Muzyka filmowa - Forum FilmMusic.pl

Wawrzyniec pisze: ↑

sob sty 26, 2019 23:38 pm

1. Arthur’s Theme (Album Mix) (3:13)
2. Prologue (2:15)
3. Failure (2:02)
4. It’s a Tough World (1:57)
5. Morgana (1:55)
6. Building Site (1:36)
7. It Has Been Drawn (1:08)
8. Bedders Is Knighted (0:55)
9. Enter Merlin (0:53)
10. Take Me East at Once (0:57)
11. Merlin Appears (0:56)
12. Cease Your Slumber (2:33)
13. Your Quest Is Decided (1:13)
14. The Inscription (2:12)
15. This Is Destiny (1:29)
16. Morgana Observes (1:29)
17. The Quest Begins (0:29)
18. Transport Hub (0:58)
19. 20 Mile Walk (0:52)
20. I’m the King Around Here (1:37)
21. The Sword (2:04)
22. You Knew All Along (1:43)
23. Mere Rumours (1:51)
24. Arcadia (1:49)
25. Journey to the Underworld (2:03)
26. Goodnight Your Highness (1:01)
27. I’m so Sorry (2:04)
28. Who Will Join Us (3:22)
29. It Won’t Be Easy (1:43)
30. Mortes Milles Attack (2:51)
31. Heroes All! (1:07)
32. Arthur’s Theme (3:33)
33. Epilogue (3:25)

Od ekipy "Attack on the Block". Nie znam ELECTRIC WAVE BUREAU, ale ten temat jest całkiem zacny i retro-elektronikę też tam słychać.


youtu.be/qALKvrYVogs

Przy czym o dziwo, chyba tylko w tym kawałku, gdyż tak słuchając klipów to reszta się już bardziej tradycyjnie zapowiada.

Wawrzyniec pisze: ↑

wt wrz 20, 2016 12:24 pm

Adam pisze:

Adam pisze:Pany, mamy kolejny elektro retro za chwilę:

MP3 - 19.08.2016 - Lakeshore Records/iTunes
CD - 16.09.2016 - Lakeshore Records



1. Golden Gate
2. A Wolf In Unix
3. The Scenic Route
4. First Day On The Job
5. It Speaks
6. Reverse Engineering
7. Security Is A Myth
8. The Morning After
9. Rooftop Fireworks
10. I Need A Little Time
11. Western Arrivals
12. The Slingshot
13. 10BROAD36
14. The Way In
15. Run Time
16. Last Nerve
17. Gordon Steals A Cabbage Patch
18. The Cost Of Doing Business
19. Joe’s Truth
20. Go Get The Bike
21. The End of Donna’s Day
22. It’s Not Right
23. MacMillan Utility

w słuchaniu lepsze o wiele od Mr Robot i Stranger Things. Takie ciepłe granie, można posłuchać.

Właśnie też sobie posłuchałem i o ile z Paulem Haslingerem to miałem różne podejścia, tak jednak ten soundtrack całkowicie bezboleśnie mi wszedł. Nie jest to może czysto retro-score, tylko czasami jakieś przerywniki się pojawiają. Ale nawet niezła i przyjemna elektronika. Nic wielkiego, ale też biedy i padaki nie ma.

Wawrzyniec pisze: ↑

sob sty 26, 2019 23:38 pm

A historic and iconic horror film, Häxan, was completed in 1920 and released in 1922 in Sweden, and 1929 in the US. The movie is a mixture of documentary and fiction, exploring the history of witchcraft, demonology and satanism, presented in four parts and comprised of demonstrative pieces about the appearances of demons and witches in ancient culture, vignettes about medieval superstition, a narrative about an old woman accused of witchcraft, and a more modern understanding of everything through mental illness and psychology.

A century after its creation, the originally silent Häxan, previously scored live by large orchestras with pre-existent compositions, is now being rescored by Cemetery Gates, the experimental electronica duo consisting of Gene Priest and Derek Jones. The new score for the timeless horror classic will be out October 11th, 2019 digitally through Lakeshore Records.

Cemetery Gates reveal how keen they were to get to work on this through the following statement: "Häxan is one of those cult films that once you've seen it, you just can't shake it. The vision that Benjamin Christensen set forth in 1922, still holds equally as visually striking and impactful today. As fans of the film as well as the themes of the Occult and Witchcraft in general, Cemetery Gates was more than excited to get the opportunity to re-conceptualize what the film's score might have sounded like if composed in modern-day horror-score fashion."

Sinister, nightmarish and up to par with the film's otherworldly nature, the fantastic new score Cemetery Gates came up with is being introduced with a five-minute, hair-raising, synth-heavy cut, The Devil Fulfills Her Wishes, streaming for the first time below.

The duo continue to describe their sound: "Using all analog and modular synthesizers, Cemetery Gates explores the themes of the film scene by scene, ranging from soft and subtle piano-driven tracks or a single airy floating synth line to chaotic, heavy, and dense modular growls and relentless modular percussion. This album is best experienced through headphones."