La-La - 15.03.2011 - It's a Mad Mad Mad Mad World (2CD)

[Adam]

15 marca La-La wydaje tylko jeden tytuł, ale za to dwupłytowy. Prawdopodobnie będzie to kompletny DIE HARD 1 Kamena Było zapowiadane już w tamtym roku.

[Turek]

15 marca La-La wydaje tylko jeden tytuł, ale za to dwupłytowy. Prawdopodobnie będzie to kompletny DIE HARD 1 Kamena Było zapowiadane już w tamtym roku.

HURRA )

[Bucholc Krok]

Oby tylko nakład był duży. Autografów nie będzie, więc jest szansa, że poleży. Za dużo tych boxów ostatnio.

[Adam]

nie wiadomo czy akurat teraz na stówę będzie ten Die Hard 2cd, ale jeśli nie teraz to już bankowo pod choinkę będzie, bo pisali o nim już w tamtym roku.

[Bucholc Krok]

No to już wolę teraz tego Kamena. Bo jak teraz dadzą coś z autografem to będzie bieda.

[Mefisto]

Prawdopodobnie będzie to kompletny DIE HARD 1 Kamena Było zapowiadane już w tamtym roku.

orgazm...

[Adam]

ło jezu jaki LOOOOL

no nic, więc Die Hard czeka nas w dalszej częsci roku, pewnie w listopadzie z Hookiem 2cd


It's a Mad Mad Mad Mad World - 2 disc set, 24 page booklet
Music by Ernest Gold
LLLCD 1167
Limited Edition of 2000 units
Regular Retail Price: $24.98
Special Sale Price: $19.98

Produced by Ford A Thaxton and Ray Faiola, Chelsea Rialto Studios
Mastered by Ray Faiola, Chelsea Rialto Studios
Liner Notes by Jeff Bond
Art Direction by Mark Banning

This note by Producer/Mastering Guru Mr. Faiola says it all. . .


Producing the Original Soundtrack
by Ray Faiola, Chelsea Rialto Studios

"As one of those die-hard fans of IAMMMMW (my 16mm IB/Scope print is one of my most prized possessions), it has long been a wish of mine to have a recording of the complete original soundtrack score. For some time it was believed that the dubbing stems survived, but this turned out not to be the case. So, we’ve taken an extreme step and used the limited range rear recording angles from the original six-track composite soundtrack. This presented us with both positive and negative aspects of the materials. The positive was that, for the most part, the tracks were music-only. Only one cue had a major sound effect that commandeered the tracks, necessitating a portion of re-modulating and replacing those few bars of music. The negative was that while many of the cues were overt and took primary occupation of the track space, many others were dubbed far beneath dialogue sequences. This resulted in several cues having a noise-to-signal ratio of nearly 70 per cent. In bringing the music level to acceptable volume, the radically increased noise had to be suppressed as best as possible. Thus, some cues are of significantly lesser fidelity than others. Also, the entire soundtrack had to be corrected for audio-dipping during dialogue portions that lasted from moments to many seconds. All-in-all, many hundreds of edits, adjustments, transitions, and, yes, even a few artistic choices had to be made. The rear channels were, in fact, a single “split” signal, similar to the early Re-Channeled-for-Stereo LP’s had been. Rather than have two channels each with partial information, they have been recombined into two pure mono channels. Since all the “program” music (Overture, entr’acte, exit music) as well as the chorals from the main, intermission and end titles are in full stereo, the mono score channels have been separated by a third of a frame to give expansion and create graceful segues into the stereo chorals and program tracks. It should be noted that the harmonica solo at the beginning of “Exit Smiler Grogan” did not appear on the surround channels and is irrevocably combined with dialogue. Nor did the Shirelles’ “31 Flavors” appear on the surrounds. Finally, none of the rear surround music from the so-called “restored” sequences were available and our soundtrack represents the general release print of the film. The resulting disc is certainly not an optimum recording of the soundtrack score. But, given that these are the materials that survived we have made our best effort create a complete symphonic presentation."


See ya back here next Tuesday, March 15 at 1 pm PST for our day of MADNESS!

MV

[Bucholc Krok]

It's a Mad Mad Mad Mad World - 2 disc set, 24 page booklet
Music by Ernest Gold
Limited Edition of 2000 units

Przecież wyszło chyba w zeszłym roku w Kritzerlandzie.

[Adam]

dlatego napisałem że lol

[Bucholc Krok]

Na dodatek autografów nie będzie. Poleży.

[Mefisto]

Co za porażka.

[Tomek]

Widocznie analitycy rynkowi La-Li uznali, że istnieje na to zapotrzebowanie

Nie zapominajmy, że to co dla nas może się wydawać porażką, może mieć powodzenie wśród kolekcjonerów z USA, którzy są głównym targetem wytwórni typu La-La, Intrada, Varese etc.

[Bucholc Krok]

Ciekawe kto im kupi najwięcej egzemplarzy tego Kopernika.

[Adam]

pewnie Abel będzie miał ładnie wydaną płytkę do rozdawania np. producentom a nie jak do tej pory CD-Ry w kopercie ale modle się żeby jednak się im ta płyta sprzedała, to może Terre wydadzą wówczas..

[Bucholc Krok]

Modlitwa nic nie da, powinieneś wesprzeć Abla czynem. Ile egzemplarzy sam kupiłeś?