Co Gieferg sądzisz o tej zmienionej kolorystyce Drużyny ?
Z jednej strony fanem tej kolorystyki nie jestem, ale z drugiej transfer wersji Extended jest ogólnie i tak o wiele lepszy (ostrzejszy, bardziej wyrazisty) niż wersja kinowa (o DVD nie wspominając), poza tym, jako że to nie jest jedyny film, któremu zazieleniono kolory (podobnie było z filmami Camerona na blu - Aliens, Titanic i remaster Terminatora - choć tam mniej to przeszkadza), na takie okazje mam w TV ustawiony tryb "niebieski", który to nieco łagodzi i już mi tak bardzo to nie przeszkadza.
Większy problem jest jak dla mnie z rozszerzoną Drużyną na DVD, gdzie jest mocno skopany dźwięk w wersji PAL, coś poszło nie tak z konwersją audio z 24 na 25 fps i w ścieżce dźwiękowej są słyszalne usterki dające się we znaki szczególnie w muzyce:
http://www.dvdactive.com/reviews/dvd/lo ... ition.html
By now you may have read about the various problems with the audio mix on the Region 4 disc. The pitch correction method used in the theatrical DVD set came under much scrutiny when it was first released, which makes the decision to use it again an enormous surprise. With the theatrical version the Region 4 mix had its level dropped by 9dB under the Region 1. But for this release it was only dropped by 3dB after the Dialnorm on both regions was set to –31dB. It may sound like a bunch of jibberish to some but the bottom line is the decibel cut on the Region 4 was not enough to eliminate popping and sound dropouts as a result of the pitch correction, which is a damn fine shame because had it not been for this problem the audio mix would have been basically flawless.
Now, will those with a sonically-average pair of ears really notice them? The short answer is probably yes, firstly because there are a few of them so you’ll most likely hear at least one during the film and secondly because I’ve just told you they’re there (along with many other reviewers). The pops basically sound like a harsh sound effect gone a little wrong and the first couple fall directly on top of a semi-loud effect such as Frodo bursting through a door. My ears are pretty sensitive mainly because my eyes are shot without glasses but I couldn’t really call these small defects distracting. Others may disagree but I think you’d definitely have to be focusing on the audio rather than the film to hear them most of the time. And then again, some ears may not even hear them at all, such as when I got five of my friends around to see if they could hear the pops. One by one they came in without me telling them what they were doing. I merely asked them if they noticed anything about the audio over a twenty-second piece. Only one commented about one of the pops, with the others either having no clue at all or merely guessing at things such as the sound effects or music.
So there you have it. I’m of the opinion that these small problems, even though they should have been ironed out in the authoring process, aren’t enough to distract from the action unless you’ve got sensitive ears or are just plain listening out for them. Nevertheless the mix itself is impeccable, with surround usage and the subwoofer providing the ultimate immersive experience.
Z kolei w rozszerzonym powrocie króla na DVD w jednej klatce pojawia się duże i wyraźne, białe 821
