mastered by Mike Matessino
Liner Notes by Jeff Bond
Art Direction by Dan Goldwasser

Paramount Pictures and La-La Land Records are proud to announce the world premiere release of one of John Barry’s lost masterpieces, FIRST LOVE, a 1977 romance starring William Katt and Susan Dey. For the first time ever, fans of Barry will be able to hear the score he wrote for this 1977 heart breaker. Mastering guru Mike Matessino was able to utilize the original 16-track tapes and remix First Love into full stereo, so the score sounds better than it ever has! Jeff bond takes the listener deep inside the film’s history and its “lost score.” The total film score clocks in around 40 minutes, plus there is an additional 18 minutes of bonus material.

[Krzysiek]

Adamie, jakbyś nie zauważył.... sam sobie odpisujesz w temacie który założyłeś

[Adam]

bo to Barry

[Adam]

La-La Land Records and Paramount Pictures present the world premiere release of legendary composer John Barry’s (GOLDFINGER, BODY HEAT, DANCES WITH WOLVES) original motion picture score to the Paramount Pictures 1977 feature film romance FIRST LOVE, starring William Katt, Susan Dey and John Heard, and directed by Joan Darling. Previously unavailable in any format, Barry’s lush score is a revelatory find – a masterful work of haunting beauty from one of filmdom’s greatest composers. Much of this notable score has never been heard, as only a small portion of it was used in the finished film. Produced by Neil S. Bulk and Lukas Kendall and mastered by Mike Matessino, who mixed the score into full stereo from the original 16-track tapes, this special release is limited to 2000 units and includes in-depth, exclusive liner notes from film music writer, Jeff Bond, that take the listener behind the scenes of this remarkable “lost” score.



1. Main Title (04:03)
2. Elgin’s Room (03:55)
3. No Coffee / Enjoy the Book (01:14)
4. Dante’s Theme (01:15)
5. The Big Love Scene (07:26)
6. The First Time (01:37)
7. The Hallway (05:03)
8. Two on a Bike (00:44)
9. Soccer Game (02:38)
10. Caroline’s Note (01:36)
11. Model House (01:06)
12. Shelley Waits (02:16)
13. Wait Till It Happens / I’m Shelley (02:02)
14. Interchange / Night Intruder (01:20)
15. The Train (01:55)
16. End Credits (01:13)
Total Time: 39:22
BONUS TRACKS
17. Main Title (revised) (03:59)
18. The Big Love Scene (original version) (07:35)
19. End Credits (original version) (00:31)
20. The Restaurant (03:07)
21. Piano Source (01:14)
22. String Quintet No. 5 in D Major, K. 593 (Mozart) (01:55)
Total Time: 18:18
Total CD Duration: 00:57:44

[Marek Łach]

Ktoś już ma i słuchał?

[Adam]

tak. piękne wydanie i ładna muzyka. ale mnie już niczym nie zaskoczy to nazwisko więc niech wypowiedzą się inni tu pierwsza recka - http://sdtom.wordpress.com/2013/02/01/first-lovebarry/

[Mefisto]

Ktoś już ma i słuchał?

daj linka to powiem

przynajmniej okładka klimatyczna

[Adam]

druga już recka - tym razem Larsona:

The advent of a previously unavailable John Barry score is surely cause for celebration, especially when it’s a lush, romantic composition in Barry’s finest form. From the 1977 feature, FIRST LOVE, the score predates Barry’s later period in which these types of scores were the norm. Sandwiched between the disco-groove of THE DEEP and the raucous jangle of GAME OF DEATH, FIRST LOVE is a sumptuous, lush rhythmic romance score for a film starring William Katt and Susan Dey as youngsters engaging in romantic and physical passion for the first time. Previously unavailable in any format, only a small portion of Barry's score was actually used in the final film, so much of this engaging work has never been heard before. The score is infused with the distinctive Barry touch, while source cues such as “Elgin’s Room” and “The Hallway” reflect Barry’s EMI and Ember Records rock ‘n roll phase, both beautifully arranged pop rock numbers. In addition to soothing arrangements of the main romantic theme (which is consummated early in the 7:26 “Big Love Scene”), Barry also created an intriguing harpsichord cue for a visit to a “Model House,” a delightfully strident violin and xylophone romp in “Two on a Bike,” and a prim martial motif for “Soccer Game.” Barry de-saturated his main theme to a tone of worried impatience in “Shelley Waits,” and created a slightly more austere variant for flutes and harpsichord as “Dante’s Theme.” The limited release (2000 copies) includes extensive liner notes by Jeff Bond, and includes the score in its entirely, mixed into full stereo from the original 16-track tapes by Mike Matessino.

[Mefisto]

Standardowy Barry, czyli urocza liryka i porządny temat główny, ale całościowo jednym uchem wpadło, a drugim wypadło. Klasyk to to nie jest.

[Adam]

jak może być klasyk skoro nawet main title nie było nigdy wydane w żadnej formie nie mówiąc o scorze?

reszta opinii standardowa ale nijak nie mogę zrozumieć czemu tak samo nie opisujesz połowy płyt Newmana

[Mefisto]

jak może być klasyk skoro nawet main title nie było nigdy wydane w żadnej formie nie mówiąc o scorze?

Ale w filmie grało - niee?

nie mogę zrozumieć czemu tak samo nie opisujesz połowy płyt Newmana

przemyj uszy

[Adam]

Ale w filmie grało - niee?

a ktoś ten film w ogóle oglądał poza rezyserem? to szacun