BRIAN TYLER - POWER RANGERS (2017)

[Adam]

to był obciach straszny, nie ma co dyskutować a potem przyszło Tamagoczi i Teletubisie

[Ghostek]

Obciach to teraz przyznać się, że się oglądało kiedyś Diso Polo Live i Disco Relax, a nie, że codziennie wciągało się Power Rangers z McGyverem na zmianę.
Ten serial choć za grosze realizowany i naprędce, to był ciekawszy niż połowa rzeczy wówczas w tv.

P.S. Trzeci odsłuch troszkę bardziej łaskawy dla całości.

Dobra, to jeszcze wpuszczę zawartość uber-biednego, upstrzonego fotkami (jak to ostatnio u Varese bywa) bookleta:

Music by Brian Tyler
Produced by Brian Tyler and Joe Lisanti • Executive Producer: Robert Townson
Score Performed by The Philharmonia Orchestra, London
Score Recorded at Abbey Road Studios • Score Conducted by Allan Wilson
Concertmaster: Zsolt-Tihamer Visontay • Orchestra Contractor: Paul Talkington
Supervising Score Music Editor: Joe Lisanti
Music Editors: Ron Webb, Matthew Llewellyn
Assistant Music Editors: Kyle Clausen, Seth Glennie-Smith
Orchestrations by Dana Niu, Robert Elhai, Brad Warnaar
Arranging: John Carey, Chris Forsgren, Evan Duffy,
Pakk Hui, Kenny Wood, Gregory Reveret, M.R. Miller
Score Mixed by Greg Hayes and Brian Tyler
Recording Engineer: Simon Rhodes • Score Recordist: Gordon Davidson
Score Mixed at SoundGMH Studios and Madsonik Studios
Orchestra Contractor: Paul Talkington • Music Preparation by Janis Stonerook
Music Copyists: Jill Streater, Dave Gill and Richard Miller
Scoring Coordinators: Merissa Fernandez, M.R. Miller, Emily Rice, Breton Vivian
Mastered by Patricia Sullivan
For Lionsgate Entertainment — Executive in Charge of Film Music: Amy Dunning
General Manager & EVP, Music Business Affairs: Lenny Wohl
Vice President, Film Music: John Katovsich
Executive Director, Music Business Affairs: Raha Johartchi
Music Finance Executive: Chris Brown
Director, Film Music: Nikki Triplett • Manager, Film Music: Ryan Svendsen
Music Coordinator: Lilly Reid • Coordinator, Music Business Affairs: Jessica Villar
Music Clearance and Licensing: Matt Lilley/MCL Music Services, Inc.
All selections written by Brian Tyler C2017 A Lion Music (ASCAP) / WB Music Corp. (ASCAP) administered by WB Music Corp. (ASCAP) except:
Go Go Power Rangers Written by Haim Saban and Shuki Levy
©1995 Warner-Tamerlane Publishing Corp. (BMI)
Give It All Written by Benito Benites, John Garrett III,
Antoinette Colandreo, David Taylor, Santi White and Vincent Staples
Performed by With You. featuring Santigold and Vince Staples • Produced by Switch
With You. appears courtesy of For You. Records • Santigold appears courtesy of Little Jerk, Inc. • Vince Staples appears courtesy of Def Jam Records
Contains elements of “The Power” Written by Benito Benites, John Garrett III and Antoinette Colandreo, ©2017 Warner/Chappell Music, Inc. (GEMA) /
Sony/ATV (BMI) / Never Go Broke (BMI) / B Lion Music (BMI) / Warner-Tamerlane Publishing Corp. (BMI), all administered by
Warner-Tamerlane Publishing Corp. (BMI) / Little Jerk (ASCAP) / Downtown Music (ASCAP) administered by Downtown Music (ASCAP) /
Switch Werd Music (ASCAP) / A Lion Music / WB Music Corp. (ASCAP), all administered by WB Music Corp. (ASCAP)
All tracks P2017 Lions Gate Entertainment Inc.

[Adam]

wow, nie dyrygował London Philharmonic Orchestra

[Mystery]

"@BrianTylerMusic's #PowerRangersMovie score is easily the best score I have heard in 2017 thus far."

Po takich zgniataczach jak xXx, Logan i Kong się nie dziwię

A relacja Tomka nieco rozczarowująca

[Adam]

tych 5 traków posłuchaj

[Wojteł]

Żadną ciekawostką nie jest natomiast aranż Go Go Power Rangers. Mogłem się spodziewać, ze Tyler obleci go gitarowo-perkowym pierdem, ale tak beznamiętnej prezentacji się nie spodziewałem.

To co, mój lepszy?

[Ghostek]

Noo, Olo mógł komponować, a ty mu ghostować.

[Paweł Stroiński]

wow, nie dyrygował London Philharmonic Orchestra

Philharmonia Orchestra of London i London Philharmonic Orchestra to dwa różne zespoły .

[Paweł Stroiński]

to był obciach straszny, nie ma co dyskutować a potem przyszło Tamagoczi i Teletubisie

Wiesz dla jakiego przedziału wiekowego były tworzone Teletubisie i dlaczego są takie jakie są?

[Adam]

Tak, wiem Dla takiego i/lub takich

[Krelian]

Dobra możecie sobie teraz wszyscy pooglądać maraton Powe rangers https://www.twitch.tv/twitchpresents i tak bez wstydu i w ogóle

[Mystery]

tych 5 traków posłuchaj

No i nawet niezłe 8 minut, ciekawe jak wypadnie konfrontacja z 80 Piosenka dała mi raka

[Adam]

a mi aids

[Ghostek]

A mi nic. Wywaliłem po pierwszej minucie.

[Adam]

“The director and I discussed the musical tone of the score from the script phase of the movie. We wanted it to be evocative, thematic, memorable, and emotional. The sonic palette remained as we planned which was a score played by orchestra, a soundscape of guitars, vintage synths, and drums. The Power Rangers themselves have a central theme that applies to the five of them. I would describe the music as aspirational in that it always reaches for something just out of reach emotionally. It is not blatantly heroic, it is more of a theme of the heart. I had watched the series back in the day and still enjoy them. This was a cool opportunity to jump on board something that I previously knew.”